"In a perfect world everything would be either black or white, right or wrong, and everyone would know the difference. But this isn't a perfect world."
Neal Shusterman’s main technique when story telling is to focus on teenagers and teenager driven problems, most prominent are mental health, like depression, anxiety and self-harm or social pressures, like bullying, peer pressure, body image, or sexuality. His main goal when writing is to connect to teens. He tends to not have many calm moments in his writing, captivating his audience with the fast-paced storytelling. His fast pace storytelling is what hooks his readers in and never lets them go. Neal uses humor to his advantage. Most of his stories are dystopias or dramatic young adult fiction, so he adds humor to lighten the story and add relief where needed. Most of his works are rooted in other authors' works which he looks up to. It is not plagiarism but just inspiration, as many of the authors he looks up to also look up to him, creating a collective for storytelling.
His characterization is where he shines. Shusterman tends to lean more towards juvenile authority in his writing. With central conflicts based on children and young adults questioning authority, or what he likes to call “ Proactive Citizenry,” Neal’s characters end up in trouble or in jail quite often. His characters focus on challenging societal norms and laws they see as unfair. Characters in Shusterman’s novel usually take on different looks, for example southern gothic in his story Unwind. He weaves Foucault's theory in most of his books effortlessly, creating characters that use knowledge to gain power and vice versa. With this lust for knowledge comes sharp emotional arcs and added internal reflection. Characters in these novels reflect what teens go through in real life. The emotions displayed are parallel to that of the real world with internal conflicts that feel personal to the reader. Shusterman’s characters are complex and realistic.
In these novels, Neal Shusterman uses both sociological and theoretical framework to hold his stories together. The duality of structure, or more famously known as Giddens’ Structuration Theory, was introduced in one of his early novels and helps to create the duality he looks for when imagining his societies. Setting up his duality of structure early on in his novels, he is able to use characters to create and recreate his societies as he or they see fit. After masterfully sets up Giddens’ Structuration theory, Shusterman is then able to weave sociological imagination into his novels. This sociological imagination gives not only his characters, but his readers the opportunity to see the connection between their personal struggles and the struggle happening in society as well. This connection between public issues and personal issues creates a space for readers to test their own moral compasses. A few of his novels even use Durkheim theory, which is the idea that society shapes individuals and creates groundwork for social order and defiance.
Neal Shuterman intertwines a complex and fascinating setting into each of his novels. Most notably in his Unwind dystopian novel. He creates a semi-futuristic America, recovering from a third world war. He is able to draw many parallels to society that outlive the novel itself. While he does create the problems of the society through his thought provoking plot, his solutions are challenging yet obtainable, making the reading striking and comprehensible for the reading. These obtainable solutions connect with the reader, giving the reader a sense of strength and courage in their own life. The problems he creates in his novels are always complex and never easy to solve, but to balance that he comes up with strong protagonists, usually teens, to connect with his teen audience.
Neal Shusterman is most known for his Dystopian storytelling and themes. He expertly crafts apocalyptic imagery. He explores how his characters resist control and fight back against societal norms. These dystopian themes connect with real world fears, which are exemplified through the characters and plot that's created. He is able to connect with other dystopian books written by different authors. The comparison to how they are similar yet vastly different is a skill that Neal has mastered.
Although there are magical elements added in his novels the themes created through the dystopian worlds are universal. He is able to accurately question what it means to have a nurturing family, and the heteronormativity that comes along with creating a nuclear family and the idea of reproduction. He can craft a web of lies that accurately depicts real world issues. While creating problematic impersonal relations, Shusterman is able to drop hints at the solutions, captivating the reader.
The problems Shusterman creates in his stories are very rarely completely imaginative. He connects and takes inspiration from problems in real life. The contractualism he creates in his novels helps the reader explore their own morals and the characters' morals at the same time. The idea of what is right and wrong is complexly woven into his novels, with the themes of “All are guilty” and “None are guilty” added, creating a duality that is prominent and important throughout. Characters also deal with problems of anxiety and identity, which draws added parallels to problems in teenagers minds today. He adds concepts of religion and sacrifice and the ability of choice for his characters. This ability of choice is his most prominent real world problem, and it helps the reader to understand their own choice in their life, inspiring them.