In the article “The science of Michael Crichton” written by David M. Lawrence speaks on Crichton’s ability to create thought provoking questions and stir a curiosity within his readers. Micael Crichton’s book State of Fear capitalizes on humanity's limited understanding of how things such as medicine, or climate truly work, and how humanity is only seeing the tip of the iceberg when it comes to knowledge about these things. Crichton uses public understanding of Global warming specifically to demonstrate just how distant the human race is to truly understanding the impact we have on the planet and what the planet will do to us in return. Crichton challenges the ideas of climate science. Things such as data manipulation, and media influence have warped the public's perception of what climate change is and its true effects. Crichton is a skeptic of many so-called scientific facts due to these reasons, which is a big factor in why Crichton does much of his own research within his novels. This way he does not feed into a media that distorts fact, or manipulates true scientific data. Crichton utilizes his characters within his novels to portray someone the audience can relate to and more easily accept the ideas they display.
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Crichton In the midst of one of his climate change speeches.
In the article Michael Crichton, Narrative Critique, and the Boundary Work of Scientific Expertise, written by Richard D. Besel, Renee' Smith Besel, and Bernard K. Duffy, the authors examine the methods of best selling book writer, MIchael Crichton. Michael Crichton is one of few famous writers to utilize his fame and influence to challenge mainstream science consensus. Because of his works, such as his novel State of Fear, Crichton has been credited as if he actually had the scientific expertise, even being asked to speak on national platforms. This shift from simply writing novels to speaking on behalf of the scientific community highlights the powerful influence of Crichton’s media narratives. Not only is Crichton believed to be an expert with climate issues, he also believes himself to be one of very few people who is an objective critic compared to climate scientists. Crichton believes there is no independent verification of the field of climate science compared to something like the medical field. This leaves the problems of climate change into the hands of scientists who Crichton believes are inadequate and that feed false information to the public, truly revealing the tension in public trust in Science. The authors argue that Crichton's case can affect not only how scientific ideas are communicated, but also who is trustworthy enough to conduct and share the research.
In the article, Too theatrical by half? The Admirable Crichton and Look Back in Anger, Written by Stephan Lacey focuses on the dynamic use of traditional writing and movie making to modern 20th century writing styles. This unique style is one of the reasons why Michael Crichton is solidified as a great writer and filmmaker. Being trained in the field of medicine at Harvard is where Michael Crichton showed his talent for writing. He blended Classic Narrative conventions, such as linear plots, clear conflicts, and suspense-driven pacing. However, what set him apart from other writers at the time was his utilization of humans' inherent fascinations with science and technology. Crichton’s childhood wonders of science and reading evolved into writing about the dangers of rapid innovation. Sometime in the late twentieth century, there was a period where people feared the ideas of biotechnology, AI, and scientific institutions staying credible. Crichton, being in need of money at the time for his medical studies, turned this fear into a way people could process in a book. He studied these topics and, with his unique writing style, balanced the sophisticated science with wide accessibility to many readers. Crichton’s work helped redefine the way popular culture interacts with science, forever leaving his mark on how modern day story telling is carried out.
Crichton on the movie set for the film adaptation of his novel: Jurassic Park.