"Sometimes [write] about the anger that resides within you and all the imperfections. All my characters are so fragile and wounded and hurt and angry, and struggle to be decent when all the world has tried to make them hard and indecent.” - Benjamin Alire Sáenz
Rhetorical Devices
Benjamin Alire Sáenz is famous for his use of setting in all his works. From novels such as Aristotle and Dante Discover the Secrets of the Universe (2012) to his poetry “Calendars of Dust” (1991). This Chicano author grew up in the Texas borderlands, underlining his personal connection to his stories. Sáenz’ use of settings in the borderlands builds the plot of his work by connecting with its characters through the environment in which they live. Establishing a time and place that Sáenz is personally familiar with allows for his stories to dive deep into the context, behaviors, and life of his complex stories and Chicano characters. Utilizing this rhetorical device enhances Sáenz’ work to deepen the reader's understanding of the borderlands (Ambacher, 2025).
As described before, Sáenz’ experience in the borderlands is implemented in his settings. Another significant part of Sáenz’ life that shines through his work is his identity. His experiences as a gay Mexican-American are discretely shown in his novels that focus on the issues gay Mexican-American boys live through. Homophobia, racism, classism are all examples Sáenz has an understanding of and can integrate into his writing. Although Sáenz didn’t come out until age 54, his experiences through the process strengthen his stories by making his work have depth and reality (Barclay, 2014).
Sammy and Juliana in Hollywood (2004), Last Night I Sang to a Monster (2009), The Inexplicable Logic of my Life (2017), and Aristotle and Dante Dive into the Waters of the World (2021) are a few of Sáenz’ pieces that are written in first person. As Sáenz grew into a novelist he employed first person regularly with intent of appealing to the emotional sides of his readers. Writing in first person narrative forms a more personal connection resulting in the reader sharing the same feelings and thoughts as the character. Sáenz evokes a sense of knowledge and comfort between the reader with his (often male) protagonists, creating a more relatable and intimate story.
Allusions
Nighthawks, Edward Hopper (1942)
An allusion is a “brief, indirect reference to a famous person, place, event, or idea, often from literature, mythology, or history, that adds meaning without a lengthy explanation.” Sáenz utilizes allusions on many occasions in very different ways. In Aristotle and Dante Discover the Secrets of the Universe (2012) the two main characters, Ari and Dante, are similar and different on many different levels. Sáenz employs allusions to art and music to identify key characteristics about the characters. From the beginning of the novel, Ari is immersed into cultural music such as “The Los Lobos version of ‘La Bamba’”, while Dante is more interested in “The Beatles". Sáenz incorporates this allusion to highlight to the readers that Ari is comfortable in his Hispanic heritage, while Dante is not.
Not only do Ari and Dante converse about music, but also paintings. In the middle of the novel, Sáenz writes "Dante was right about Nighthawks. It was a great painting. And it was true, what Hopper was saying. I felt as if I were looking in a mirror. But it didn’t break my heart.” Sáenz utilizes the allusion of the Nighthawks painting, known for displaying loneliness. By adding that Ari’s heart doesn’t break, Sáenz is alluding that Ari is comfortable with being alone. He finds peace in his own isolation. (Jurgelionytė, 2012)
Also in Aristotle and Dante Discover the Secrets of the Universe (2012) poetry plays a huge role in connecting the two characters. “Williams Carlos Williams. It was Ari’s first time reading poetry. A verse from the poem ‘Death’ is quoted in the book.” The poem “Death” is significant to this novel because Sáenz is portraying Ari as the character who is reserved and hates poetry, but now after meeting Dante and hearing his first poem with Dante, Ari understands his identity is changing. Sáenz allusion of “Death” highlights a main theme in this novel, how everyone is always changing and some elements ‘die’ and others blossom. (Jurgelionytė, 2012)
Themes
By now we have identified many criticisms of Sáenz’ work and how he writes his stories. We’ve focused on his intent, experiences, and his use of setting, first person, and allusions. To conclude the criticisms we are going to dive into the themes Sáenz’ work explores and addresses. After touching upon his experiences in the borderlands and how he contributes them to his work, a similar theme seen in Sáenz’ novels and poetry is family conflict. Being from the Southwest, he understands the general familial issues there. He juxtaposes the strength and weaknesses, love and resentment, and violence and peace of Chicano families. Emphasizing the need for family bonds, Sáenz does not forget to discuss the true nature of family secrets and conflicts. While the family issues are an important theme of Sáenz novels, much of the conflicts are resolved when his characters find their true identity (Melendez, 1999).
Additional ubiquitous themes recurring in Sáenz’ novels are love and identity. From talking about Sáenz’ employment of family issues, we started to mention how he solves those issues in his stories. To resolve a conflict, most of Sáenz’ novels result in his characters finding their true self, and therefore loving themself, which reflects how they act with/to others. Specifically in Aristotle and Dante Discover the Secrets of the Universe (2012) the main character Ari finds himself discovering his identity through the desert of the borderlands. Sáenz utilizes the desert to “[appear] to be a wasteland but offers solace to those who understand and search out its hidden fertility.” Finding one’s identity, especially in Ari’s case, allows for the character to come to terms with the conflicts in his family. Not being scared and confused on who he is, he builds the strength to have those difficult conversations with his family. Aside from Ari’s story, Sáenz implements many rhetorical devices, allusions, and themes throughout his works to ultimately connect with readers on a more personal level (Melendez, 1999).