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What Drives Me
Empathy, Efficiency, and Execution.Â
Connection and communication with an audience are my primary focus. My designs are a tool to pass on the director's ideas to the viewer.Â
Creating the world of the story through environment and character is fundamental, and the crossroads between set, lighting, and costume can make or break an experience. My interest in a variety of disciplines enables me to have an empathetic approach to my designs and communication with directors, designers, and audience members.
Epiic
Lighting Designer
The Everything Man
Lighting Designer
Avrielle's Guide to Love
Lighting Designer
Is God Is
Lighting Designer
The Last Supper
Production Designer
Basement on Edge
Production Designer
Happy Place
Production Designer
Alley Watchers
Production Designer
Nuclear Family
Production Designer
Angel Boy
Lighting Designer
5678
Lighting Designer
Living Landscape
Lighting Designer
Carmen
Stitcher
Dialogues of the Carmelites
Stitcher/Dresser
The Marriage of Figaro
Stitcher/Dresser
Horseplay
Asst. Director
Dantons Death
Programmer
Ten Moments of Cringe
Assoc. Lighting Designer
Girl Group Talk
Assoc. Lighting Designer
Nomad Cookbook
Asst. Lighting Designer
Last Days of Judas
Asst. Head Electrician
Fight Milk
Asst. Producer
Mother Courage
Programmer
Silent Night
Craftsperson/Dresser
La Boheme
Craftsperson
Così Fan Tutte
Craftsperson/Dresser
Great Comet
Scenic Designer
Falling Man
Director
Spelling Bee
Co-Production Designer
Imbecile
Lighting Designer
Pullman Car
Lighting Designer
Meg
Lighting Designer
The Other Room
Lighting Designer
Its Out Town, Too
Lighting Designer
Women of Lockerbie
Asst. Lighting Designer
Electra
Stage Manager
Promenade
Costume Design
Jesus Christ Superstar
Asst. Stage Manager
Treasure Island
Makeup Tech & Dresser
Anything Goes
Stitcher
How I Saved Roosevelt
Lighting Designer
First Time in Forever
Prop Designer
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