Fauvism was a revolutionary art movement that emerged in the early 20th century, shaking up the art world with its bold, unnatural colours and expressive brushwork. This avant-garde style, which translates to "wild beasts" in French, was pioneered by a group of artists including Henri Matisse, André Derain, and Maurice de Vlaminck.
The origins of Fauvism can be traced back to the summer of 1905, when Matisse and Derain spent time painting together in the coastal town of Collioure, in the south of France.
There, they began experimenting with a new visual language, one that prioritised colour and emotion over realistic representation.
When their works were exhibited at the Salon d'Automne in Paris later in 1905, the art critic Louis Vauxcelles famously described the artists as "wild beasts" (les fauves), coining the term "Fauvism" to describe their radical approach.
The paintings, with their bold, unnatural hues and energetic brushstrokes, shocked and scandalised the public, who were accustomed to the more subdued palettes and naturalistic styles of the Impressionists and Post-Impressionists.
The primary goal of the Fauvist artists was to liberate colour from its traditional role as a tool for representing reality.
Instead of using colour to accurately depict the world around them, they employed it as a means of expressing their inner emotions and subjective experiences.
Fauvist paintings often featured vibrant, clashing colours that had no basis in nature - red trees, orange skies, and violet shadows.
The artists would apply these colours directly from the paint tube, using thick, gestural brushstrokes to create a sense of energy and movement.
This approach stood in stark contrast to the more controlled, naturalistic styles of the past, and paved the way for the more abstract and expressive art that would follow.
In addition to their bold use of colour, the Fauvist artists also simplified the forms and compositions of their paintings, often reducing their subjects to flat, simplified shapes and patterns.
This emphasis on formal elements over realistic representation further distanced Fauvism from the art of the past, and aligned it more closely with the emerging modernist movements of the early 20th century.
The Fauvist artists were influenced by the scientific colour theories developed in the 19th century, particularly those related to complementary colours.
By placing contrasting hues side-by-side, they were able to create a sense of vibrancy and intensity that was unlike anything seen in traditional painting.
This approach, combined with their simplified forms and flattened compositions, gave Fauvist works a sense of immediacy and emotional impact that was truly revolutionary for the time.
While Fauvism was a distinctly French movement, it was not entirely isolated from the artistic developments happening elsewhere in Europe.
The Fauvist artists had a significant influence on the expressive and emotive qualities of German Expressionism, which was emerging concurrently in the early 20th century.
Like the Expressionists, the Fauvist painters sought to convey their inner states of mind and personal experiences through their art, rather than simply depicting the external world.
The Fauvist artists were also indebted to the innovations of the Post-Impressionists, particularly the bold, gestural brushwork and vibrant colours of artists like Vincent van Gogh and Paul Cézanne.
While the Impressionists had focused on capturing the fleeting effects of light, the Post-Impressionists had begun to explore the expressive potential of paint itself, paving the way for the Fauvist revolution.
Despite its relatively short lifespan as a cohesive movement, lasting only around a decade from 1905 to 1915, Fauvism had a profound and lasting impact on the course of modern art.
The Fauvist artists' radical approach to colour, form, and composition laid the groundwork for the more abstract and expressive art that would follow, including Cubism, Orphism, and Abstract Expressionism.
Matisse, in particular, remained a central figure in the development of modern art, continuing to explore the expressive potential of colour and form throughout his long and influential career.
Other Fauvist artists, such as Derain and Braque, went on to play pivotal roles in the emergence of Cubism, further pushing the boundaries of what was possible in painting.
Today, the legacy of Fauvism can be seen in the work of contemporary artists who continue to experiment with bold, unnatural colours and expressive brushwork.