This course covers the fundamentals of acting and character development. Students create believable characters through improvisation, pantomime/mime, monologues, two-person scenes and group scenes. Blocking techniques, vocal work, body movements and facial expressions are areas explored by Theatre I students. Students are required to attend one theatrical performance each semester and critique the play. Students also read a play each semester.

This course complements the work begun in Theatre I by incorporating a study of the styles of stage performance. Scenes from different historical periods and cultural perspectives are selected, directed and performed by the students under the supervision of the instructor. Learning lines is a requirement of this course. Students perform audition style monologues and produce an analysis for a one-act play they might direct. In addition, students are required to audition for all after school theatre productions. Note: Acceptance of a role is not required. Attendance at a minimum of one theatrical performance each quarter is required and attendance at local school performances is encouraged.

This course extends the concepts and skills developed in Theatre II by incorporating a study of multiple acting techniques, including Stanislavski’s and Uta Hagen’s techniques. Students complete independent scene work, develop a professional acting portfolio, and extend their knowledge of theatre history. Students produce and audition a full length student directed project. In addition, Theatre III students audition for all school productions. Note: Acceptance of a role is not required. Attendance at a minimum of one theatrical performance each quarter is required and this should include attendance at one of the school theatre productions.

Honors Theater IV operates as an independent production company run by students producing formal and informal theater that is relevant to their community. It explores many styles of theater and is evaluated for process, content and production quality, based on evaluation tools developed by the ensemble. Design of a full theatrical season and the completion of at least three formally produced shows within that season is required.