5.5" x 2" x 6", Stone-ware and Glass, 2024
Although we learned how to make these as an assignment in class I got my idea from Ms. Garrity. I saw her make a pitcher and liked how it turned out, so I tried to make mine similar. In making this pitcher we were taught how to use the slab roller, I used this to my advantage. I rolled a slab and then used an old place mat to create the design. I rolled the design onto the clay and then cut my slab into a symmetrical piece. I lathered the ends in slip and folded the halves together. There was a small seam down the inside so I added a supportive coil for structural integrity. I traced the bottom of the pitcher with a needle tool and created the bottom out of the extra clay I cut out before. I slipped the bottom and attached it. I smoothed out all of the cracks and seams whilst, I formed the spout of the pitcher. We fired my pitcher and I put 4 layers of Blue Rutile glaze. We fired the pitcher and got the final artwork. Every time I look at this pitcher I see a bird, that wasn't my full intent but I feel as if others should see it too. Whether it is from the flower overlay that looks like feathers or the spout of the pitcher looking like a beak. So the design and symbolism may not mean anything specific or mean anything but it is an image that resembles a bird and I hope others see that. The most difficult part for me on this project was having to face the fact that this pitcher wasn't going to be the best thing I've ever made. When I thought about it this is the second thing I've made out of clay since I was little. This helped me overcome the fact it isn't going to be perfect as long as I improve. If I were able to start over on this pitcher I would go in right away with a positive attitude. This is a utilitarian artwork due to the fact it was finished with food-safe glaze meaning it can be used. Something I have in each of my artworks is a mistake, whether it is intentional or not I think it is what makes my artwork perfect.
Large- 8" x 8" x 2" Small- 4" x 4" x 2" , Stone-ware and Glass, 2024
The slump drape idea to make bowls tracks back generations. This was a class assignment however I knew what I wanted mine to look like. I knew I wanted funky textures and designs on these bowls. Other than that I came up with the glazes and different ideas as the project went on. I cut and turned several pieces of clay into slabs. I had to connect two slabs to make the big bowl. After turning them into slabs I pressed a design into each bowl. I put it on a styrofoam ring and slammed it onto the table. This was to make the overall bowl shape. After this, cleaned up the cracks and edges and put it into the kiln room to dry. I used emerald green and midnight blue to glaze these. They went through the kiln one more time and were finished. Although this bowl was a grade, It still didn't come without its meaning. These bowls symbolize growth in my artwork. Whether you look at my pitcher or my magnet I can tell that I've improved. I hope everyone looks at these with enjoyment just like I do.
The most difficult part of these bowls was making sure it was even. Whether it was spinning it around to get it symmetrical or making sure all of the bottom was even and flat. It took time but I know I did my best and am proud about it. If I were to start over I would tell myself that this takes time and it's okay to take a long time as long as you're happy with the final project. I think this is a practical piece of art because it can be used in daily life. However, when it comes to my own style I think this fits in. Whether the mistake is intentional or not I take to own it and make it my own. I love the glaze on these pieces and it brings out the design.
3" x 2.5" x 2.45", Stone-ware and Glass, 2024
On the first day of school, we were handed a ball of clay and told to make a magnet. I had no idea what I was going to create however I was wearing a bee shirt, so I decided to go with making a bee. My bee evolved from one big bee to a small bee and then finally added some grass and flowers. I started by rolling my ball into a short coil. I cut it and then started to create the wings and the grass. I made this by flattening the excess clay and cutting it out. I made a little stinger and some flowers. After I had all of these pieces made I slipped them together. I start to add some details like the lines on the bee and the small holes in the flowers. I was done after adding the details so it was dried and fired. When it got out of the kiln I painted it with acrylic paints. I used yellow, red, and black while I kept the wings the natural color of the clay. Once everything was dried I hot glued several magnets on it and put it onto the board. Throughout this process, I used needle tools, a ridge tool, and a rolling pin.
The shirt I was wearing when I came up with the idea for the bee was about saving the bees. So whenever I think about this piece of art I think about saving the bees and how necessary they are in our daily life. So when you look at this bee it may just be a bee but it also represents the protection and preservation of bees around the world. Overall, when people see this piece of art I hope they realize how important bees are and how we need them to stay around to thrive on this Earth. This was the first thing I've made out of clay in many many years so I wasn't expecting it to look good although I thought it might turn out a little better than it did. The most difficult part for me was getting all of the proportions right, at first the bee was too long then the bee's wings were too square. I overcame this by trial and error. In the end, I think I got the proportions right but if I had to start over I think I would've just chosen a different animal/object. This is due to the fact I don't think even if I started over I could fix this bee. I tried to be realistic with the piece and I think you can definitely tell it is a bee. I think my personal style is making things look broken down and like there's a small mistake whether it is purposeful or not. I think I incorporated this well. Due to the fact I didn't like this artwork at first I love you that can actually tell it is a bee and not some random bug.
8" x 6" x 4", Stone-ware and Glass, 2024
When drawing my original 4 ideas I came up with the idea of a coil mug with dead flowers falling off the sides. I started working on it and realized how much I hate coils. So I morphed and worked with the coils until it was smooth enough to make a slab. Then realized I should continue with the dead flowers. After realizing how much work it would take to craft each flower over the side of the mug I decided that the mug should spill all the flowers and water. This is where the spilled water and flowers you see today came from. When I started this project I made many coils and started to turn them into a mug with glaze and other tools. However, I didn't get very far into that when I flattened and turned that version of the mug into a slab. I created a more realistic and real mug. I next decided to start creating the flowers. I cut out small ovals out of a slab and rolled them out with a rolling pin the main the main dead flower. I would shape the petals and add texture with my rib tool as I went along. For the Venus Flytrap it was that easy. I started off by making a coil for the stem then created a small bowl and squeezed it together to form the mouth part. I individually rolled all of the teeth and connected it with glaze. I decided upon the spilled water idea and carved out a slab to create the effect of water. To sell to the viewer that it is water I worked in the slab with my fingers, creating ripples and other effects. Once it was fired I used Midnight Blue glaze for the water and anything touching it, and Saturated Gold for the mug and flowers. It was fired one more time and came out just as I expected.
When I was making this artwork I was thinking of themes of friendship and love. This is because the flowers may be broken and wilted but they can't die because they're made out of gold. Just like how our families are forever and we can't leave them. I think the audience can just take in deep colors and see how the flowers are eternal. The most difficult part of this project was the glazing. There are so many cracks and divets, so it was hard to fit a paint brush into many places. Also when it came to the flowers being in the water I had to decided whether or not they should have some blue on them or not. I fixed these issues by using small brushes even though it took longer and going with my gut when it came to making choices. So overall, glazing and stylistic choices were the hardest. If I started over on this artwork I would start with the slab then the mug then the flowers. I found that by the time I was connecting things, serval petals were dry. This was my first time doing a project that I had full control over so I really just tried to make it my own. I would say it is Semi-Realistic. I love mostly everything about this piece but mainly all the scattered petals.
Circle - 3.5" x 3.5" x 3" Abstract x2 - 4' x 3.5" x 3", Stone-ware and Glass, 2024
I didn't have an idea of what I was going to make when I first started on the wheel. This is because the wheel makes what it wants to and you can only help it. So I ended up making three small bowls. However, the walls on two of them were uneven so this is where you get the curvy abstract idea. After getting several softball-sized balls of clay and an ice cream bucket of water I wet my hands and tried to get my clay centered and attached to the wheel. I was on a kick wheel so I was continuously kicking during this. Once attached I pressed down into the clay and tried to pull it up, eventually getting it into a bowl shape. After they were done I trimmed the edges and smoothed things out. I glazed them and am glad how they turned out. This artwork doesn't have any symbolism due to the simplicity and the overall assignment on it. The most difficult part of the wheel is getting it centered and attached, you just have to be patient. I would tell myself to take my time and not rush things. This was my first time throwing on the wheel so I just tried to make a bowl so, I didn't have a style or exact type of art.
6" x 6" x 5", Stone-ware and Glass, 2024
My idea for this project was to make a pot/pencil holder that I could use. I saw a project online and it gave me the idea to make it look like a jelly cat stuffed animal. So I looked up jelly cats and saw the cake and I knew it would work. In the process of making this piece, I started with a slab and acted like I was making a normal mug. I then created a lid and added all of the details such as the legs and facial features. I glazed with Iron Yellow and a deep red color. This artwork is really just meant to represent a jelly cat so I followed their style with the eyes and legs. The most difficult part was smoothing everything out and making sure it was stable. I really love the front of this piece because it is everything I was hoping for.
2" x 1" x 1.5", Stone-ware, 2024
This slip casting was an assignment in class. I wanted to do something simple and saw these bunnies, and I knew these were what I wanted to do. The process of slip casting was not difficult it was just very time consuming. We started with all of our leftover clay and cut it up. Then let it sit in water and mashed it until it was fully smooth with no lumps. We also had to make sure it was liquid enough to pour. After I poured them I waited for them to harden and then trimmed all of the edges off. I really liked the unfinished look of them so I decided not to glaze them. I really like the unfinished look of this piece and how it really just shows that not everything is perfect.