Welcome welcome welcome back everyone! In the blink of an eye, just like that, Summer 2023 has come to a close. I'm always amazed by how quickly summer flies by, even when things can start to feel endless right around June. I'm not sure about you, but each year seems to be wrapping up faster than the last and, before we know it, graduation will be right around the corner, eek! Nevertheless, before crossing that stage I know it's time to buckle up - and buckle down - for a whole new roster of classes, clubs, and creative endeavors. I'm a firm believer in the power of receiving the energy you put out into the world, so as we all embark on a journey together through the end of 2023 I know I'll be manifesting positivity in every aspect of life. I encourage you all to take a moment this week to first, take a breath, it'll be okay and second, envision yourself at the end of this year. Where will you be? What will life look like? While it might seem a little too late for a New Years Resolutions, a professor once told me that there's a New Year around the world all the time. Personally, choosing to make everyday an opportunity for a "new me" has brought more hope and perseverance to uni life than I could've ever hoped for. When life gets crazy, let's scream back at it.
Fall this year seems to be a season of changes, whether from the Cleveland weather surprising us once again or in new developments at our own University. Embracing change is hard, and I know I'm not one to easily accept it, but similar to our tornado warnings last week, oftentimes the best and only thing to do is just letting it blow on through. In note with the theme of change, our writers this month look as though they have all landed on similar pages of reflection, appreciation, and love. Our classic Reviews section has been rebranded to "Music Reviews" as our prolific writer Ivan DeHaas welcomes everyone back with a blessed three album write-up. Splitting off into its own new tab is "Community" , where advertisements for humanities events and groups on campus will exist here on out. The aim of our little magazine is always to get people engaged, so I hope that one of these explorative endeavors grabs your attention and pulls you in.
Poetry is also on our minds, rolling through our thoughts and flowing out of our pens. I can't think of a better way to start this season than with a love letter to August (written by VP Paris Mather) followed by numerous pieces of art on the warm ways we feel towards our partners, friends, and life. I'd also like to add to the pile: love thy self. Give yourself some love and lenience during this add/drop period. It's never too late to say no and maintain your peace.
With this note I leave you to peruse these virtual pages un-inhibited by my rambles. Once again, if you have any notes for us, interest in contributing writing, or looking to advertise, reach out at once :)
Love always,
Charlotte (Charlie) Goyal, Class of 2025
Editor in Chief and External Relations for ΣTΔ
Summer Adventures→
About the author: Delmira Agustini was born in 1866 in Montevideo, Uruguay. She is a modernist poet with themes covering fantasy and exotic objects. She began writing poetry at ten years old and even wrote for a society column under the pen name “Joujou”. Her first book of poems, “El libro blanco (Frágil)” was published in 1907. This book was well received by both critics and writers. However, people seemed to pay more attention to her beauty and youth. People who viewed her as a “literary object” would be something that haunted her until her death. In the literary world dominated by men, she specifically focused on the topic of female sexuality. The inspiration for her poems on carnal pleasure come from Eros, the god of love. She even dedicated her third book to him, “Los Cálices Vacíos (Empty Chalices)”. Agustini’s topics in sexuality started a myth about her sexuality. In the private sphere she was "la Nena" (the Baby) because of the restrictive nature of upper class women's sexualities. Critics would also call her things like “sexually obsessed” because of her strong, sensual imagery. The criticism even went as far as to ask Agustini to take out or hide the sexual content in her writings. However, critics did not direct these same comments to male writers with the same themes. This shows the impact that Agustinit had in the literary world. She was taking a leap for female writers.
Since this poem is translated from Spanish, I thought it would be best to include two sources with different translations!
https://minorworksproject.wordpress.com/2016/06/14/the-wings-by-delmira-agustini/
https://www.jstor.org/stable/27777103 (displayed)
The Wings by Delmira Agustini
“I had …
two wings! …
Two wings,
Which of the blue lived like two astral
Roots …
Two wings,
With all the miracles of life,
Death,
And illusion. Two wings,
Like lightning
Like the rays of a falling star;
Two wings,
Like two skies
With storms, with calms and with stars …
Do you remember the glory of my wings? …
The golden bell chime
Of rhythm; the ineffable
Nuance treasuring
The whole iris, but a new iris
Darkening and divine,
Which the wide pupils of the future will adore
(The pupils ripened by full light!) …the flight …
The eternal flight, devouring and unique,
That long tormented the skies,
Awoke suns, meteorites, storms,
Brightened rays and stars;
And the ampleness: they had
Heat and shade for all the World,
And they were even capable of incubating a world beyond
One day, when I lay strangely
exhausted, on the earth,
I fell asleep in the forest’s deep carpet…
I dreamed…divine things!
I thought a smile of yours awakened me…
I did not feel my wings!…
My wings?…
I saw them melt away — between my arms —
exactly as if they were thawing!
texting with my mom (1)
a.k.a. you use "bruh" too much in daily conversation and your mom is a quick learner