TECHNICAL SPECS FOR PRODUCERS

Included in Studio 225:

• Wall to wall acoustic paneling 

• Lighting grid with 

  • 3 Kinoflo Image 40 LED lights (background and fill), 

  • 4 Kinoflo Diva-Lite 20 LED lights (subject key/fill), 

  • 2 ARRI L7-C Plus RGB LED Fresnel Light with Inline Switch Cable Kit (Blue/Silver, Pole-Operated)  

  • All lights are dimmable and color temp and RGB adjustable using a remote DMX controller

• Full length green screen & white seamless paper backdrops

• White and black curtain backdrops hung on a wraparound track

• Overhead mic stand on wheels

• Teleprompter

• Multiple AV and network links to a control booth down the hall

• Work table

Not included in studio  (producers would need to provide their own):

• Camera(s)

• Tripod(s)

• Additional mics and audio equipment

Brown media producers also have access to the following equipment stored in the adjacent studio closet:

• • Apple box set (one of each: full, ½, ¼, pancake)

  • C-stands with 40” arms

  • 1 Kupo Master Cine Stand

  • 1 Kupo Low Mighty Stand

  • Lightweight light stands

  • 2 Matthews 24x36 flag

  • 2 V-Flats

  • 5 10 lb sandbags

  • 5 15 lb sandbags

  • 2 Aputure LS 600c Pro II RGB LED

  • 1 Aputure LS 300x Bi-Color LED

  • Aputure Barndoors, Grid, and Gel Holder

  • 2 Aputure Light Dome III (35.1")

  • 2 Aputure F10 Fresnel Attachments

  • Aputure F10 Barndoors for LS 600d

  • 2 Aputure Spotlight Max Kit with 50° Lens

  • 2 SHAPE Gold Mount to V-Mount Regulated Battery Converter

  • Cleaning supplies

Control Room

The control room is on the same floor, in room 564

It is equipped with:

• IFB system

• Intercom system with studio

• Tricaster

• AJA external recorder