Embedded Files
(please note the earlier start and shorter lunch break!)
9.00 -10:30
Session 5: Documentary
Session 5: Documentary
Chair: James Cateridge
Sonic Elongation: Stretched Sounds in Experimental Documentary Film
Sonic Elongation: Stretched Sounds in Experimental Documentary Film
Holly Rogers and Heather Britton
Lies, Damn Lies and Acoustics: Examining aural modality in animated documentary cinema
Lies, Damn Lies and Acoustics: Examining aural modality in animated documentary cinema
Joe Sudlow
Imperially Unheard: African Music and Visual Geography in the work of the Colonial Film Unit (CFU)
Imperially Unheard: African Music and Visual Geography in the work of the Colonial Film Unit (CFU)
Anushrut Ramakrishnan Agrwaal
10.30 –12:00
Session 6: Early Cinema and the Golden Age of Hollywood
Session 6: Early Cinema and the Golden Age of Hollywood
Chair: Lindsay Steenberg
Phantacusis: Visually Implied Sound in Silent film
Phantacusis: Visually Implied Sound in Silent film
Jacob Browne
Exploring Music as Resistance in Meet Me in St Louis's Patriarchal Utopia
Exploring Music as Resistance in Meet Me in St Louis's Patriarchal Utopia
Katy Jayasuriya
Considering Hanns Eisler's score to Nuit et Brouillard (1955)
Considering Hanns Eisler's score to Nuit et Brouillard (1955)
Matt Lawson
Lunch 12:00 p.m.–12:45 p.m.
12.45 –13:30
Key note Speaker: Emilio Audissino
Key note Speaker: Emilio Audissino
Biblical References and Ominous Anticipations in John Williams's Score for The Raiders of the Lost Ark.
Biblical References and Ominous Anticipations in John Williams's Score for The Raiders of the Lost Ark.
Chair: Matt Lawson
Chair: Matt Lawson
13.30 –15:00
Session 7: Nature, Sound and Film Music
Session 7: Nature, Sound and Film Music
Chair: James Cateridge/Jan Butler
A Wave of Madness: Scoring Mental Illness in Asylum Film through the Visual and Musical Symbol of Water
A Wave of Madness: Scoring Mental Illness in Asylum Film through the Visual and Musical Symbol of Water
Eleanor Smith
Musical call: An Animal Oriented Approach to Film Music
Musical call: An Animal Oriented Approach to Film Music
Emilia Czatkowska
'noise, air and wind': Direct, Ambient Sound in the Soundscapes of Danièle Huillet and Jean-Marie Straub
'noise, air and wind': Direct, Ambient Sound in the Soundscapes of Danièle Huillet and Jean-Marie Straub
Laura Lux
15.00 –16:00
Session 8: Spaces and Architecture
Session 8: Spaces and Architecture
Chair: Lindsay Steenberg
Audiovisual Space: Recontextualising Sound-Image Media
Audiovisual Space: Recontextualising Sound-Image Media
Andrew Knight-Hill
Soundscapes in fragmented local archive film
Soundscapes in fragmented local archive film
Angela English
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