The Compass to Inter-Religious Relations


Intrigued by the diversity of Ottoman society, Charlotte, Nick, Temidayo, and Anna, explore these complex inter-religious realities through tracing the representations of mosques and churches in the maps of Piri Reis. The empire included a huge variety of Christians of various denominations and a smaller Jewish minority. How did the artists who drew the images in the Book of Navigation distinguish between Muslims and Christians in general? and especially between Ottoman Christians and “Franks”, or Western Christians? And how did the Venetians portray the Ottomans? This episode shows how these premodern powers misconstrued each other through religious symbolism and exaggerated portrayals. Listen closely here for insight into how the Venetians saw, and characterized, the Ottomans. 


Researchers and Hosts

Nicholas Getty, Anna Kim, Temidayo Lukan, and Charlotte Moore.


Image

The City of Tripoli , The Book of Navigation, The Walters Art Museum, ms W658. f.319a.


Music Credit

Soft Ottoman Sufi Flute Instrumental

Classical Ottoman Music

Istanbul Dreams

Bibliography

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Kurtaran, Uğur. “Mapping Changes in Ottoman-Austrian Borders During the Eighteenth

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Renda, Günsel. “Mapping and Picturing: Maps as Records of History.” Foundation for Science Technology and Civilisation, February 2007.


Casale, Giancarlo “Seeing the Past: Maps and Ottoman Historical Consciousness.” In Writing History at the Ottoman Court, edited by H. Erdem Çıpa and Emine Fetvacı, Indiana University Press, 2013, 80–99.