Panel Presentations:
Resisting and Transforming Institutions: Sonya McLaughlin, Eli Dietrich, and Simon Shanko
Colonial and Environmental Othering: Melissa Buckheit, Grace Thayer, and Grace Wood
Repressing and Suppressing Desire: Meghan Quaid and Aidan Vick
Keynote Speaker: Kevin Ohi, "(Self-)Destructive Perseverance: Unrequited Love, Great Expectations, and the Novel"
Event Schedule:
5:00 pm-5:05pm: Opening Remarks
5:05 pm-6:00 pm: Resisting and Transforming Institutions: Sonya McLaughlin, Eli Dietrich, and Simon Shanko
6:00pm-6:55pm: Colonial and Environmental Othering: Melissa Buckheit, Grace Thayer, and Grace Wood
10 Minute Break
7:05pm-7:35pm: Repressing and Suppressing Desire: Meghan Quaid and Aidan Vick
7:35pm-8:20pm: Kevin Ohi, "(Self-)Destructive Perseverance: Unrequited Love, Great Expectations, and the Novel"
Event Reception
Keynote Speaker:
Professor Ohi specializes in queer theory, aestheticism and decadence, late-Victorian prose and fiction, film, literary theory, and the history of the novel in England, Ireland and America. Professor Ohi's current projects focus on narrative perspective and desire in twentieth-century novels and on unrequited love.
Event Presenters:
Melissa (she/her) is a MA graduate student in Irish Studies and English and a poet, translator and dancer/choreographer. Her research interests include early and late modern Ireland, postcolonialism, gender and queer studies, bardic poetry, environmental humanities, space/place theory and Phenomenology. She is the author of Noctilucent, among other books and previously taught creative writing, composition, literature and Shakespeare at colleges in the Southwest for over ten years. She has an M.F.A in Poetry from Naropa University and a B.A. from Brandeis University. Find her at melissabuckheit.com.
Since stepping on stage at the age of six, Eli (he/they) has been immersed in Shakespeare and Drama thoroughly throughout their life. They graduated with a Bachelor’s degree in English from UNC: North Carolina, and minors in Drama and History. Perhaps their crowning achievement is UNC’s award for best honor’s thesis for a paper on exemplarity in ‘Julius Caesar.’ In their subsequent years in undergrad, Eli would direct three Shakespeare productions, including one which they partially adapted; creating a, still continuous, yearly tradition at UNC of putting on “drunk Shakespeare.” Similarly, they took on a mentorship role as a counselor at The American Shakespeare Center Theatre Camp, teaching teens scansion, rhetoric, and history in a practically applicable environment. However, Eli has been committed to expanding their horizons beyond the limited scope of the Early Modern with voyages to realms of theology, history, and political theory. In all their writing and scholarship, they hope to shine new light on topics some may hold as archaic.
Meghan (she/her) is a graduate student in English literature at Boston College, where she will complete her degree in the spring of 2026. She earned her undergraduate degree from The Pennsylvania State University, where she wrote her honors thesis on Sally Rooney’s Normal People and the deconstruction of the normative romance novel. Her scholarly interests focus on 18th-century British literature and the rise of the novel, with particular attention to how narrative forms shape and challenge cultural norms. Passionate about literary analysis and education, she is dedicated to fostering critical engagement with texts in and beyond the classroom. She finds fulfillment in helping others develop confidence in their writing, believing that finding one’s written voice is both an intellectual and personal empowerment. When she’s not immersed in literature or rushing to complete a discussion post, Meghan enjoys athletics, knitting, and spending time with family and friends.
Sonya (she/her) is a recent graduate of the Boston College English MA program. Her research interests include Irish literature and political theory. She holds a BS in English from the United States Air Force Academy.
Simon (he/him) is a BC English MA student who focuses on Modernism and literary theory.
Grace (she/her) is a first-year English Master's student at Boston College. Her research interest is in decolonial theory, with intersections in Indigenous literature, African American literature, and Caribbean literature. She is originally from Taunton, MA, and studied at Bridgewater State University for her undergrad, where she was a proud English major with double minors in Native American Indigenous Studies and African American Studies. Outside of the classroom, Grace sings in the Boston College University Chorale.
Grace (she/her) is a first year master’s student in BC's English program with a BA in English literature and a minor in literary journalism from UC Irvine. While Grace has mostly focused on representations of the literary vampire due to her interest in Victorian literature, Gothic literature, and monster theory, she has recently turned to science fiction as well. SF reconstructs the human body in ways similar to the vampire. Both genres subjugate the Other by making it more powerful or impenetrable than its human counterpart. The dichotomy of the Other as socially weak but physically strong drives me to study the ambivalent cultural function of monsters that, as Jeffrey Jerome Cohen states, “are born only at th[e] metaphoric crossroads.”
Besides academic writing, Grace enjoys working in creative nonfiction and fiction. To this end, she has a horror newsletter called “Spot of Blood,” where she publishes reviews and short stories in and around the horror genre. Often she centers on issues of gender, examining how monstrosity can be used to subvert norms around aging, sexuality, and beauty.
Aidan (he/him) is a PhD student studying modern and contemporary literature, as well as a doctoral fellow at BC’s Clough Center for Constitutional Democracy. His primary research interest concerns how individuals’ political subjectivity and identity are shaped by the media environment and content of a given historical period. More broadly, his scholarly interests include critical theory, cultural studies, aesthetics, globalization, and the history of the novel. Aidan received his bachelor’s degree from Emory University and his master’s degree in English from the University of Virginia.
Event Parking & Accessibility:
Street parking is available in the area.
Connolly House is wheelchair-accessible via ramp. Connolly House does not have an elevator, but the colloquium will take place entirely on the first floor.
Spring 2024 Colloquium
Panel Presentations: Gender in Resistance & Objectification (James Masanek, Julia Adamo, & Mary McGrail), A Haunted Ireland, Irish Specters and Futures (Sara Pool, Shelby Jones, & Robert Baskin), Holding Up The Mirror: The Political Monster (James Murray and Lauren Crockett-Girard)
Keynote Speaker: Claire Connolly, "Slow Combustion? Irish Women’s Writing from Maria Edgeworth to Sally Rooney"
Spring 2023 Colloquium
Panel Presentations: Negotiating Queer Identities (Julia Adamo & Bridget Richards) Institutional(ized) Bodies (Jessica Oyler & Jared Hackworth) Materiality, Spaciality, & Housekeeping (Gracie Danciu & Megumi DeMond)
Keynote Speaker: Dr. Jovonna Jones, "The Last Thanksgiving at West Rutland Square: Memory, Aesthetics, and Black Displacement”