ACC Music

Student

Composer's Concert I


Saturday, April 22nd

 2:00 PM 

Highland Recital Hall


Program

Brian Teran de Leon

Maundering Notion

Julia Watkins-Davis, soprano

Julie Linder, clarinet

Valeria Diaz, piano

Henry David Thoreau (from Walden)


I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wishing practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. 

Riley Curnutt

Annabel

Julia Watkins-Davis, soprano

Julie Linder, clarinet

Valeria Diaz, piano

Edgar Allan Poe (from Annabel Lee


We loved with a love that was more than a love

an all knowing gentle outpouring of love 

Annabelle, Annabelle

Long is the evening and longer the day 

She’d only bereave me by being away 

Annabelle, Annabelle


Many many years ago

Lost within the sea

She lived only to be loved 

And loved only me

We were only children then 

Young and so naive

Now it seems all good things end 

For she is gone from me


In living she’s my only will

For in my sky she hung the stars 

She is a thirst and I am ill

She is a hunger I am starved 

If any god is to exist

If any silence goes unfelt 

Wont somebody let me die

Let me see my Annabelle


The moon never beams without

bringing me dreams in the night I awake with a yell 

The stars never rise

Still I see her soft eyes

They are black as the pit of a well 

All the night tide

I lay down by her side

And I whisper the stories she’d tell 

I am yearning to die

I am burning to die


To return to my Annabelle


Annabelle

Zeke Bennett

AR Rogers

Evolutions

Julia Watkins-Davis, soprano

Julie Linder, clarinet

Valeria Diaz, piano

1

Crocodiles are mostly birds.

2

Your hands are full of shell and yolk.

3

Homo heidelbergensis built a home of wood and stone.

4

Blue river channeled into barren meadow sexed me.

5

You ride me roughshod.

6

Seasonally, sexual dimorphism increases the size and saturation of a male thing.

7

How vile—a field of tulips, violet and crimson.

8

I regret everything.

9

Our hairlines recede in tandem like thieves.

10

I crave salt, not sugar; vinegar, not milk.

11

The dog sleeps in a trapezoid of sun.

12

I am remarkably calm.

Daph Gonzalez

Prudence Arceneaux

Hands Down

Julia Watkins-Davis, soprano

Julie Linder, clarinet

Valeria Diaz, piano

For the practice of life, we held hands.

Our heads thrown back-- in the dust-- our words lost. 

We sheltered what we thought was the most important, 

what a heart holds, what a heart says with


our heads thrown back-- in the dust-- our words lost

the malleable, the gentleness, the ability to shape our world, 

what a heart holds, what a heart says with

what we believe to be true sifting through the air.


The malleable, the gentleness, the ability to shape our world 

seem just beyond the reach of small fingers, small hands hold 

what we believe to be true sifting through the air,

through our unskilled hands, it smelled like perfume. This loss

seemed just beyond the reach of small fingers, small hands hold

sheltered what we thought was the most important.

Through our unskilled hands, it smelled like perfume, this loss.

For the practice of life, we held hands.


Tom Lawshae

Sidney Brammer

Sleepless

Julia Watkins-Davis, soprano

Julie Linder, clarinet

Valeria Diaz, piano

Oh, to sleep like a cat!

Indolent napping during daylight hours, 

Exhausted by a night’s prowl,

Then a rarified rest.

Eyes half-mast and slow fade 

Until a human invasion 

Invites a touch, a scratch.

Obscene stretching, a shift of position, 

Then napping on.


Oh, to rest a long time!

A poison-spindled slumber with no wake-up call 

A flash of heat, petty fretting

Life or death disquiet, a mate’s mere snore

Toss and turn me long before oblivion will come.


Oh, to be nocturnal like the cat! 

We pass in the night.

She creeps toward her bowl, 

I stumble toward the clock,

Old woman squinting at a luminous dial. 

Vigilant and wary of a siren in the distance 

A dumpster dropped from midnight height

An exchange of vital cautions by the neighborhood dogs. 

How few hours has she rested?

Oh, to sleep like a cat!

Elizabeth Vary

Thomas Bailey Aldrich

A Mood

Julia Watkins-Davis, soprano

Julie Linder, clarinet

Valeria Diaz, piano


A blight, a gloom, I know not what, has crept upon my gladness-- 

Some vague, remote ancestral touch of sorrow, or of madness; 

A fear that is not fear, a pain that has not pain's insistence;

A sense of longing, or of loss, in some foregone existence;

A subtle hurt that never pen has writ nor tongue has spoken--

Such hurt perchance as Nature feels when a blossomed bough is broken.

Tom Lawshae

Ada C. Read Penn

Why

Julia Watkins-Davis, soprano

Julie Linder, clarinet

Valeria Diaz, piano

On the rosy clouds of the morning

My spirit floated away.

I seemed to share in the dawning 

Of a glorious promised day.

Far above the sound of men’s striving 

Where mothers’ loved sons lie dead

I was again a heartbroken mother 

Approaching the Great Godhead.


I fell on my face before him 

Unstifled my anguished cry, 

“Why, O most powerful Father, 

Why must my darling die?”


The healing breath of the mountains 

Brought solace from my pain.

I drank deeply of Truth’s fountain 

Whose gushing gentle rain 

Cleansed my soul of its anguish

And this was the message that came,


“Thy son hath not died, but he liveth

A life free from sorrow and sin,

And our Father, who all blessings giveth, 

Allows anguish to draw us to him.”

Cody Collins

Sidney Brammer

Cat Box Winter

Julia Watkins-Davis, soprano

Julie Linder, clarinet

Valeria Diaz, piano

Cat box winter, cramped and trapped.

Alone and bitter, blanket wrapped. 

Caterwaul, howling, spit, hiss, growl. 

Litter mates in hateful prowl.


Wet dog spring, rags near doors,

Mud and slime on pristine floors. 

Melting rot where compost was.

Why freeze scraps? Why? Just because. 


A holocaust in summer heat,

A prayer for squirrels on every street. 

Men from hell with whackers trim. 

Must close my eyes, so all goes dim. 


Dream through seasons, yet still hear 

The screams of night and what you fear. 

Sleepless reaping of what’s sown,

A loss of all that once was owned. 

Heedless calls to mate, to thrive, 

Just clean the box and stay alive.

Daphne Gonzalez

Koi Fish

Julie Linder, clarinet

Jordan Walsh, percussion