ACC Music
Student
Composer's Concert I
Saturday, April 22nd
2:00 PM
Highland Recital Hall
Program
Brian Teran de Leon
Maundering Notion
Julia Watkins-Davis, soprano
Julie Linder, clarinet
Valeria Diaz, piano
Henry David Thoreau (from Walden)
I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wishing practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.
Riley Curnutt
Annabel
Julia Watkins-Davis, soprano
Julie Linder, clarinet
Valeria Diaz, piano
Edgar Allan Poe (from Annabel Lee)
We loved with a love that was more than a love
an all knowing gentle outpouring of love
Annabelle, Annabelle
Long is the evening and longer the day
She’d only bereave me by being away
Annabelle, Annabelle
Many many years ago
Lost within the sea
She lived only to be loved
And loved only me
We were only children then
Young and so naive
Now it seems all good things end
For she is gone from me
In living she’s my only will
For in my sky she hung the stars
She is a thirst and I am ill
She is a hunger I am starved
If any god is to exist
If any silence goes unfelt
Wont somebody let me die
Let me see my Annabelle
The moon never beams without
bringing me dreams in the night I awake with a yell
The stars never rise
Still I see her soft eyes
They are black as the pit of a well
All the night tide
I lay down by her side
And I whisper the stories she’d tell
I am yearning to die
I am burning to die
To return to my Annabelle
Annabelle
Zeke Bennett
AR Rogers
Evolutions
Julia Watkins-Davis, soprano
Julie Linder, clarinet
Valeria Diaz, piano
1
Crocodiles are mostly birds.
2
Your hands are full of shell and yolk.
3
Homo heidelbergensis built a home of wood and stone.
4
Blue river channeled into barren meadow sexed me.
5
You ride me roughshod.
6
Seasonally, sexual dimorphism increases the size and saturation of a male thing.
7
How vile—a field of tulips, violet and crimson.
8
I regret everything.
9
Our hairlines recede in tandem like thieves.
10
I crave salt, not sugar; vinegar, not milk.
11
The dog sleeps in a trapezoid of sun.
12
I am remarkably calm.
Daph Gonzalez
Prudence Arceneaux
Hands Down
Julia Watkins-Davis, soprano
Julie Linder, clarinet
Valeria Diaz, piano
For the practice of life, we held hands.
Our heads thrown back-- in the dust-- our words lost.
We sheltered what we thought was the most important,
what a heart holds, what a heart says with
our heads thrown back-- in the dust-- our words lost
the malleable, the gentleness, the ability to shape our world,
what a heart holds, what a heart says with
what we believe to be true sifting through the air.
The malleable, the gentleness, the ability to shape our world
seem just beyond the reach of small fingers, small hands hold
what we believe to be true sifting through the air,
through our unskilled hands, it smelled like perfume. This loss
seemed just beyond the reach of small fingers, small hands hold
sheltered what we thought was the most important.
Through our unskilled hands, it smelled like perfume, this loss.
For the practice of life, we held hands.
Tom Lawshae
Sidney Brammer
Sleepless
Julia Watkins-Davis, soprano
Julie Linder, clarinet
Valeria Diaz, piano
Oh, to sleep like a cat!
Indolent napping during daylight hours,
Exhausted by a night’s prowl,
Then a rarified rest.
Eyes half-mast and slow fade
Until a human invasion
Invites a touch, a scratch.
Obscene stretching, a shift of position,
Then napping on.
Oh, to rest a long time!
A poison-spindled slumber with no wake-up call
A flash of heat, petty fretting
Life or death disquiet, a mate’s mere snore
Toss and turn me long before oblivion will come.
Oh, to be nocturnal like the cat!
We pass in the night.
She creeps toward her bowl,
I stumble toward the clock,
Old woman squinting at a luminous dial.
Vigilant and wary of a siren in the distance
A dumpster dropped from midnight height
An exchange of vital cautions by the neighborhood dogs.
How few hours has she rested?
Oh, to sleep like a cat!
Elizabeth Vary
Thomas Bailey Aldrich
A Mood
Julia Watkins-Davis, soprano
Julie Linder, clarinet
Valeria Diaz, piano
A blight, a gloom, I know not what, has crept upon my gladness--
Some vague, remote ancestral touch of sorrow, or of madness;
A fear that is not fear, a pain that has not pain's insistence;
A sense of longing, or of loss, in some foregone existence;
A subtle hurt that never pen has writ nor tongue has spoken--
Such hurt perchance as Nature feels when a blossomed bough is broken.
Tom Lawshae
Ada C. Read Penn
Why
Julia Watkins-Davis, soprano
Julie Linder, clarinet
Valeria Diaz, piano
On the rosy clouds of the morning
My spirit floated away.
I seemed to share in the dawning
Of a glorious promised day.
Far above the sound of men’s striving
Where mothers’ loved sons lie dead
I was again a heartbroken mother
Approaching the Great Godhead.
I fell on my face before him
Unstifled my anguished cry,
“Why, O most powerful Father,
Why must my darling die?”
The healing breath of the mountains
Brought solace from my pain.
I drank deeply of Truth’s fountain
Whose gushing gentle rain
Cleansed my soul of its anguish
And this was the message that came,
“Thy son hath not died, but he liveth
A life free from sorrow and sin,
And our Father, who all blessings giveth,
Allows anguish to draw us to him.”
Cody Collins
Sidney Brammer
Cat Box Winter
Julia Watkins-Davis, soprano
Julie Linder, clarinet
Valeria Diaz, piano
Cat box winter, cramped and trapped.
Alone and bitter, blanket wrapped.
Caterwaul, howling, spit, hiss, growl.
Litter mates in hateful prowl.
Wet dog spring, rags near doors,
Mud and slime on pristine floors.
Melting rot where compost was.
Why freeze scraps? Why? Just because.
A holocaust in summer heat,
A prayer for squirrels on every street.
Men from hell with whackers trim.
Must close my eyes, so all goes dim.
Dream through seasons, yet still hear
The screams of night and what you fear.
Sleepless reaping of what’s sown,
A loss of all that once was owned.
Heedless calls to mate, to thrive,
Just clean the box and stay alive.
Daphne Gonzalez
Koi Fish
Julie Linder, clarinet
Jordan Walsh, percussion