By Branden Jacobs-Jenkins

Directed by Yesenia Garcia Herrington

The Sightless

A group of blind travelers wait in a remote wooded area for the return of their guide who they fear has abandoned them.

Director: Perry Crafton| Scenery: Tomas Salas and Joe Kelley | Lighting: Rachel Atkinson | Costumes: Marcus Speed| Sound: K. Eliot Haynes |Videographer: Carlos Charles

Curtain Call

A celebration of the course and production work from ACC's drama students in spring 2021.

A celebration of the course and production work from ACC's drama students in spring 2020.

Mimi's cousin Jeremy has a PhD in physics, a brand new time machine and a plan. He's sending Mimi, a professional thief, back to 1863 to change history by providing Harriet Tubman with modern day guns. Lots and lots of guns. 

Director: Marcus McQuirter | Scenery: Megan Kemp | Lighting: Rachel Atkinson | Costumes: Stephanie Dunbar | Sound: Casey Zakin |

 Photo: Laura Ochoa

A vibrant production of Shakespeare’s beloved Much Ado About Nothing, set in a Neo-Elizabethan dystopia, weaves together an exploration of shame and honor with enchanting screwball comedy. 

Direction: Katie Van Winkle | Scenery: Tomas Salas | Lighting: Rachel Atkinson | Costumes: Stephanie Dunbar | Sound: Stephen Salas

Photo: Dwayne Barnes

"This play is not about my mother and me," begins the character of Lisa. But, of course, it is about her mother, and her mother's extraordinary ability to heal a changing neighborhood, despite her inability to heal herself. In this "solo show with people in it," Kron asks the provocative question: "Do we create our own illness?"  

Direction: Kristen Rogers | Scenery: Rachel Atkinson | Lighting: Alison Lewis | Costumes: Stephanie Dunbar | Sound: Stephen Salas

Photo: Dwayne Barnes