ACC Music
Wind Ensemble
Directed by Dr. Albert Lo
Thursday, November 13th
7:00 PM
Highland Recital Hall
Thursday, November 13th
7:00 PM
Highland Recital Hall
Julie Girioux
(b. 1961)
Justin Flyin'
Leonard Bernstein
(1918-1990)
Candide Suite
Arr. Clare Grundman
The Best of All Possible Worlds
Auto-Da-Fe (What A Day)
Glitter and Be Gay
Make Our Garden Grow
Carl Maria von Weber
(1786-1826)
Clarinet Concerto in f Minor
Arr. Mark Rogers
I. Allegro
Alexander Gonzales, clarinet
Katahj Copley
(b. 1998)
Infinity (2020)
Alfred Reed
(1921-2005)
Russian Christmas Music
Charlotte Hofheins*
Meagan Johnson
Samantha Saladino
Melanie Blanco*
Alyssa Vasquez
IvyJames*
KaraOldenhouse
AlexGonzales*
Andrew Kent
Curtis Wright -Griffin
Julimar Otero Figueroa
Christian Perez
Louie Jasso
Chloe Powell
Gavin North*
Brianna Perez
Alexander Ibarra
CJ Brunswick*
MadisonHumphrey*
Austin Chavez
Quinten Hanson
Danny Homersky
Carolina Sanchez
Anika Doyle
David Gilden
Vinson Almazan
Matthew Hodne*
Luke Tobin
JoseNavarro
Michael O'Brien
Keranys Camillo
Courtney Williams*
Lance Go
Ykko Benter
Francisco Lainez
Gavin Ringersma*
Dylan Loewald
Samuel Nunez*
Eric Zeinner
Tristan Compton*
Anthony Ingleius
Elijah Perkowski
Parker Klein
Jamar Gooden*
Chase Wortham
Jacob Shelton
Jesus Molina
Mason Stayman
Ajani Graham
Cooper Cate
Jessica Longoria
*Principal
Don Haynes served as the Director of Bands at LBJ High School in Austin, Texas for 40 years. During his tenure, the LBJ Band performed across the globe including ambassador trips to Beijing, China, London, England, Paris, France, and Rome, Italy. Mr. Haynes was awarded the prestigious – Texas UIL “Denius Award” in 1994, which is presented to Texas’ top UIL sponsors. While teaching at LBJ High School, his colleagues selected him “Teacher of the Year” four times. He was recognized as the Outstanding Community Leader (Austin) in 2015. He is frequently invited to conduct region bands in Texas, New Mexico, Louisiana, and Florida. Mr. Haynes is past President of the Board of Directors for the Texas Bandmasters Association. He has held offices in the Texas Music Educators Association, the TMEA Advisory Board, and the UIL State Sightreading Advisory Committee. He serves on the board of directors-“Longhorn Band Legacy Foundation” for the University of Texas Longhorn Band, and Panoramic Voices Choir of Austin, Texas.
Under his leadership, the Jaguar Band’s awards and accomplishments are numerous – The LBJ Bands have won first place honors in statewide and nationwide music festivals, including the first Fiesta Bowl Music Festival held in Phoenix, Arizona. The band consistently won sweepstakes honors at UIL marching and concert performances. Mr. Haynes is often invited to adjudicate regional and area marching and concert competitions in Texas. He has on several occasions given clinics and speeches at music conventions designed to assist young teachers in the profession. Mr. Haynes shares that his greatest accomplishment is influencing thousands of young people through his love for music, his dedication to excellence, and his commitment to creating a “band family” for 40 years at LBJ High School – known across central Texas as The One, The Only, LBJ Jaguar Band.
Following an illustrious 42 years (total) of teaching high school band, Don has become a certified Life Coach. Assisting hundreds of students, band parents and colleagues in the band profession over the past four decades, he has become a special confidant for professionals, as well as young students who are in hopes of crafting their future. He specializes in group and individual conflict resolution, and serves as a motivational speaker across the state of Texas.
Ms. Giroux and Dr. Strauss [Andrea DeRenzis Strauss, conductor of Tara Winds] collaborated on the form and substance of this composition, written especially for the 69th Annual Midwest Clinic. Ms. Giroux writes, “The piece is fast with loads of woodwind runs, with particular attention to the Bb clarinet section, lots of dynamics, and an ending with madness over the top of a chorale setting. Enjoy the wild ride and pay attention to the clarinet section because their fingers will be just flyin’!”
This suite, arranged by Clare Grundman, is made up of five numbers from the musical Candide. In the first movement, The Best of All Possible Worlds, Doctor Pangloss, Voltaire's satirical portrait of the philosopher Gottfried von Leibnitz, tutors his Westphalian pupils. In the second movement. Westphalia Chorale and Battle Scene, the devout Westphalians sing a chorale praising the integrity of their homeland, after which they are massacred by the invading Bulgarian army. In movement three, Auto-de-fe, Candide and Dr. Pangloss find themselves in Lisbon, where, being free-thinkers, they are prosecuted as heretics by the Spanish Inquisition; however, Candide and Dr. Pangloss escape.
The fourth movement, Glitter and Be Gay, depicts Cunegonde, Candide's true love, singing of her attempts to maintain a brilliant, carefree exterior, while she may (or may not) be tortured inwardly by self-doubt. The final movement, Make Our Garden Grow, has Candide realizing that the only purpose of living is to cultivate the earth and to create a garden.
Carl Maria von Weber is widely regarded as one of the founding fathers of German romantic music. Although now primarily remembered for his development of romantic opera, he was also a prolific composer for the concert hall, writing major concertos for bassoon, clarinet and horn, each skillfully exploiting the full potential of the instruments. Although single reed instruments were known throughout the medieval and baroque periods of European music, the clarinet in its modern form did not evolve until the second half of the eighteenth century. By Mozart's time it had eight finger holes and five keys which enabled the player to play chromatic scales with good intonation and consistent tone. With the success of Mozart's Paris and Haffner symphonies it soon became an established member of the symphony orchestra.
Weber came to know the clarinet through the playing of Heinrich Baermann (1784-1847) and admired his evenness of tone from the top to the bottom of the instrument. The two musicians worked together, going on tours through Austria and Germany. Weber wrote a concertino for Baermann early in 1811, for a performance in Munich which was attended by King Maximillian I of Bavaria. The King was so impressed that he immediately commissioned Weber to write his two clarinet concertos. The first was completed in one month, and performed shortly after.
The concerto is in a conventional three movement form. The first is a dramatic stormy piece with furious orchestral tuttis contrasted with more reflective passages for the solo clarinet, and combined passages where the soloist plays brilliant virtuosic material above secondary themes in the orchestra. The movement ends quietly and mysteriously.
Shooting stars symbolize good luck, change or big event is coming towards your life, or it can also be a symbol of endings and beginnings. Shooting stars are actually one of the most diverse omenswe have throughout our history. Shooting star symbolizes a brief fleeting moment in one's life justlike the brief wonder of seeing a shooting star race across the night sky. They can also be a symbol of reaching one's ultimate destiny.
Shooting stars, asteroids, and the movement of the heavenly bodies in the night sky have always fascinated humans. Some cultures have always and strong beliefs and superstitions in the meaning of shooting stars. Traditional shooting stars also meant a new birth and changes in one's life and also a wish for a better life.
With Infinity I wanted to create the sense of shooting stars flying through the infinite playground known as space. As the piece begins, the world of space is filled with stars running through the skies. Throughout the piece, the shooting stars go through many different scenarios both dark and light until finally at the end of the piece the stars – with their bright colors and lights – flash across the sky with spectacular grandeur.
- Program Note by composer
Reed was commissioned to write Russian Christmas Music a mere 14 days before it was scheduled to be performed and broadcast live on NBC. Originally written in November 1944, the work was first performed in December of that year in Denver, Colorado. Two years later, the piece was elaborated and revised, and in that form was one of the three prize-winning work in the 1947 Columbia University contest for new serious music for symphonic band.
An ancient Russian Christmas carol (Carol of the Little Russian Children) is mixed with motives from orthodox liturgical music from the Eastern Orthodox Church. Though set as a single piece, the composer originally subtitled the four easily separated sections Children's Carol, Antiphonal Chant, Village Song, and Cathedral Chorus. Reed also utilized this theme as well as the “Cathedral Chorus” section as source material for Slavonic Folk Suite, a piece written for novice musicians.
Giroux was born in Fairhaven, Massachusetts. She graduated from Ouachita Parish High School, in Monroe, Louisiana, and earned a Bachelor of Music in Performance from Louisiana State University in Baton Rouge, Louisiana. During her college years, Giroux composed several concert band works which were published by Southern Music Company. Immediately after graduation she traveled to Los Angeles, California, and began orchestrating under the employ of American composer Bill Conti for the Television Mini Series North and South. While in Los Angeles Giroux studied with several composers and orchestrators including Bill Conti, Jack Eskew and Greg McRitchie.
From 1985 to 1997, Julie Giroux orchestrated for television and films including April Fool's Day, Dynasty, North and South, North and South Book II, The Karate Kid Part II, Broadcast News, Masters of the Universe, White Men Can't Jump, and Blaze.
In 1997, Giroux began to compose heavily for concert bands and orchestras publishing exclusively with Musica Propria. In 2004 Gia Publications, Inc. published the book entitled "Composers on Composing for Band, Volume Two" which features a chapter written by Julie Giroux. Her insightful chapter gives a down to earth description which is often humorous of her personal methods and techniques for composing for bands.
In 2009, Giroux, an accomplished pianist, performed her latest work Cordoba for Solo Piano and Concert Band in five U.S. cities and attended the premiere of Arcus IX, a work for Solo F Tuba and Concert Band at Blinn College in Brenham, Texas.
Her 2009 Film and documentary orchestrations and compositions include the ongoing project "Call for Green China" which was primarily funded by World Bank was recorded, performed and broadcast live in China in 2007. In 2009 the project was extended with new musical material, recorded and set to tour seven cities in China where the show will be performed live.
Giroux's Symphony No. V "Elements" by the Eastern Wind Symphony, featuring Conductor Todd Nichols premiered on June 9, 2018. Her trumpet concerto commissioned by Conductor Ray Cramer, The Musashino Academia Musicae and principal trumpet Christopher Martin (trumpeter) of the New York Philharmonic premiered by the commissioners at The Midwest Clinic in December 2018.
An advocate of gun control and mental health awareness, Mrs. Giroux composed the work My Soul to Keep as a way to fight violence with music. In addition to its poignant lyrics and music, Giroux has made the work "Free, for everybody, forever". She has created several different settings, from acapella SATB choir to symphonic band with choir. Orchestral and vocal arrangements will also be added. The premiere took place in Orlando, Florida, the place of the second largest mass shooting in the U.S., with the Pride Bands Alliance Symphonic Band on October 13, 2019. The next large concert will be in Las Vegas, Nevada in October 2020, the site of the largest mass shooting in American history.
Giroux is a Member of American Bandmasters Association (ABA) and an honorary brother of the Omicron chapter of Kappa Kappa Psi at West Virginia University. She was initiated into the fraternity on April 2, 2005, and in December, 2017 she was awarded the Distinguished Service to Music Medal.
Julie Giroux currently resides in Madison, Mississippi and continues to compose, orchestrate and arrange for television, movies, video games, wind bands and orchestras.
Leonard Bernstein (/ˈbɜːrnstaɪn/ BURN-styne; born Louis Bernstein; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was the first American-born conductor to receive international acclaim. Bernstein was "one of the most prodigiously talented and successful musicians in American history" according to music critic Donal Henahan. Bernstein's honors and accolades include seven Emmy Awards, two Tony Awards, and 16 Grammy Awards (including the Lifetime Achievement Award) as well as an Academy Award nomination. He received the Kennedy Center Honor in 1981.
As a composer, Bernstein wrote in many genres, including symphonic and orchestral music, ballet, film and theatre music, choral works, opera, chamber music, and pieces for the piano. Bernstein's works include the Broadway musical West Side Story, which continues to be regularly performed worldwide, and has been adapted into two (1961 and 2021) feature films, as well as three symphonies, Serenade (after Plato's Symposium) (1954) and Chichester Psalms (1965), the original score for Elia Kazan's On the Waterfront (1954), and theater works including On the Town (1944), Wonderful Town (1953), Candide (1956), and his Mass (1971).
Bernstein was the first American-born conductor to lead a major American symphony orchestra. He was music director of the New York Philharmonic and conducted the world's major orchestras, generating a legacy of audio and video recordings. Bernstein was also a critical figure in the modern revival of the music of Gustav Mahler, in whose music he was most interested. A skilled pianist, Bernstein often conducted piano concertos from the keyboard. He shared and explored classical music on television with a mass audience in national and international broadcasts, including Young People's Concerts with the New York Philharmonic.
Bernstein worked in support of civil rights; protested against the Vietnam War; advocated nuclear disarmament; raised money for HIV/AIDS research and awareness; championed Janis Ian at age 15 and her song about interracial love, "Society's Child", on his CBS television show; and engaged in multiple international initiatives for human rights and world peace. He conducted Mahler's Resurrection Symphony to mark the death of president John F. Kennedy, and in Israel at a concert, Hatikvah on Mt. Scopus, after the Six-Day War. The sequence of events was recorded for a documentary entitled Journey to Jerusalem. Bernstein was a member of the executive committee for Writers and Artists for Peace in the Middle East, a pro-Israel group. On Christmas Day, 1989, Bernstein conducted a performance of Beethoven's Symphony No. 9 in Berlin to celebrate the fall of the Berlin Wall. Less than a year later, in October 1990, he died of heart attack in New York, aged 72.
Carl Maria Friedrich Ernst von Weber (c. 18 November 1786 – 5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic in the early Romantic period. Best known for his operas, he was a crucial figure in the development of German Romantische Oper (German Romantic opera).
Throughout his youth, his father, Franz Anton [de], relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers—his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher, and Georg Joseph Vogler—under whose supervision he composed four operas, none of which survive complete.[1] He had a modest output of non-operatic music, which includes two symphonies, two concertos and a concertino for clarinet and orchestra, a bassoon concerto, a horn concertino, two concertos and a Konzertstück for piano and orchestra, piano pieces such as Invitation to the Dance; and many pieces that featured the clarinet, usually written for the virtuoso clarinetist Heinrich Baermann.
His mature operas—Silvana (1810), Abu Hassan (1811), Der Freischütz (1821), Die drei Pintos (comp. 1820-21), Euryanthe (1823), Oberon (1826)—had a major impact on subsequent German composers including Marschner, Meyerbeer, and Wagner; his compositions for piano influenced those of Mendelssohn, Chopin and Liszt. His best-known work, Der Freischütz, remains among the most significant German operas.
Georgia native, Katahj Copley (he/him/his) premiered his first work, Spectra, in 2017 and hasn’t stopped composing since. As of now, Katahj has written over 100 works, including pieces for chamber ensembles, wind ensembles, and orchestra. His compositions have been performed and commissioned by universities, organizations, and professional ensembles, including the Cavaliers Brass, California Band Director Association, Admiral Launch Duo, and “The President’s Own” Marine Band. Katahj has also received critical acclaim internationally with pieces being performed in Canada, the United Kingdom, Japan, China, and Australia.
Katahj received two Bachelor of Music degrees from the University of West Georgia in Music Education and Composition in 2021. In 2023, he received his Masters in Music Composition from the University of Texas at Austin - studying with Omar Thomas and Yevgeniy Sharlat. He is currently studying music composition at Michigan State University.
Aside from composing, Katahj is an excited educator who teaches young musicians the joy of discovering music and why music is a phenomenal language.
“Music for me has always been this impactful thing in my life. It can soothe, it can enrage, it can quiet, and it can evoke emotions that are beyond me and this world we live in. I believe that music is the ultimate source of freedom and imagination. The most freedom I have had as a musician was through composing. Composition is like me opening my heart and showing the world my drive, my passion, and my soul.”
Alfred Reed (born as Alfred Friedman) (January 25, 1921 – September 17, 2005) was an American neoclassical composer, with more than two hundred published works for concert band, orchestra, chorus, and chamber ensemble to his name. He also traveled extensively as a guest conductor (most notably for the Tokyo Kosei Wind Orchestra after the retirement of Frederick Fennell) and served as a professor at the University of Miami School of Music.