"Echoes and Transformations"
Chandler Center for the Arts
Wednesday, October 22, 2025
7:30pm
"Echoes and Transformations"
Chandler Center for the Arts
Wednesday, October 22, 2025
7:30pm
Flute Concerto in D Major, Op. 283 (1908), Carl Reinecke
I. Allegro Moderato
II. Lento e Mesto
III. Finale
Mikaela Hannon, soloist
Serena Fornay, Lauren Burchell
conductors
Symphony No. 104 in D Major, "London" (1795), Joseph Haydn
I. Adagio-Allegro
II. Andante
III. Menuetto and Trio: Allegro
IV. Finale: Spiritoso
INTERMISSION
Prayer for Peace (2022), Sergey Akhunov
Serena Fornay, conductor
Symphonic Metamorphosis (1943), Paul Hindemith
I. Allegro
II. Turandot
III. Andantino
IV. Marsch
Flute Concerto in D Major, Op. 283 (1908)
Carl Reinecke
This concerto is one of Reinecke’s final compositions, written in 1908 when he was 84 years old. The first movement sings with classical balance and lyrical warmth. The second movement is deeply expressive—pain-filled and agonizing. The third movement finale bursts to life with playful energy and brilliant virtuosity, allowing the soloist to shine.
We are honored to perform this concerto with soloist, Dr. Mikaela Hannon. Read more about her below!
Dr. Mikaela Hannon is a flutist and music educator based in Tempe, Arizona. Mikaela has performed professionally with various ensembles, including the Phoenix Symphony, the Washington-Idaho Symphony, Opuntia Winds. Recently, she was an invited guest artist at the Saarburg International Music Festival.
Mikaela is currently a Faculty Associate at Arizona State University, teaching Music Theory. She also teaches flute and orchestra for Harmony Project Phoenix, and is a Teaching Artist for the Phoenix Symphony, where she instructs and engages Phoenix-area students through school-wide music assemblies and outreach events. Mikaela is actively involved with the Arizona Flute Society and currently holds the organization's Secretary position.
Mikaela completed her doctoral studies in flute performance at Arizona State University. Previous degrees include an M.M. in Flute Performance from ASU and a B.M. in Flute Performance and Music Education from the University of Idaho.
Symphony No. 104 in D Major, "London" (1795)
Joseph Haydn
This symphony is Haydn’s last—No. 104, written in 1795 during his second visit to London. By this point, Haydn was celebrated across Europe as the “father of the symphony,” and this work feels like a grand summation of his life’s craft.
The slow introduction opens with a sense of majesty and anticipation before leaping into a bright and energetic main theme. The second movement offers grace and wit, full of subtle surprises. The third movement—a lively menuetto—has the earthy charm of a country dance. And the finale bursts forth with spirited folk rhythms, joyful and triumphant, as if Haydn is taking a final bow before an adoring audience.
Prayer for Peace (2022)
Sergey Akhunov
Sergey Akhunov’s Prayer for Peace was written in 2022, in the early days of the Russia-Ukraine war. It’s a work born out of heartbreak and compassion—a musical response to conflict, written by a composer searching for stillness in the midst of turmoil.
This version, for string orchestra, unfolds like a single extended breath. The music begins in hushed simplicity, with long, sustained lines that slowly build in intensity. Harmonies shift gradually, creating waves of tension and release—moments of anguish balanced by a quiet, fragile hope.
Akhunov was inspired by the emotional directness of works like Barber’s Adagio for Strings, but his language is distinctly his own: deeply spiritual, transparent, and human. Prayer for Peace doesn’t offer resolution so much as reflection—a space for collective mourning and the hope of renewal.
Symphonic Metamorphosis (1943)
Paul Hindemith
Hindemith’s Symphonic Metamorphosis was written in 1943, during his years in the United States. It’s based on themes by the early Romantic composer Carl Maria von Weber—but Hindemith doesn’t simply quote him. He transforms Weber’s melodies with bold harmonies, rhythmic drive, and dazzling orchestral color.
Each movement takes on its own distinct character: the opening is grand and energetic, the turnadot playful and full of sharp contrasts, the andantino rich and lyrical, and the finale a whirlwind of motion and brilliance.
The result is a vibrant celebration of imagination and craft—music that fuses German Romanticism with 20th-century energy, and showcases Hindemith’s wit, precision, and joy in orchestral sound.
Conductor & Music Director
Alejandro Gómez Guillén
Assistant Conductors
Hayoung Jeong, Serena Fornay, Lauren Burchell
Violin I
Ramses Cid *^
Elizabeth Jones
Chih-Lin Chen
Qi Gao
Zoe Chen
Xuanyu Chen
Josh Thai #
Sadie Christie
Le Luo
Shuqing Yuan
Yun Hao
Seoin Kim
Wei-Jhen Chen
Evelyn Park
Megan Frederick
Daimien Benally
Violin II
Emma Hill *^
Choimei Lao
Susan Dunn
Sharice Yeh
Andrew Nix #
Sean Sasaki
Louis Coste
Roman Rivera
Manxi Xu
Evan Whipple
Yu Zhuo
Mingyang Yuan
Yijun Wu
Grace Guthrie
Esme Peters
Carlos Gamez
Viola
Guangyu Shan ^
Catherine Padigos
Harriet Cohen *
Paul Hagge
Hannah Bradshaw
Zhaojun Cai
Iris Yang #
Ruth Wu
Cello
Tzu Yi Yeh ^
Benjamin Lewis
Bolin Ye
Rea Drewett
Lo Pinhan
Dat Pham
Matt Sullivan *#
Jan Dacoycoy
Dayoung Park
Kate Frederick
Yun-De Tsai
Double Bass
Siqing Zhang *^
Lauren Burchell
Sila Kuvanci #
Camden Eaton
Flute
Allison Acevedo
Ben Hernandez
Yian Shen
Piccolo
Yian Shen
Oboe
Adelaide Martinez #*
Shukun Song
Gabbie Wong ^
English Horn
Adelaide Martinez
Clarinet
d'Art Richard #
Alanna Benoit ^
Hei Wing Chui *
Bass Clarinet
d'Art Richard
Bassoon
Eddie Martinez *^
Kate Muehring #
Evelyn Andersen-Chen
Contabassoon
Evelyn Andersen-Chen
Horn
Patrick Joyce *
Just Wise
Christopher Helfer
Katherine Phillips #^
Trumpet
Leif Austin #*
Diego Enriquez ^
Trombone
Michael Thompson ^
Alex Skelton
Bass Trombone
Carlos Castaneda
Tuba
Max Godfrey
Percussion
Caleb Hupp
Eric Saroian
Nathan Hossenlopp
Asha Pitti
Haiyue Wang
Concert Master/ Principal
*Reinecke
^Hindemith
#Haydn/Akhunov