Published Articles
Published Articles
"Nonbinary Gender Identity, Democracy, and Protest in La sala de Hermafrodita (2013) by César López Llera." The Theatre of Twenty-First Century Spain. Identities, Anxieties, and Social Immediacies/El teatro de España del siglo XXI. Identidades, ansiedades y urgencias sociales. Editors Helen Freear-Papio and Candyce Crew Leonard, 2022, pp. 87-111,
"'Soy Gloria.' La transexualidad en Extremófilos de Luis Fernando de Julián." Escenas de la utopía, la distopía, y la miopía en el teatro contemporáneo de España, editado por Albert David Hitchcock y Candyce Crew Leonard, Editorial Puentes Dramatúrgicos, 2019, pp. 249-61.
"Sin comida, sin techo, sin potencia: los desarraigados del siglo XXI," Prólogo. Underground de Luis Miguel González Cruz. Madrid: Editorial LcL, 2014 (e-book).
"Federico García Lorca´s La casa de Bernarda Alba and El público in Response to Silencing Art”. Estreno 40.2 (2014): 53-66. Special Issue. La globalización en el teatro contemporáneo. Ed. John Gabriele.
“The Creative Process in El biógrafo amanuense, by Jerónimo López Mozo. Acto seguido: el personaje del teatro español contemporáneo a escena. Eds. Lourdes Bueno John P. Gabriele, Candyce Leonard. Estreno: Sherman, TX; Winston-Salem, NC: Editorial Teatro, 2012. 147-153.
“Parents on Stage in Contemporary Spanish Theatre”. The Changing Spanish Family. Ed. Tiffany Trotman. Jefferson, NC: McFarland, 2011. 159-179.
“La edad de intranquilidad: terrorismo y el fin del sueño americano”. Signa. Revista de la Asociación Española de Semiótica 20 (2011): 141-165.
"Cuando el dolor no da frutos". "Prólogo". Underground and Playback. Luis Miguel González Cruz. Madrid: Colección Teatro del Astillero, 2009. 9-14.
"A Note on the Play". Skin in Flames by Guillem Clua. Trans. D.J. Sanders. Eds. Iride Lamartina-Lens and Susan Berardini. Estreno Translation Series 31 (2008): x-xii.
"Paloma Pedrero". Columbia Encyclopedia of Modern Drama. Eds. Gabrielle H. Cody and Evert Sprinchorn. New York: Columbia UP, 2007: 1040.
"And Now Playing in Madrid: Fall 2004". Western European Stages 17.2 (2005):
"Sábado corto by Héctor Quintero: Laughing in Havana". Gestos 39 (2005): 187-190.
"Solas and the Unbearable Condition of Loneliness in the Late 1990s. Spanish Popular Cinema. Eds. Antonio Lazaro Reboll and Andrew Willis. Manchester University Press, Manchester, England, 2004. 222-36.
"Notes on Recent Cuban Theatre (2002-04)" Latin American Theatre Review 38.1 (2004): 157-64.
"February in Madrid: Contemporary Politics and Theatre" (co-authored with Cynthia Gendrich). PAJ. A Journal of Performance and Art 76.1 (2004): 71-80.
"Lt. Ripley's Techno-Amazon Body in Alien: Resurrection". Journal of the Blue Ridge International Conference on the Humanities and the Arts. Spring 1-2 (2003): 140-48.
"The Alternative Theatre Festivals in Madrid, Spring 2003: Stages of Experience and Innovation". Western European Stages 15.2 (2003): 5-10. (co-authored with Cynthia Gendrich)
"Structuring the Discursive Context of the Feminist Voice in Pullus, el resplandor del lomo en las liebres huidizas". Estreno 29.1 (2003): 31- 36.
"Tragedia de la inmigración". Teatra 14-15 (2002): 206.
"Paloma Pedrero". Major Spanish Dramatists: A Bio-Critical Guide to the History of the Spanish Theater. Ed. Mary Parker. Westport, CT: Greenwood Press, 2002. 337-47.
"Fermín Cabal". Major Spanish Dramatists: A Bio-Critical Guide to the History of the Spanish Theater. Ed. Mary Parker. Westport, CT: Greenwood Press, 2002. 113-122.
"To Begin Again: Madrid Stages 1998-2000". Western European Stages 13.2 (2001): 4-10.
"Juan Carlos Pérez de la Fuente y el Centro Dramático Nacional de Madrid". Gestos 15.30 (2000): 146-50.
"Memories of Francisco Franco at the Close of the Century: Las manos by Yolanda Pallín, José Ramón Fernández, and Javier García Yagüe". Western European Stages 11.3 (1999): 113-15.
"Gendered Spaces in Two Dramatic Works by Valle-Inclán: Cenizas and El yermo de las almas". Nuevas perspectivas sobre el '98. Madrid: Iberoamericana, 1999. 261-69.
"Agonía: A Parable of Violence and Sacrifice on the Eve of the Twenty-First Century". Entre Actos: Diálogos sobre teatro español entre siglos. Eds. Martha T. Halsey and Phyllis Zatlin. University Park: Estreno, 1999. 165-71.
"Sex and Politics in the Theater of Alfonso Armada". Western European Stages 10.3 (1998): 101-106.
"Re-Writing/Re-Presenting Textual/Sexual Roles in Twentieth-Century Female-Authored Spanish Drama". Un escenario propio/ A Stage of Their Own (Actas Selectas). Eds. Phyllis Zatlin and Kirsten Nigro. Ottawa: Girol, 1998. 27-35.
"El drama español del siglo XX: Bibliografía selecta del año 1997". Co-researched with Mariano de Paco of the Universidad de Murcia. Estreno. 25.1 (1998): 54-63.
"The Censorship of Social and Personal Violence in Lista Negra by Yolanda Pallín". Co-authored with Barbara Buedel. Western European Stages. 10.3 (1998): 95-98.
"Agonía and Sueños de Ginebra: Spanish Alternative Theatre at the End of the Twentieth Century." Anales de la Literatura Española Contemporánea 23.3 (1998): 733-49.
"Andalusian Theatre." Western European Stages. 9.2 (1997): 29-33.
"Body, Sex, Woman: The Struggle for Autonomy in Paloma Pedrero's Theater." LA CHISPA '97. Selected Proceedings. Ed. Claire J. Paolini. New Orleans: Tulane University, 1997: 245-54.
"La Cubanía: The Soul of Cuban Theater in the Mid-1990s." Latin American Theatre Review 30.2 (1997): 139-52.
"Diversity in Contemporary Spanish Theatre: Three Directors." Western European Stages 9.1 (1997): 33-37.
"Role-Playing in Concha Romero's Un maldito beso." Estreno 20.2 (1994): 15-17.
"Los niveles de ficción en Un maldito beso de Concha Romero." Proceedings: De lo particular a lo universal: El teatro español del siglo XX y su contexto. Ed. John P. Gabriele. Frankfurt am Main: Vervuert Verlagsgeselischaft, 1994. 188-195.
"Women Writers and Their Characters in Spanish Drama in the 1980s." Anales de la Literatura Española Contemporánea 17.1-2 (1992): 243-56.
"Perspectivas sobre el teatro español a los quince años de la democracia." Anales de la Literatura Española Contemporánea 15 (1990): 253-73.
"New Dimensions in Post-Franco Theatre: José Luis Alonso de Santos." Selected Proceedings from the Thirty-Fourth Annual Mountain Interstate Foreign Language Conference. East Tennessee State University, 1986: 289-95.
"Dragún's Distancing Techniques in Historias para ser contadas and El amasijo." Latin American Theatre Review 16.2 (1983): 37-42.