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General Texts

Clark, Gillian. Late Antiquity: A Very Short Introduction. Oxford: Oxford University Press, 2011. Print.

Hoving, Thomas. False Impressions: The Hunt for Big-Time Art Fakes. New York: Simon & Schuster, 1996. Print.

Kruglov, Alexander. “Late Antique Sculpture in Egypt: Originals and Forgeries.” Rev. of Unearthing the Truth: Egypt’s Pagan and Coptic Sculpture. Brooklyn Museum, New York. American Journal of Archaeology 114. 

Russmann, Edna R. Unearthing the Truth: Egypt’s Pagan and Coptic Sculpture. Brooklyn, New York: Brooklyn Museum, 2009. Print.

Thomas, Thelma K. Late Antique Egyptian Funerary Sculpture: Images For This World And For The Next. Princeton, New Jersey: Princeton University Press, 2000. Print.

Waxman, Sharon. Loot: The Battle Over the Stolen Treasures of the Ancient World. New York: Times Books, 2008. Print.

Hypothesizing the Reliefs' Origins

Badawy, Alexander. Coptic Art and Archaeology: The Art of the Christian Egyptians from the Late Antique to the Middle Ages. Cambridge: MIT Press, 1979.

Clark, Gillian. Late Antiquity: A Very Short Introduction. Oxford: Oxford University Press, 2011.

Fuga, Antonella. Artists' Techniques and Materials. Translated by Rosanna M. Giammanco Frongia. Edited by Stefano Zuffi Los Angeles: The J. Paul Getty Museum, 2004.

Hunt, Lucy-Anne. "Coptic Art." In Oxford Art Online.

McKenzie, Judith. The Architecture of Alexandria and Egypt, C. 300 B.C. To A.D. 700. New Haven: Yale University Press, 2007.

"Object List of Coptic Reliefs." edited by Harvard Art Museums. Cambridge.

Penny, Nicholas. The Materials of Sculpture. New Haven: Yale University Press, 1993.

Rockwell, Peter. The Compleat Marble Sleuth. Sunny Isles Beach, FL: Rockrose, 2004.

Russman, Edna. "Unearthing the Truth: Egypt's Pagan and Coptic Sculpture." edited by Brooklyn Museum. New York, 2009.

Spanel, Donald B. "Two Groups of "Coptic" Sculpture and Relief in the Brooklyn Museum of Art." Journal of American Research Center in Egypt 38 (2001): 89-113.

Thomas, Thelma K. Late Antique Egyptiam Funerary Sculpture. Princeton, NJ: Princeton University Press, 2000.

Iconography

Badawy, Alexander. Coptic Art and Archaeology: The Art of the Christian Egyptians from the Late Antique to the Middle Ages. Cambridge, Mass.: MIT Press, 1978. Print.

Cirlot, Juan E. A Dictionary of Symbols. Trans. Jack Sage. New York: Philosophical Library, 1962. Print.

Evans, Helen C., Daniel Walker and Marsha Hill. “Egyptian: Late Antique.” The Metropolitan Museum of Art Bulletin, New Series 53.3 (1995-6): 5+23-27. Web. 31 Jan. 2012.

Frankfurter, David. “The Binding of Antelopes: A Coptic Frieze and its Egyptian Religious Context.” Journal of Near Eastern Studies 63.2 (2004): 97-109. Web. 2 April 2012.

Hall, James. Illustrated Dictionary of Symbols in Eastern and Western Art. 1994. Print.

Hartner, Willy, and Richard Ettinghausen. “The Conquering Lion, the Life Cycle of a Symbol.” Oriens 17 (1964): 161-171. Web. 22 April 2012.

Hunt, Lucy-Anne. “The Byzantine Mosaics of Jordan in Context: Remarks on Imagery, Donors and Mosaicists.” Palestine Exploration Quarterly 126 (1994): 106-126. Web. 19 Mar. 2012.

Kruglov, Alexander. “Late Antique Sculpture in Egypt: Originals and Forgeries.” Rev. of Unearthing the Truth: Egypt’s Pagan and Coptic Sculpture. Brooklyn Museum, New York. American Journal of Archaeology 114.

Lavin, Irving. “The Hunting Mosaics of Antioch and Their Sources. A Study of Compositional Principles in the Development of Early Mediaeval Style.” Dumbarton Oaks Papers 17 (1963): 179-286. Web. 22 April 2012.

McKenzie, Judith. The Architecture of Alexandria and Egypt, 300 BC – AD 700. New Haven: Yale University Press, 2007. Print.

Russmann, Edna R. Unearthing the Truth: Egypt’s Pagan and Coptic Sculpture. Brooklyn, New York: Brooklyn Museum, 2009. Print.

Schloessinger, Miriam Schaar. “Five Lamps with Fish Reliefs: From Israel and Other Mediterranean Countries.” Israel Exploration Journal 1.2 (1950-51): 84-95. Web. 17 April 2012.

Schuster, Angela M.H. “Animals in Egyptian Art.” Archaeology 48 (1995): 67-69. Web. 19 Mar. 2012.

Severin, Hans-Georg. “On the Architectural Decoration and Dating of the Church of Dayr Anba Bisuy (“Red Monastery”) Near Suhag in Upper Egypt.” Dumbarton Oaks Papers 62 (2008): 75-112.

Shepherd, Rowena and Rupert Shepherd. 1000 Symbols: What Shapes Mean in Art and Myth. New York: Thames and Hudson, 2002. Print.

Strudwick, Helen M., et al. “Egypt, ancient.” Grove Art Online. Oxford Art Online. n.d. Web. 17 Feb. 2012.

Thomas, Thelma K. Late Antique Egyptian Funerary Sculpture: Images For This World And For The Next. Princeton, New Jersey: Princeton University Press, 2000. Print.

Late Antique Egyptian Sculpture

Badawy, Alexander. Coptic Art and Archaeology: the Art of the Christian Egyptians from the Late Antique to the Middle Ages. Cambridge, MA: MIT Press, 1978. Print.

Gabra, Gawdat. Coptic Monasteries: Egypt’s Monastic Art and Architecture. New York, NY: American University in Cairo Press, 2002. Print.

Russman, Edna. Unearthing the Truth: Egypt’s Pagan and Coptic Sculpture. Brooklyn, NY: Brooklyn Museum, 2009. Print.

Thomas, Thelma. Late Antique Egyptian Funerary Sculpture: Images for this World and for the Next. Princeton, NJ: Princeton University Press, 2000. Print.

Weitzmann, Kurt, ed. Age of Spirituality: A Symposium. Princeton, NJ: Princeton University Press, 1980. Print.

The Changing Faces of the Egyptian Antiquities Market

Colla, Elliott. Conflicting Antiquities: Egyptology, Egyptomania, Egyptian Modernity. Durham: Duke University Press , 2007. Print.

“Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property 1970.” UNESCO.org. United Nations Educational, Scientific and Cultural Organization, n.d. Web. 7 May 2012.

Greenfield, Jeanette. The Return of Cultural Treasures . 3rd ed. 1989. Cambridge: Cambridge University Press , 2007. Print.

Waxman, Sharon. Loot . New York: Henry Holt and Company , 2008. Print.

Timeline

Ann Temkin. "Klee, Paul." Grove Art Online. 10 Apr. 2012 http://www.oxfordartonline.com/subscriber/article/grove/art/T046818>.

Fridberg, Diana. "A Social Life of Things?" The Social Life of Things. 2008. Web. 29 May 2012. <http://www.seiselt.com/smutheory/Diana%20Fridberg/SocialThings.html>.

Herbert Mayer Records.Hamilton: Picker Art Gallery Records, 2011.

"Khawam Brothers Antiquities." Khawam Brothers Antiquities. Web. 15 Apr. 2012. <http://www.khawam-brothers.com/en/preambule/>.

Khawam, Roger. "Demande De Renseignements Sur Bas-reliefs D'Antiquité Tardive Égyptiennes." Message  to Carter Cooper. 27 Mar. 2012. E-mail.

"Mayer Collection of World-Wide Primitive Art To Be Put Oh Display Today In Lawrence Gallery." Colgate Maroon [Hamilton] 27 Apr. 1960, Vol. 92 No.24 ed.: 3. Colgate Student Newspapers. Web. 16 Apr. 2012.  <http://http://cdm16303.contentdm.oclc.org/cdm/compoundobject/collection/ColgateNP04/id/10919>.

Modernism at the Fringes: Herbert Mayer and the World House Galleries. Hamilton: Picker Art Gallery, 2011.

“Paganism and Christianity in Egypt (Coptic Exhibition).” Brooklyn Museum. 11 Apr. 2012. http://www.brooklynmuseum.org/opencollection/exhibitions/1693/Paganism_and_Christianity_in_Egypt_Coptic_Exhibition>.

Preston, Stuart. In Variety Fair. New York: The New York Times, 1962.

Roger Cardinal. "Primitivism." Grove Art Online. 10 Apr. 2012 http://www.oxfordartonline.com/subscriber/article/grove/art/T069588>.

Waxman, Sharon. Loot: The Battle over the Stolen Treasures of the Ancient World. New York: Times, 2009. Print.

Wilkinson, Richard H. Egyptology Today. Cambridge: Cambridge UP, 2008. Print.

World House Galleries records ca. 1953-1986. Washington, DC: Archives of American Art, 2011.

Sculptura

Walker, Judith B. Sculptura: Ancient Relief Sculptura Cast in Bronze. New York: Sculptura, Inc., 1961.

Forgeries

Bailey, Martin. “Dealers Duped by Coptic Fakes.” Art Newspaper 17 (Sept. 2008): 8.

Bailey, Martin. “Revealed: One Third of Brooklyn Museum’s Coptic Collection is Fake.” Art Newspaper 17 (July/Aug. 2008): 1-3.

Dutton, Denis. “Artistic Crimes.” The Forger’s Art: Forgery and the Philosophy of Art.” Berkeley: University of California Press, 1983.

Ebitz, David. “Connoisseurship as Practice.” Artibus et Historiae 9.18 (1988): 207-212. 

Hardwick, Tom. “Unearthing the Truth: Brooklyn.” Burlington Magazine 151 (July 2009): 499-501. http://web.ebscohost.com/ehost/.

Hoving, Thomas. False Impressions. New York: Touchstone, 1996.

Kruglov, Alexander V. “Late Antique Sculpture in Egypt: Originals and Forgeries.” American Journal of Archaeology 114.2 (Apr. 2010): 1-9. http://www.ajaonline.org/.

Phillips, David. “Forgery.” Grove Art Online. Oxford Art Online, http://www.oxfordartonline.com/ (accessed April 9, 2012).

Russmann, Edna R. Unearthing the Truth: Egypt’s Pagan and Coptic Sculpture. Brooklyn: Brooklyn Museum, 2009.

Serrell, Beverly. “Discovery and Deceit: Archaeology and the Forger’s Craft.” Curator: The Museum Journal 40.2 (June 1997): 114-126.

Spanel, Donald B. “Two Groups of ‘Coptic’ Sculpture and Relief in the Brooklyn Museum of Art.” Journal of the American Research Center in Egypt 38 (2001): 89-113. www.jstor.org. Strudwick, Helen M., et al. “Egypt, ancient.” Grove Art Online. Oxford Art Online, http://www.oxfordartonline.com/ (accessed April 9, 2012).

Chemistry

April, Rich. “Limestone Reliefs” Message to Author. 18 Apr. 2012. E-mail.

Douma, M., Curator. (2008). Pigments Through the Ages. Retrieved Oct, 2012, from http://www.webexhibits.org/pigments.

Genester, C. and Pons, C. “Earth Pigments in Painting: Characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis” Anal Bioanal Chem 382 (2005): 269-274. Print.

Jue, Patricia. Personal Interview

Keller, Di. “Limestone Reliefs” Messge to Author. 18 Apr. 20012. E-mail.

Middleton, A.P. and Bradley, S.M. “Provenancing Egyptian Limestone Sculpture” Journal of Archaeological Science 16 (1989): 475-488.

Textiles

Auth, Susan. "Cäcilia Fluck, Petra Linscheid, and Susanne Merz, Textilien Aus Ägypten. Teil 1. Textilien Aus Dem Vorbesitz Von Theodor Graf, Carl Schmidt Und Dem Ägyptischen Museum Berlin." Journal of Near Eastern Studies 63.1 (2004): 44-45. Print.

"Coptic Tapestries." Bulletin of the Pennsylvania Museum 17.69 (1921): pp. 11-15. Dawson, Warren R, and Eric P. Uphill. Who Was Who in Egyptology. London: Egypt Exploration Society, 1972.

Dimand, M. S. "Coptic Textiles: Recent Accessions." The Metropolitan Museum of Art Bulletin 21.4, Part 1 (1926): pp. 102-105. Print.

Effenberger, Arne. “State Museum of Berlin.” The Coptic Encyclopedia. Macmillan, 1991. Claremont Colleges Digital Library. Claremont Graduate University. School of Religion. <http://ccdl.libraries.claremont.edu/cdm/singleitem/collection/cce/id/1774/rec/6> .

Errera, Isabella. "Notes on Textiles." The Burlington Magazine for Connoisseurs 25.133 (1914): pp. 4,5+7-8. Print.

G.U. "Coptic Textiles." The Bulletin ofthe Cleveland Museum of Art 13, no. 9 (1926): 193-196.

Hoskins, Nancy Arthur. The Coptic Tapestry Albums and the Archaeologist of Antinoé, Albert Gayet. Seattle: Skein Publications in association with the University of Washington Press, 2004. Print.

Liu, Xinru. Silk and Religion. Oxford: Oxford University Press, 1996.

Lopez, Roberto Sabatio. "Silk Industry in the Byzantine Empire." Speculum 20, no. 1 (1945): 1-42.

Málek, Jaromír. Egypt :4000 Years of Art. London; New York: Phaidon, 2003. Print.

Noever, Peter. Fragile Remnants: Egyptian Textiles of Late Antiquity and Early Islam. Ostfildern: Amalgamated Book Services, 2006.

Schoeser, Mary. Silk. New Haven, CT: Yale University Press, 2007.

Shepherd, Dorothy. "A Coptic Silk." The Bulletin of the Cleveland Museum of Art 34, no. 9 (1947): 216-217.

Shepherd, Dorothy. "A Silk Fabric fromm Egypt." The Bulletin of the Cleveland Museum of Art 34, no. 8 (1947): 196-199.

Spring, Chris, and Julie Hudson. Silk in Africa. Seattle: University of Washington Press.

Török, László, 1941-. Coptic Antiquities. [Roma]: "L'Erma" di Bretschneider, 1993. Print.Wulff, O., and W. F. Volbach. Spätantike und koptische Stoffe aus ägyptischen

Grabfunden in den Staatlichen Museen. Berlin, 1926.

Connoisseurship

Brainerd, Andrew W. On Connoisseurship and Reason in the Authentication of Art. Chicago: Prologue Press, 2007.

Carrier, David. “In Praise of Connoisseurship.” The Journal of Aesthetics and Art Criticism, 61, no. 2 (Spring 2003): 159-169. JSTOR. Accessed 7 February 2012.

Clark, T. J. “The Conditions of Artistic Creation,” in Art History and its Methods: a Critical Anthology, by Eric Fernie. London: Phaidon Press Ltd., 1995.

Elsig, Frédéric. “Connoisseurship and Art History: Reflections on a Problematic Relationship.” Ars, 42, no. 1 (2009): 109-114. Art Full Text and Art Index Retrospective. Accessed 14 February 2012.

Glueck, Grace. “Clashing Views Reshape Art History.” New York Times (December 20, 1987), section 2: 1, 22-23.

Neer, Richard. “Connoisseurship and the Stakes of Style.” Critical Inquiry, 32, no.1 (Autumn 2005): 1-26. JSTOR. Accessed 7 February 2012.

Phillips, David. Exhibiting Authenticity. Manchester: Manchester University Press, 1997.

Pillsbury, Edmund P. “Connoisseurship and the Role of Collecting.” Yale University Art Gallery Bulletin, 40, no. 1 (Spring, 1987): 86-87. JSTOR. Accessed 7 February 2012.

Reed, Herbert. “On Art and Connoisseurship.” The Burlington Magazine for Connoisseurs, 80, no. 471 (June 1942): 134-135. JSTOR. Accessed 7 February 2012.

Rosenblum, Robert. “Introduction: Connoisseurship in the Age of Replication.” Source, 24, no. 2 (Winter 2005): 3-5.

Schapiro, Meyer. “Mr. Berenson’s Values,” Encounter, January 1961: 57-65, reprinted in Theory and Philosophy of Art: Style, Artist and Society, Selected Papers. By Meyer Schapiro. New York: George Braziller, 1994: 209-226.

Scholz, Janos. “Connoisseurship and the Training of the Eye.” College Art Journal, 19, no. 3 (Spring 1960): 226-230. JSTOR. Accessed 7 February 2012.

Schwartz, Gary. “Connoisseurship: the Penalty of Ahistoricism.” Artibus et Historiae, 9, no. 18 (1988): 201-206. JSTOR. Accessed 7 February 2012.

Van de Wetering, Ernst. “Connoisseurship and Rembrandt’s Paintings: New Directions in the Rembrandt Research Project, part II.” Burlington Magazine 150 (February 2008): 83-90.

---, et. al. A Corpus of Rembrant Paintings: Stichting Foundation Rembrandt Research Project, Volume V. Boston: Springer Verlag, 2011.

Von Sonnenburg, Hubert. Rembrandt/ Not Rembrandt in the Metropolitan Museum of Art: Aspects of Connoisseurship: Volume I. New York: Harry N. Abrams, 1995.

Display in the Picker

Ambrose, Timothy, and Crispin Paine. Museum Basics. New York: ICOM in conjunction withRoutledge,1993.

Calo, Mary Ann, Robert McVaugh, and Picker Gallery. Modernism at the Fringes : Herbert Mayer and the World House Galleries. Hamilton, NY: Picker Art Gallery, 2011.

Charles A. Dana Creative Arts Center. Reports 1972-1989. Hamilton, NY: n.p., n.d. Print.

Danilov, Victor J. University and College Museums, Galleries and Related Facilities. Westport, CT : Greenwood Press, 1996.

Sullivan, Lynne P, and S. Terry Childs. Curating Archaeological Collections : from the Field to the Repositor. Walnut Creek: Altamira Press. 2008.