Fall 2024

9/16     Kneecap  (Ireland, 2024, d.Rich Peppiat) 104 m R

When a disillusioned music teacher runs into two hip-hop obsessed low-lifes, the trio form a

rap group that will take on police, politicians, and Irish culture itself. Starring the actual

members of the band Kneecap, the film chronicles their rise in popularity as an outlier act who

mix both English and traditional Irish language into their music. “[Kneecap is] endlessly

entertaining while making articulate, thought-provoking points about youthful rebellion, the

unifying power of music and the preservation of a nation's heritage and culture.” (Terry

Staunton, Radio Times).


9/23     La Chimera (Italy etc., 2023, d. Alice Rohrracher) 130 m NR

When archeologist Arthur is released from prison after being sentenced for grave robbing, he is

quick to return to his criminal tomb-raiding under pressure to find legitimate work. The final

film in Italian director Alice Rohrwacher’s trilogy of films reflecting on the human relationship

with time and the past, La Chimera has been praised for its cinematography and for its odes to

the greats of Italian cinema. Paul Whitington of the Irish Independent called La Chimera “a

beautiful, haunting film, playful and melancholy, deliberately ragged around the

edges.”


9/30     32 Sounds (US, 2022, d. Sam Green) 95 m NR

32 Sounds is a film like no other, a documentary that might change how you listen to the world

around you. What makes sound so special - and why does it unlock memories in a way that our

other senses cannot? Filmmaker Sam Green (The Weather Underground) invites the audience

to immerse themselves in unique soundscapes from the natural world - listening with instead of

just listening to. Peter Debruge of Variety called the film “a rare and rewarding sonic journey

with the potential to enrich our lives.”


10/7     20,000 Species of Bees / 20,000 especies de abeias (Spain, 2023, d. Estibaliz Urresola

Solaguren) 128 m

When 8-year-old Coco begins to question her gender identity, the transition places a strain on

her family. But after they travel to visit beekeeping relatives in a sleepy village in the Basque

country of Spain and France, the family begins to explore their relationship with one another

and come to terms with their own identities. About 20,000 Species of Bees, writer Mark

Kermode of Sight and Sound said “[the film is a] warmly humanist and deeply empathetic first

feature… announcing the arrival of a bold new filmmaking voice.”


10/21    American Graffiti (US, 1973, d. George Lucas) 110 m PG 

George Lucas’s seminal first film has been newly remastered to celebrate its 50th Anniversary.

American Graffiti follows friends who cruise around the streets of their small California town on

the final day of summer, 1962, set to the soundtrack of Wolfman Jack’s playlist of timeless rock

and roll hits. Ron Howard, Richard Dreyfuss, Harrison Ford, and more young Hollywood

heavyweights deliver performances that are timeless.


10/28    Nosferatu  (Germany, 1922, d. F. W. Murnau) with Alden Ensemble live accompaniment

94 m NR

The Andrew Alden Ensemble returns to Potsdam after nearly a decade away, bringing an

encore performance of their original score for F.W. Murnau’s Nosferatu. Alden directs a modern

chamber group through music that perfectly accompanies and even reshapes how you watch

classic films. In Nosferatu, the original vampire tale, hapless Thomas Hutter attends the

Transylvanian estate of Count Orlok to close a real-estate deal. But Orlok has more mysterious

plans in store. The film is a gothic tale of the occult and changed the vampire story on screen

forever.


11/4     Babes (US, 2024, d.. Pamela Adlon) 104 m R

Lifelong friends Eden (Ilana Glazer, Broad City) and Dawn (Michelle Buteau) are at different

phases of their adult lives, yet inseparable. Dawn is raising two kids, while Eden is still single

and carefree. But when Eden becomes pregnant after a one-night stand, their relationship is

put to the test. Perfect for fans of raunchy, women-driven comedies like Bridesmaids (2011),

Babes strikes a surprising emotional chord while never letting up on its humor. Billy

Goodykoontz of the Arizona Republic offered in his review, “maybe, instead of the classes,

expectant parents should just be shown Babes instead. It answers a lot of the questions no one

asks, sparing nothing. Nothing at all.”


11/11     Evil Does Not Exist / Aku wa sonzai shinai (2023, Japan, d. Ryûsuke Hamaguchi) 106 m

NR

Featuring a cast of non-professional actors, Evil Does Not Exist is the latest from director

Ryusuke Hamaguchi, whose 2021 feature, Drive My Car was the first Japanese film to receive a

nomination for Best Picture at the Academy Awards. In it, we meet a single father living outside

Tokyo, who discovers that his small, eco-conscious community is being threatened by a

company that wishes to build a glamping resort nearby. Unnerving, sparse, and shockingly

beautiful, Evil Does Not Exist was praised by NPR film critic Justin Chang, who said that

Hamaguchi is “trying to get us to look at the natural world, human beings included, beyond the

comforting framework of good vs. evil.”


11/18     Ghostlight (US, 2024, d.Kelly O'Sullivan, Alex Thompson) 115 m R

A construction worker grieving the death of his son by suicide finds himself unexpectedly cast in

a production of Romeo and Juliet, all while struggling to raise his troubled daughter. A

meditation on loss, family, and finding comfort in the world of pretend, Ghostlight is “a hushed,

confidently devastating, and ultimately hopeful drama that never follows a traditional path,”

(Sara Michelle Fetters, MovieFreak). 


12/2     Thelma (US, 2024, d. Josh Margolin) 98 m PG-13

After the titular Thelma is scammed out of $10,000 by a man pretending to be her grandson,

the 93-year-old sets off on a journey to get her money back. First time director Josh Margolin

directs stellar performances by screen veterans June Squibb (in her first leading role), Malcolm

McDowell, Parker Posey, and Richard Roundtree (in his final performance). Dulcie Pearce of The

Sun called the film “A Mission Impossible homage on mobility scooters which is often laugh out

loud funny.”