list

Orchestral/Ensemble

Of the Worlds Beyond for orchestra (2018 - 17 min.) premiered 23 April 2019, HK. Subsequent recording by Janáček Philharmonic Orchestra. To be released on Ravello Records Feb. 2020

An Inescapable Entanglement (2010 - 15 min.) for piano, orchestra, and 8 loudspeakers. Premiered at the Hong Kong City Hall Theatre, October 2010 released on REASON AND REVERENCE Anova Records (NV6166) 2018

Veni Sancte Spiritus (1999) for Narrator, Chorus and Orchestra. Commissioned by the Hong Kong Bach Choir and Orchestra, premiered December 12, 1999, Hong Kong.

Shasta (1992) for Piano and Orchestra. Commissioned by the New York Youth Symphony. Premiered March 15, 1992, Carnegie Hall, New York. (8 minutes)

Gaia Symphonia (1989) for full orchestra. Read by the Eastman Philharmonic April 12, 1990, Rochester, NY. Awarded: Rudolf Nissim Award for best orchestral work by a living ASCAP member (1990), Szernovsky Award Eastman School of Music (1989), ASCAP Grant to Young Composers, (1989). (15 minutes)

East-Wind Music (1987) for Wind Ensemble. Premiered February 12th, 1988, Eastman Wind Ensemble, Rochester, NY.

Chamber Music

Stella Nova (New Star) NGC 2068 (2009 - 12 min.) for piano and percussion. Commissioned and premiered by James Boznos (HK Philharmonic Orchestra) April 2009, Hong Kong. Released on Ravello Records RR7803 January 2010 with digital distribution by Naxos.

Contradistinction (2015 - 9 min.) for violin and piano. premiered in NSYSU, Taiwan May 2015.

Pittsburgh Music (1993), for flute, clarinet, violin, cello, percussion, and piano. Commissioned by the Pittsburgh New Music Ensemble. Premiered January 17th, 1994, Pittsburgh. Subsequent performances/broadcasts nation-wide by the PNME, and in Hong Kong by the Hong Kong Philharmonic Players. (8 minutes) The Time Being (1988), for flute, clarinet, violin, cello, percussion, and piano. Premiered November 22nd, 1988, Rochester, NY. (7 minutes).

Chasing Incense for clarinet, viola, piano, and double bass (2013 - 2 min.) premiered at the 2013 Sound and IMAGE-INation by the HK New Music Ensemble.

in time of all sweet things beyond (2005) for Oboe and Harp. Commissioned by for Michelle Abbott and Leanne Nicholls, premiered tba (7 minutes).

A Hurried Darkness (1998) for Bass Trombone and Piano. Premiere April 24, 1998, HKBU, Subsequent performances/broadcasts in Hong Kong (9 minutes).

Brandenburgh Variations (1990) for Baroque Violin and Harpsichord. Premiere January 25th, 1991, Rochester, NY. (7 minutes)

Edlestein Introit (1992) for Flute and Bassoon. Premiered, May 9th, 1992, New York, NY. (3 minutes)

Trois (1987) for violin, cello and piano. Premiere May 15th, 1987, Rochester, NY. Subsequent performances/broadcasts in Hong Kong. (11 minutes)

Music for Marimba and Strings (1988) Premiere May 15th, 1991, Rochester NY. (11 minutes)

Works for Solo Piano

Of Wood, Spring, and Bamboo (1996) Variations for Harpsichord on the Chinese Melody "Beautiful Spring". Commissioned by Harpsichordist Joyce Lindorff. Premiere March 15, 1997 Hong Kong. Subsequent performances/broadcasts in Philadelphia, Kyoto (premiere of piano version) and Hong Kong, (7.5 minutes)

Three Preludes (1994-5) for piano solo. Premiered January 26th, 1996 Hong Kong. Subsequent performances in Beijing, Shanghai, Shenyang (PRC), and Singapore. (13 minutes)

Bartok Variations (1991) for piano solo. Premiered March 3, 1991 Rochester, NY. Subsequent performances in Beijing, Shanghai, Shenyang (PRC), Hong Kong and Singapore, (9 minutes).

Ballade for the Children of the Modern Age (1990) for piano solo. Premiere May 15th, 1991, Rochester NY. Subsequent performances in Beijing, Shanghai, Shenyang (PRC), Hong Kong, and Singapore, (10 minutes).

enormous nowhere (1986) for piano solo. Premiered January 30th, 1987, Rochester, NY. Subsequent performances in Beijing, Shanghai, Shenyang (PRC), and Hong Kong, (9 minutes).

Pavanne Pour Main Droite Defunte (1986) for piano left hand. Premiered March 19th, 1987, Rochester, NY, (3 minutes).

Vocal/Choral

Bodhisattva (1988) for soprano and piano. Premiere May 15th, 1991, Rochester NY. (10 minutes)

O Sweet Spontaneous Earth (1986) for soprano, piano, viola, and percussion. Awarded 1st prize Eastman/Mu Phi Chamber Music Competition, Eastman School of Music (1987), ASCAP Grant to Young Composers, (1989), and Victor Herbert Chamber Music Competition, (1987). Premiered January 30th, 1987, Rochester, NY. Subsequent performances/broadcasts by the Society for New Music, Syracuss, NY. (12 minutes) October 12, 1997, Musicarama International Festival of New Music, Hong Kong. (8 minutes)

Confusion and Tranquillity: Two Lessons from the I Ching (1997) for women's chorus, piano, and Chinese temple bell. Commissioned by the HK Composer's Guild. Premiere

(see also Veni Sancte Spiritus, above)

Works for Piano and live electronics

The Horse Head Nebula NGC2023 for piano, electronics and interactive graphics (2008 - 6 min.) premiered on 27 August 2008, Belfast, Ireland. Released on Ravello Records RR7803 January 2010 with digital distribution by Naxos.

Spiral Galaxy NGC1300 for piano, electronics and interactive graphics (2008 - 7 min.) premiered on 24 April 2009, Hong Kong. Released on Ravello Records RR7803 January 2010 with digital distribution by Naxos.

The Sombrero Galaxy NGC4594 for piano, electronics and interactive graphics (2007 - 7 min.) Premiered on 22 July 2007, Adelaide, Australia. released on Ravello Records RR7803 January 2010 with digital distribution by Naxos.

The Orion Nebula NGC1976 for piano, electronics and interactive graphics (2007 - 9 min.) Premiered on 24 April 2009, Hong Kong. released on Ravello Records RR7803 January 2010 with digital distribution by Naxos.

In Recent Memory for Piano and Real-time Interactive Computing. Premiered by Christopher Keyes, 2003 (8 minutes).

Steel³ x Chrome (1999) for Piano and real-time Digital Signal processing. Commissioned by the Hong Kong Composers' Guild, premiered October 15, 1999, Hong Kong (9 minutes).

Sinfonia Computant (1996) for Piano and Computer generated Tape. Premiere August 15, 1997, Hong Kong. (10 minutes)

The Ghost Within (1995) for piano and computer generated tape. Premiered March 28th, 1996, Singapore. Subsequent performances/broadcasts in Beijing, Shanghai, Shenyang (PRC) Sweden, and Hong Kong, (7.5 minutes).

Descant of a Sonic Pendulum (1997) for Piano and real-time digital signal processing. Premiere August 15th, 1997 Hong Kong. (Variable 4-7 minutes)

Works for Piano with interactive graphics

Meditation on the Sea for Piano, Percussion, Radio Baton and Real-time Interactive Computing. Premiered by Christopher Keyes and the Contemporary Music Workshop, 2001 (17 minutes).

Four Improvisations on Cummings for piano and interactive graphics (2019 - 16 min)

recorded 21 April 2019. To be released on Ravello Records Feb. 2020

A Distance Up Close (2018 - 10 min.) for piano, live audio processing and interactive graphics premiered at the 2018 New York City Electroacoustic Music Festival.

Resonant Passages (2012 - 9 min.) for piano, tape, interactive graphics and real-time DSP premiered at the 2012 Symposium on Interactive Keyboard Music in London, November 2012, to be released on Ravello Records Feb. 2020.

Minimal Colors (2011 - 10 min.) for piano, DSP, and interactive graphics. premiered at the Hell Hot New Music Festival, SOUTHSITE Art Gallery, Hong Kong August 2012. To be released on Ravello Records Feb. 2020.

Improvisations on Music Improvisation (Defined) (2010 - 7 min.) for piano, DSP, and interactive graphics. Premiered at the Academic Community Hall, Hong Kong, May 2010.

Works for instruments and fixed media

Antiphon in Memory of Pierre Boulez for 2 flutes, 2 clarinets, 2 spaces (2016 - 15 min.) premiered at Conflux – A Telematic Concert 2 July 2016, Zurich and Hong Kong. To be released on Ravello Records Feb. 2020.

Tree of Remembrance for violin, video and tape (2013 - 8 min.) premiered at the October 2013 aNOther Festival by iKULTURE, Vienna. To be released on Ravello Records Feb. 2020.

Oculus Dei (Eye of God) NGC 7293 for percussion, tape and interactive graphics (2007 - 10 min.) commissioned and premiered by James Boznos (HK Phil.) on 24 April 2009, Hong Kong. Released on Ravello Records RR7803 January 2010 with digital distribution by Naxos.

Electro-acoustic works with Chinese instruments

Li Jiang Etudes No.1 (1998) for Computer generated tape. Incorporates original Chinese instrumental samples. Released on the 1999 International Computer Music Conference CD (11 minutes).

Li Jiang Etude No. 2 for Piano, Guzheng and Real-time Interactive Computing. Premiered by Christopher Keyes and Leung Oi Ying, 2003 (10 minutes)

Li Jiang Etude No. 3 for Xiao and Real-time Interactive Computing. Commissioned and premiered by Chu Siu Wai, 2003 (9 minutes). Released on Capstone CPS-8739.

Works without acoustic instruments

CompuIntroMusic (1995) for computer generated tape with LISP programming. Premiered March 28th, 1996, Singapore. Subsequent performances/broadcasts in Beijing, Shanghai, Shenyang (PRC), Sweden, and Hong Kong, (1 minute).

Alloys for 5-channel fixed media (2018 - 9 min.). premiered 8 August 2018 at the 2018 International Computer Music Conference, Daegu, Korea.

Sonification Interlude No. 1: The Butterfly Nebula NGC2346 (2009 - 3 min.) for electro-acoustic interactive sonification system premiered in April 2009, Hong Kong. Released on Ravello Records RR7803 January 2010 with digital distribution by Naxos.

Sonification Interlude No. 2: Dust Galaxy NGC4414 (2009 - 3 min.) for electro-acoustic interactive sonification system. Premiered in April 2009, Hong Kong. Released on Ravello Records RR7803 January 2010 with digital distribution by Naxos.

Sonification Interlude No. 3: The Spindle Galaxy NGC5866 (2009 - 3 min.) for electro-acoustic interactive sonification system. Premiered on 24 April 2009, Hong Kong. Released on Ravello Records RR7803 January 2010 with digital distribution by Naxos.

Mudra Music for webcam and interactive graphics. Premiered Richmond Virginia 2006 (variable 6-8 minutes).

Three Rooms intermedia production for dancer, camera, electro-acoustic music and interactive graphics (2009 - 16 min.) premiered at the Hong Kong City Hall Theatre, November 2009 commissioned by the Hong Kong Composer’s Guild.

Improvisatory & Pedagogical

Improvisations #1 (1996) for large ensemble (flexible scoring) incorporating traditional Chinese instruments and optional choir. Premiere February 21st, 1997, Hong Kong, (Variable 7 to 15 minutes).

Improvisations #2 (1997) for unspecified solo or duet and real-time digital signal processing via Max/FTS. Premiere May 30th, 1997 Hong Kong, (Variable 5-8 minutes).

Improvisations #3 (1998) for Guzheng (Chinese zither) and real-time digital signal processing. Premiere May 8, 1998, Hong Kong, (Variable 5-8 minutes).