5 Colorants and Colorant Mixing

Pigments and Paints

Reflectances of various artists' paints at full strength and as 2% tints with white. From Dimensions of Colour, 4.5 Object Colours

Pigment based art materials & Color theory (Tamas Majoros)

The color of art - Pigments (David Myers)

CAMEO database (Museum of Fine Arts, Boston)

Handprint guide to watercolor pigments (Bruce MacEvoy)

ColorAcademy - Artists' palettes and colour mixing (Don Pavey and Roy Osborne)

Wild Pigment Project (Tilke Elkins )

Colour theory in two minutes (Stephen Westland)

The dimensions of colour (David Briggs)

Pigments through the ages (Webexhibits).

The Pigment Timeline Project (UCL)

Oil color palettes (Aaron Miller)

Colorwell (John Morfis)

Pigments for paints, coatings and inks (Special Chem)

Coatings and color chemistry

Colour Context (Max Planck Institute for the History of Science)

Toch, Maximilian, Materials for permanent painting (1911)

Laurie, Arthur Pillans, The painter's methods & materials (1926).

Gettens, Rutherford J, and Stout, George. L., Painting material - Short encyclopaedia (1942)

Subtractive Mixing Theory

 Additive and subtractive mixing contrasted using ideal yellow and cyan filters. Adding cyan and yellow light gives greenish white light; successively removing light with cyan and yellow filters gives saturated green light  From Dimensions of Colour, 5.1 Subtractive Mixing Processes

The dimensions of colour - Section 5 Subtractive mixing (David Briggs)

Handprint (Bruce MacEvoy)

Colour theory in two minutes (Stephen Westland)

Paint Mixing

From Briggs, The Dimensions of Colour, 5.3 Subtractive Complementaries

The dimensions of colour - Section 6 Mixing of paints (David Briggs)

Frank Reilly, The Reilly papers (John Ennis)

Munsell unlocked my palette Part 2 - How artists can mix any colour they want  (Paul Foxton)

Colour mixing for oil and acrylic painters (Paul Foxton)

Colour mixing tools (Zsolt Kovacs-Vajna)

Golden Paint Mixer (Golden Paints)

Sensual logic paintMaker (Christian Skeel)

Subtractive color mixture computation (Scott Burns)

Oil painting assistant (Mike Rozak)

Comparison of mixing paths of an RYB and three CMY palettes from The Dimensions of Colour (David Briggs)