Poetry

C. John Graham

Thanks to the journals where versions of these poems first appeared.

“CONSPIRE” MEANS TO BREATHE TOGETHER

 

A brick here, a girder there, and soon,

high-rises trickle light

          like constellations decrypted

among the broken clouds.

 

An ocean idles at the end

of the habited earth. Gravity-leavened,

           it rises while you’re sleeping; it loves

the crinkled moon. Tonight

              you’ll body yourself upstairs.

 

A speck of space dust flares

and plummets, its evanescent

           signature

congealing in the evening air.

 

The nictating city

slumbers in its wetland bed, a billion

synapses sending each minute

          uneasy missives

to an ambivalent heaven.

 

Girded in a cirrus halo, the moon

commandeers your clerestory, her iridescence

         devouring every brilliant

thing in sight. Eating until she’s

         filled with light.

 

Halcyone Literary Review   October 2020


NIGHT SKY

 

You must be your own absence with fifty percent deity.

Dana Levin

 

Any knothole will fit a planet

or a star. But one wanders;

one’s relativistic. And I wonder: what portends

when a sizzling meteor

whips up a disappearing act? When lightning

strikes the same steeple twice? Starry bodies

 

dissolve into darkness all the time. At

light velocity, the soul’s trajectory is a pebble

tossed down a gopher hole. If I’m

small, will anyone notice me? How can

I be sure, now that lone                                             

means more than together?

  

New Mexico Poetry Review  October 2008

 

NEXUS

 

This is what we know so far: satellites pass

overhead each hour, broadcasting their dustings

 

of doubt; planet or not, Pluto cleaves a neat

inclination each twenty-five decades; mad-hatted

 

Saturn makes rings of aimless collisions; and the sun

can make havoc of our transmitted fictions.

 

Volitionless bodies forever furrow space and time.

Treading a lunar-illuminated path between my

 

white stucco portico and forty acres in total darkness,

I wonder how one abides without the other. Seldom

 

synchronous, these queries flare and extinguish

under an abyss of constellated sky. Heaven

 

is a temple in the days we long to go home;

Earth is a classroom for the rest.

 


Appeared as a broadside for the Karen Chamberlain Poetry Festival in Carbondale, CO  March 2013



THE MOUNTAINS ARE ON FIRE, AND THE PEOPLE ARE AFRAID

 

Throwing a good-bye kiss, he pauses on the lower

stair landing. Spring is early this year—are you

going to hang out the hummingbird feeders?

 

*

 

She weeds the flagstone walk, prunes a newly

planted rose. Seeding lettuce in wet dun beds, she whispers,

Bare just one leaf to the moon.

 

*

 

Leveling at thirty-one thousand feet, he streaks

through a lead-pencil sky. Over blackened

canyons, the contrails swirl like snow.

 

*

 

Four hours of Discovery Channel and she wonders:

Why aren’t the redwoods impervious to fire? How does a humpback

echolocate? How does he come

 

*

 

clean out of the water? Each morning

she makes ritual

of pinching the coleus buds. 

 

Glint Literary Journal Dec. 2022 



NEEDLE  

 

A body mostly water: water in

         the bones, the nerves, the straining

 

         muscle, heart, brain.  

 

                     *

 

Water bends a straw

by bending light. This body

 

one empty straw, with

 

                     *

 

a portal between the eyes, a phantom

hatchway above the skull.                                                         

        The dim glimmer

 

         *

        

of deskbound lamplight                                                                         perishes in interstellar shimmer.                             

 

Nebulae elastic

 

         *

 

arc the black vacuum, a factory

of stars.  Be

 

the needle

 

on the hanging 


thread. 



The Inflectionist  October 2022





CLOUD CHAMBER

 

particles leave traces      in fog

 

in a blue-veined      alabaster vestibule 

 

prayers evaporate      Mary

 

may abide but

 

the data  paint your face 

 

pretty particles in vapor

 

lay tracks from above

 

I open  my mouth 

 

and eat the clouds

 

to forget  how  

 

you taste


 

Painted Bride Quarterly  October 2023 

SHOOTING RABBITS

 

It’s the day for shooting rabbits. I can’t imagine

why it’s been so long. Neither can anyone else. My business

is the new business; the old business

was finished long ago. Now some are getting

ready to shoot; some are already

shooting. No one has given us

the answer sheet; no one

has an answer. I dream of shooting

the long-range missile in the silo. This counts

as a big rabbit.


The Laurel Review  Fall 2010



DEPARTURE CLEARANCE

 

A rain-blackened branch

creaks in the breeze.

Leaf clutter rustles under

pendulum steps.

How many times

can a limb shadow sever

the silver string of recollection?

Mottled daylight plays

among the trees. Look—

it stays a while on you.


Taos Journal of Poetry and Art  July 2017



SPACE

 

It’s ten p.m. when you step into the study and stumble

through the two-year-old’s debris field. Your spouse

rattles a snore from the sofa, oblivious to the nova

 

                                             dusty little star cluster, will you

                                 never coalesce?

 

at her feet, while the dog winds himself

silly and sighs in a corner, declining

your entreaties to reacquaint.

 

                                             arm of the spiral, neighborhood

                                 of anarchy

 

Tomorrow he’ll delight in desiccated kibble, yellow

nebulae mottling rectangular lawns, and the coded odors

of a regiment of ticking parking meters. An orderly

 

                                             the vacuum roils

                                 with effervescing particles

                                

 

universe, like the days when the Ring Nebula

was just a ring. Now it’s a supernova, gas and dust

blown everywhere, as epithets still fly

 

                                             the probability of collision

                                 is never zero

 

over Pluto’s demise. Space pablum spatters

Hubble’s double ears. An unplumbable hole

inhales a nursery of stars. Gravity waves rumble

 

                                             event horizons

                                 leak undecipherable information

 

the guts of the planet, triggering another

strike-slip fault. Like a promise that only holds itself,

you’re made of mostly empty space. Without an explicable

 

time spools

                                 into a singularity

 

 

whim in your head, you retrieve

from the carpet a faded blue bead

while radio telescopes in the desert

 

                                             gravitational lenses

                                 magnify the explosion

 

intercept signals from

a red-shifted dim double star

announcing its self-annihilation.


 

 

Blue Mesa Review #7, fall 1995 





CUMULONIMBUS

 

Sprouting from hillside bristle, it overtops

the docile willows not a mile past

this quivering pane of glass.

 

Songbirds retreat to eaves and copses. Scattershot amulets

ricochet across vaporous parking lots. The unctuous understory

hunkers over not-yet-sodden lawns

 

and splits

the viscous quiet with light, its

gravelly staccato

 

summoning hand to heart in the anarchy. The obedient

cedars are not safe. The wavering

alfalfa is not safe.

 

Capillatus, pilleus, incus mammatus.

Fractus scud, rain heap, supercell squall. Fickle

black lurking, horizon to horizon, grasses

 

flat

and rooted, still

they are rooted.

 

  

New Mexico Poetry Anthology 2023