Alida Cervantes, the 2014-15 Alice C. Cole '42 Fellow, is a Mexican artist who at the time of this fellowship lived and worked in the Tijuana, Mexico and San Diego, CA border region. Born in San Diego, she was raised in Tijuana and grew up on both sides of the border. Her paintings, drawings, and performance work draw inspiration from class, race, and gender relations in colonial and present-day Mexico. Cervantes earned a BA from the University of California, San Diego in 1995, then studied at Scuola di Arte Lorenzo di Medici in Florence, Italy, for two years. In 2013, she earned her MFA from the University of California, San Diego. Her work is part of the Museum of Contemporary Art, San Diego and Charles Saatchi, London collections.
Majas, cambujas y virreinacas
Mills Gallery, Boston, MA
April 14 - June 25, 2017
Colonial era women encounter nearly nude men in imaginative and perverse works by Alida Cervantes, which conflate Mexico's racially and socially charged colonial past with its complex present. Cervantes' work explores the complexity and tension of being a "border" artist, and the constant shifts of social and political lines as she crosses the border daily from San Diego to work in her art studio in Tijuana, Mexico.
Her rich and provocative paintings, drawings, and video work address social hierarchies, gender relations, and the reflexive histories situated within colonial and present-day Mexico, where "sex, love, and emotions both flow and are repressed".
Majas, cambujas y virreinacas, an exhibition of Cervantes' work facilitated by the Cole Fellowship, was hosted by the Boston Center for the Arts' Mills Gallery in Boston's South End due to construction impacting the usual Wellesley Art Department exhibition spaces.