You Spin Me Round Like A Record Mp3 Download [HOT]

Strawberry Shortcake Splash LP (Indie Exclusive). The Menzingers are an absolute institution. The Philadelphia punk legends' multi-decade reputation as road warriors with an unbeatable catalog is cemented as hard truth-and their seventh album, Some Of It Was True, stands as their most immediate-sounding and energetic record to date. The follow-up to 2019's sensational Hello Exile accomplishes the daunting task of capturing the Menzingers' distinctive live energy in the confines of the studio, resulting in a sound that's both rich, raw, and complementary to the group's increasingly prismatic songwriting approach. More than 15 years in, the Menzingers are still holding their listeners square in the immediate present, and Some Of It Was True documents that power in thrilling fashion.

"We wanted to make a fun record and write songs that we wanted to play live, and that's exactly what we did," co-vocalist/guitarist Greg Barnett says "We've always said that we want every album to sound live, but we never recorded an album live before. This was the first time we committed to that idea. We wanted to sound like how our band sounds onstage." Making the process easier: Grammy-nominated producer Brad Cook (Bon Iver, the War on Drugs, Waxahatchee), who joined the Menzingers in El Paso's legendary Sonic Ranch studios and lent his incredible ear for raw, immediate sound to help the band achieve Some Of It Was True's in-the-room live feel. "The Menzingers are as real as it gets," Cook says on his time in the studio with the band. "I had an absolute blast working with these guys and was moved to tears many times. They are truly dedicated to artistic growth, and to each other, in ways I found both refreshing and beautiful. I am now a lifer."

Mac Miller's Swimming marked a pivotal point in the late artist's career. His devotion to constant sonic exploration and artistic reinvention had already been well-documented prior to the album's release -- the quantum leap from his Billboard chart-topping debut Blue Slide Park to his sophomore album Watching Movies with the Sound Off, his tour de force as a producer on his 2014 mixtape Faces and ability to direct a full band on 2016's The Divine Feminine were evidence of his steadfast commitment to growth in his craft. Yet upon its release, Swimming was immediately understood by both his fans and critics alike as the high water mark of his career: an album that perfectly showcased the musical chops he had developed vocally and instrumentally over the course of a decade. This understanding was reinforced when, just 3 days after the album's release, NPR Music published a Tiny Desk Concert where Miller and band performed album cuts "Small Worlds," "What's The Use?" featuring regular collaborator Thundercat and "2009" with a full band. The now-iconic performance remains one of the highest streamed performances in the history of NPR's Tiny Desk Concert series and is now available on vinyl for the first time.

NPR Music Tiny Desk Concert vinyl, featuring the live recording of the 2018 performance from NPR Headquarters in Washington, D.C.

You Spin Me Round Like A Record Mp3 Download

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I have no idea what this is. I know Dead or Alive released, like, a million re-recordings and re-releases of this song, so maybe they put one of those in instead? One of them has the band saying "Watch out, here I come" with no backing behind it before the song starts, and this is pretty similar. The only big difference is that "rocket" is nowhere in this song's lyrics... Which is what makes me think Spotify simply made a mistake. I'm sure they'll fix it soon enough, it's probably some fragment of another song that somehow got glitched into this one (Not sure if that's even how that works, but anything's possible, I guess).

Today I have a bit of a wacky card to share with you all. I was playing around one night with this Rooster I had stamped above from the SPRING CHICKS set, and if you know me I love rainbows, and so I thought it would be fun to color his tail feathers in rainbow bright colors. Once I was done coloring him in I die cut him out using the coordinating die and when I went to pop it out of the die, the die-cut fell to the floor and as it fell it did a little spin in the air which inspired this spinner card.

So now that the rooster was done, I die cut a record from the RECORD PLAYER | HONEY CUTS and glued the rooster to the middle of it. Next, I used the musical note background stencil from the SHEET MUSIC STENCILS set and used distress oxide inks to blend out the colorful rainbow background to which then I applied a layer of Moonstone Glimmer paste too.

Warmth arises in records precisely because they are analog, and it refers to a material quality of sound occurring when physical instruments are played. It occurs because the record is an empirical object being played by a turntable and channeled through surrounding equipment. That turntables are instruments in themselves is seen in the movement of turntabilism, which is essentially the art of scratching and mixing records. There is general warmth to virtually all analog instruments. Just as analog photography and film each carry distinctive visual warmth, seen most pointedly when compared to digital counterparts, so to do vinyl records, which is also most recognizable when compared to digital formats. Because digital formats are compressed lossy files and are not played by a physical instrument upon a physical format in the same sense that a record is by the needle on the stylus, on the arm of the turntable, through a receiver and speaker set, then this quality of warmth is absent in digital formats. To be sure, the sound of vinyl carries additional warmth when recorded through analog rather than digital technology.

This article lays out a compelling argument for the superiority of vinyl over modern digital music. The four features of vinyl that allow it to eclipse digital music, auditory, tactile, visual, and epistemic, all show the unique features of records that are not present in modern listening. The richness, warmth, and depth of the music on a vinyl record is absent in audio files, which are more hollow in their sound. The tactile features of a record set it apart from digital media in that the music is no longer abstract. One can hold it and feel it in their hand. The medium also allows for artwork that digital media cannot. While digital music can have art attached to it, it cannot be interacted with in the same way as a vinyl record, which allow for creative canvases that really make each one unique. Vinyl has an advantage over digital music epistemically because the physical medium allows for a great deal of information to be advertised all over the record, inside and out, front and back.

I certainly agree with everything the article states regarding the visual, tactile, and epistemic advantages of vinyl. However, while vinyl of course has its own unique and, in my opinion, superior sound, could it not be said that the digital format has allowed for a greater breadth of sounds to be added to music that could not have existed if not for advances in technology that led to digital music. Could it be that certain genres are best played on vinyl? Absolutely. However, music has evolved with the mediums of its time. Would vinyl be the most suitable method to listen to a screamo or heavy metal album, which is best listened to at a high volume rather than in the more casual setting associated with vinyl listening? Consider dubstep, a genre that I am not particularly fond of but that millions are fond of. The sounds of dubstep necessitate the use of a computer and digital audio equipment, followed by a great deal of synthetic changes to the original sound. Would it not follow that if one favors a digitally synthesized sound, it would be best listened to in a digital format? While listening to The Beatles or Bob Dylan on vinyl is most likely the best way to indulge in their work, I feel that it is likely that more modern genres may be better listened to on modern platforms.

I do not know much about vinyl records, so I cannot really offer personal feedback that would challenge your stance. I do agree that owning vinyl would be more visually pleasing, and I can see why those who are passionate about vinyl enjoy the physicality of it; however, for a person who is not as enthusiastic about this kind of stuff, the lengths one must go to to store and maintain upkeep of the vinyl might seem like more of a burden than enjoyable. One can also only listen to vinyl wherever the required machine to play a record is, thus making it more inconvenient than digitally recorded formats that can be listened to anywhere. I do agree that vinyl is more epistemic; the likelihood of people taking the time to look up the information about digital formats is less likely than one simply reading what is on the vinyl in his or her hand. I cannot comment on the sound quality difference because I have only listened to vinyl very few times. Overall, I think you made a very sound argument. There are positives and negatives to both formats of music. I am honestly more intrigued to listen to vinyl now.

In this article, the author describes why vinyl is better than digital. The article includes four arguments: auditory, tactile, visual, and epistemic. The auditory argument discusses how vinyl includes sound elements such as warmth, richness, and depth that digital music simply cannot capture. The tactile argument discusses the advantages that a physical object can offer with respect to aesthetic qualities. The visual argument discusses that vinyl can also allow for more artwork which allows for more creativity with the work. The epistemic argument describes how having a physical object allows for more information to be included. The author uses these four arguments to support his claim that vinyl is better than digital.

So is vinyl better than digital? Well there are advantages to digital music. Vinyl can take up more space while you can have thousands of digital songs in a small, portable device. There also is more ease with acquiring digital music as it can be one click away; vinyl requires more effort to get. For the average music listener, digital is clearly the way to go as it is far more convenient and simple. But if one wants to truly experience music in a more profound way, they must use vinyl. The author expressed in this article different aspects of vinyl such as sound quality and art that simply cannot and will never be captured in a digital file. Those passionate about music will want to display their records as they are a form of art unlike digital music. In addition, the sound quality is unmatched. Listening to vinyl does not compare to digital music; there are so many qualities of vinyl sound that digital will never capture. In conclusion, while there are certainty advantages to listening to digital music, true music lovers should listen to and collect vinyl. 17dc91bb1f