Animated films aren't just for kids. Animation comes in many genres, from family-friendly to comedy to action to horror. However, the best animated movies are not just great films but also art pieces. Whether it's stop-motion, cartoon or CGI, the best animated films of all time bring the viewer into new imaginative worlds. This list features both the top animated family films and those for older audiences. So please note that not all of these films are appropriate for kids. However, all of these films deliver great storytelling, beautiful visuals and a showcase of the best animation has to offer.
This list features films from 1940 to 2021. However, animation has been around since at least the late 1800s. While animated shorts have been a staple of the genre, only full-length films are included on this list. Notably, the first full-length animated film was Snow White and the Seven Dwarfs in 1937.
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Studios featured prominently on this list include Disney, Studio Ghibli and Pixar. However, this list also features films from Laika, DreamWorks and independent productions. While the two highest-grossing animated films (controversially), The Lion King (2019) and Frozen II, do not appear on this list, many of the following have seen widespread success both critically and commercially. This list also includes many animation types, including stop-motion, traditional animation and CGI. However, all of them are great animated films.
The film premiered at the Venice Film Festival. Many have cited Paprika as a possible influence for Inception as the movies share many plot elements and themes. However, Christopher Nolan has not supported these claims. The film is highly creative and highly visually stimulating. Paprika currently holds an 86% on Rotten Tomatoes and is currently streaming on Tubi.
Directed by Henry Selick and produced by Tim Burton, The Nightmare Before Christmas is both a Halloween and holiday classic. The stop-motion animation film follows Jack Skellington, the King of Halloween Town, as he tries to co-opt Christmas as part of a midlife crisis.
Toy Story is the first of three Pixar films on this list, the first feature film made by the studio and the first fully computer-animated feature film. One of the top movies of the 90s, Toy Story follows a group of sentient toys after a new astronaut toy, Buzz, dethrones a cowboy, Woody, as their owner's favorite toy. The movie features voice performances by Tim Allen and Tom Hanks and was directed by John Lasseter.
Ratatouille won the Academy Award for Best Animated Feature and was nominated for four others. 13 years after its release, it inspired an unauthorized social media-led fan musical, which led to a virtual concert that raised over $1.9 million to benefit The Actors Fund during the COVID-19 pandemic. Ratatouille has been referenced in many other movies and TV shows, including a parody called Raccacoonie in the film Everything Everywhere All at Once. The film is currently available to stream on Disney+.
Anastasia stars Meg Ryan, John Cusack, Kelsey Grammer and Christopher Lloyd. The film was directed by Don Bluth and Gary Goldman. Bluth started as an artist at Disney but went on to classic movies like The Secret of NIMH, An American Tail, The Land Before Time and All Dogs Go to Heaven. While many critics compared the film to Disney films of the time, Bluth teamed up with Fox Animation Studios to produce Anastasia. However, Anastasia has been added to the Disney catalog after Disney purchased 20th Century Fox in 2019. The film is currently streaming on Disney+.
Fantastic Planet is an adult sci-fi animated film. The film is an allegory about humans living on a strange planet overrun with giant humanoid aliens. It is experimental in its animation and storytelling.
Also sometimes called My Life as a Zucchini, My Life as a Courgette is a French-Swiss stop-motion animation film about a young boy's childhood in an orphanage. While the characters are colorful and the film is filled with whimsy, it isn't afraid to explore weighty topics like abandonment and belonging.
Grave of the Fireflies is not for children and is a deeply sad movie. However, the film was initially shown as a double feature with the much lighter My Neighbor Totoro. It is the only theatrical Studio Ghibli film before From Up on Poppy Hill in 2011 that Disney never had the North American distribution rights to. Roger Ebert said it is an "emotional experience so powerful that it forces a rethinking of animation." Unfortunately, it is not currently available to rent or stream currently in the US.
Is Who Framed Roger Rabbit an animated film? There is an argument to be made that it is not. The film, directed by Robert Zemeckis, was groundbreaking for its combination of animation and live-action. While it is not fully animated, it brought renewed interest to animation as a genre.
The film features performances by Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, John Mulaney, Nicolas Cage and Liev Schreiber. A sequel to the film, Spider-Man: Across the Spider-Verse, was released in 2023, and Spider-Man: Beyond the Spider-Verse was set to release in 2024 but has been delayed due to the SAG AFTRA strike. Spider-Man: Into the Spider-Verse won the Oscar for Best Animated Feature Film, and the film gained widespread acclaim for its storytelling and animation. Spider-Man: Into the Spider-Verse is available to stream on Hulu with Live TV and Fubo.
I believe you could potentially create an animated movie using Spine as the underlying character animation tool. To make a scene with a background and multiple characters interacting, you would almost certainly have to composite exported assets from Spine into another application such as AfterEffects, or maybe ToonBoom. I am very new to Spine, but personally, I would seek other options for movie making.
I've read questions about Spine for making movies from this forum about 3.5 years ago. I was wondering if anything has changed?
I am new to animation and Spine. Has Spine gotten any better for making movies....Ie? adding frames etc.?
Animated movies are good for the soul, like a cozy mug of hot chocolate. Between the story, animation, and music, there is something inherently comforting about these movies. One reason for this is the nostalgia. Most of us grew up watching such movies and listening (and singing along) to the soundtracks (probably on repeat), so we associate them with our childhood.
This special place in our heart for these movies is meaningful for HSPs, given that we tend to be sentimental. Another reason why such movies offer comfort is due to their familiarity. We know the stories, including that there will be a happy ending. In a world that is largely unpredictable, chaotic, and out of our control, the familiarity and predictability of these movies make them an old, reliable friend we continue returning to.
HSPs are moved by beauty, and movies are no exception to this. Classic animated movies are beautiful in numerous ways. First, the animation in these movies is a work of art. In the older movies, the hand-drawn animation is breath-taking, while the new computer-animated movies continue to push the boundaries of what is possible.
Second, the music of these movies, often written and composed by Broadway professionals, are some of the most beloved songs of all-time. Such songs as Colors of the Wind (Pocohontas), The Circle of Life (The Lion King), God Help the Outcasts (The Hunchback of Notre Dame), and Part of Your World (The Little Mermaid) are deeply emotional and beautiful, both in the musical composition and the messages of these songs.
Finally, the stories themselves, along with the themes and lessons of these stories, are profound. The stories of such movies often contain themes that resonate with HSPs, such as the value of interpersonal relationships, the importance of compassion, and being true to oneself.
As previously mentioned, these movies acknowledge the hardships of life, as the characters in these movies have to endure some extremely challenging situations, including loss of a loved one, prejudice, depression, and finding self-acceptance. And, yet, hope is never lost.
Lacie (she/her) earned her Doctorate of Psychology from Loma Linda University. She is a psychotherapist with a private practice in Seattle, specializing in working with HSPs, LGBTQIA+ folx, and body image. Like many HSPs, she is passionate about helping others and trying to make the world a better place. When she is not therapizing or writing, Lacie enjoys exploring the natural beauty of the Pacific Northwest, reading, cooking and baking, engaging in joyful movement, and watching Disney movies. Lacie is a proud dog mom to her rescue pup. You can find her at
Marisa (she/her) has covered all things parenting, from the postpartum period through the empty nest, for Good Housekeeping since 2018; she previously wrote about parents and families at Parents and Working Mother. She lives with her husband and daughter in Brooklyn, where she can be found dominating the audio round at her local bar trivia night or tweeting about movies.
So far I know that making a game and an animated movie share some basic workload, e.g. making 3d models, rendering them (only in-game it happens live). Animated movies render for a long time and we only see pre-rendered scenes. That's all I know so I hope you'll answer from that perspective!
In the process behind rendering a high fidelity animation, multiple different approaches and algorithms are used (all usually combined under the term "Global Illumination"), with Ray-Tracing being one of the most common ones (others include for example Radiosity and Ambient Occlusion).
Conclusion: In real-time graphics (such as games and simulations), this detailed and complex rendering process will of course not work to produce fluid/smooth scenes. You need at least 20 rendered frames per second to achieve that fluid animation/movement effect for the human eye. On the other side, rendering a single frame (!) in an animation movie can easily take up anything from a few hours to multiple days depending on many factors such as the number of used rays in Ray-Tracing or the number of samples for Ambient Occlusion (see these Pixar page 1 / Pixar page 2 for screenshots of 16 vs. 256 samples) as well as the desired movie resolution (more pixels = more information to be calculated). Also see this article about the process behind Pixar's Monsters University animation movie, giving some interesting insights and also mentioning 29 hours render time per frame. 589ccfa754
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