In 1964 he went to Chicago for a few weeks, where he encountered Muhal Richard Abrams' philosophy of making music. He then headed for New York, where he was soon introduced to avant-garde saxophonist Giuseppi Logan, who invited Pullen to play piano on his two albums, Giuseppi Logan (ESP, October 1964) and More (ESP, May 1965), both exercises in structured free playing. Although these were Logan's recordings, most critical attention[who?] was given to the playing of percussionist Milford Graves and the unknown Pullen.
Milford Graves Percussion Ensemble 1965 FLAC