In January 2016, Landgraf stated that the series would be set in a universe parallel to the X-Men films where "the US government is in the early days of being aware that something called mutants exist but the public is not". He felt it was unlikely that characters would cross over between the show and films, but noted that this could change between then and the premiere of the series.[103] In August, Singer confirmed that Legion had actually been designed to fit into the X-Men film series universe, but also to stand alone, so "you wouldn't have to label" the relationship between the series and the films. He teased plans to have the series "relate to future X-Men movies".[108] At New York Comic Con 2016, Donner said that the series is "far from the X-Men movies, but still "lives in that universe." The only way for X-Men to keep moving forward is to be original and to surprise. And this is a surprise. It is very, very different." Hawley explained that because the series is depicting the title character's "subjective reality", it would not have to address any connections to the films straight away, noting that Fargo, which is connected to the 1996 film of the same name, at first "had to stand on its own feet" before exploring its explicit continuity connections more; "We have to earn the right to be part of this universe. My hope is we create something so strong that the people in the movie studio call and say they would be foolish enough not to connect these things." He did state that "you can't tell this story without" acknowledging that Legion is the son of the same incarnation of Charles Xavier who appears in the films (portrayed by Patrick Stewart and James McAvoy).[109]

Wesley Morris of The Boston Globe praised the first three X-Men films as "more than a cash-guzzling wham-bang Hollywood franchise ... these three movies sport philosophy, ideas, a telethon-load of causes, and a highly elastic us-versus-them allegory". Morris praised X-Men: The Last Stand for "put[ting] the heroes of a mighty summer blockbuster in a rare mortal position. Realism at this time of year? How unorthodox!"[178] Roger Ebert gave the films mostly positive reviews but criticized them for the amount of mutants, stating "their powers are so various and ill-matched that it's hard to keep them all on the same canvas".[179]


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The first X-men movie I saw was X-Men: First Class. I'd also seen Deadpool, and since Deadpool is in the X-Men universe, I wanted to see how it all fit together before seeing Deadpool 2, so I thought I'd watch all of the movies that have been released so far, including Logan, Days of Future Past, Apocalypse, etc. So, I just watched X1 and X2. I then went to The Last Stand, and I am now confused. At the beginning of The Last Stand, not only are Magneto and Professor X friends in the 1980s, but Professor X is also not paralyzed from the waste down. This completely contradicts the ending of First Class. So, I've done some research and have found that every X-Men movie is Canon except The Last Stand and Origins: Wolverine. Is this the case? Can anyone else shed light on this subject?

Marvel Studios is preparing to (presumably) reboot the X-Men into the MCU, and calls will go out for writers to meet with the studio in the next 10 or so weeks. So with the mutant superhero team on its way to finally meet the Avengers, and with Deadpool 3 just around the corner to most likely tie up the 20th Century Fox franchise of X-Men films, now is a good time to rank and review all 14 X-Men movies (excluding Deadpool 3) ahead of the MCU reboot.

X-Men is among the most important superhero franchises, because it did several things simultaneously. First, it was proof of concept that VFX have progressed enough to accurately and realistically fully represent the powers, action, and spectacle of comic book superhero storytelling in modern movies.

because the movies are rlly good (well, most of them) but a lot of things could only be explained through events off screen (and story-relevent off-screen-scenes scream "sorry we didnt think that through" to me)

sth i hate so much: they don't tell you why Logan actually dies. The doctor tells him he's being poisoned, most likely by the adematium - at least there is no other on-screen poison. It can only poison him because his healing power seems to wear of, but why? what other mutant did we see who's powers wore off? - Charles for example wasn't in control of it anymore because of dementia/alzheimer's, but he was still as powerful as ever. Logan doesn't age - at least he didn't in between the wars and any of the other x-men movies - and he loses his power? it straight up does not sit right with me

Although the first two X-Men movies focused on virtually the same cast of heroes and villains, The Last Stand threw every mutant possible into the climax to the original trilogy. A real highlight here is the outstandingly ridiculous Juggernaut, played by Vinnie Jones.

However, by altering the past, Wolverine created two contradicting timelines, which split at 1973. There are now two versions of history: one depicted by the original three X-Men movies, and one by the more recent movies set in the 1980s and early 1990s. Although they contain the same characters, different events occur in each timeline.

You do have to respect, though, how so much of the action and stunt work in the movies is done practically instead of through elaborate CGI, as is the cast in almost every other super hero film since 2002.

The movies have mostly been out of order, the original trilogy took place after the first trilogy, a few movies changed the timeline completely, and at least two movies were curiously "out of time." With such a jumbled mess, here is a look at the X-Men movies in chronological order, at least based on the years the fictional stories took place in.

Up next is where things get really screwed up. New members of the X-Men show up in X-Men: Apocalypse, including Cyclops, Jean Grey, and Nightcrawler. Storm is here as a villain, as is Angel. Here is the biggest problem with listing the X-Men movies in chronological order, though.

The last X-Men movie to be created before Disney's acquisition is a take on the iconic Dark Phoenix saga, which has been successfully depicted in the comics and the ever popular X-Men Animated Series from the 90s. The movie, directed by Simon Kinberg, is likely to be the last hurrah for many of Fox's X-Men stars, like Michael Fassbender, Jennifer Lawrence, and James McAvoy, and takes places in the "First Class" timeline of the movies.

The next few movies are easy to categorize in the X-Men chronology. The first X-Men movie took place in 2000 and this is when Cyclops, Jean Grey, and Storm meet and save Wolverine and Rogue (17 years after X-Men: Origins).

William Stryker makes his first official appearance here, while he would later pop up in the prequels X-Men Origins: Wolverine and X-Men: Days of Future Past. There is a secret history with him and the mutants here and this is where he meets his fate, although it might feel more deserved after seeing him in later movies. This is also where Nightcrawler joins up with them, although that obviously changes in the new timeline.

Parents need to know that X-Men involves a great deal of comic-book violence executed with near-bloodless restraint but, at the same time, visceral efficiency. One character is a Holocaust survivor; there's much discussion about tolerance and hatred and prejudice, all in the film's fictional context of "mutants" with special abilities appearing in the human population -- and yet, this might provide a great conversation-starter for families. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.

Marisa (she/her) has covered all things parenting, from the postpartum period through the empty nest, for Good Housekeeping since 2018; she previously wrote about parents and families at Parents and Working Mother. She lives with her husband and daughter in Brooklyn, where she can be found dominating the audio round at her local bar trivia night or tweeting about movies.

Most of the X-Men movies have been mixed bags. The first two outings were engaging, even as they distanced themselves from the color and fun of the comics. The less said about The Last Stand and Origins: Wolverine, the better. Apocalypse and Dark Phoenix were messy and ill-conceived as well. X-Men: First Class took place between the two main trilogies and delivered much of what fans wanted from the franchise. Unfortunately, one terrible creative choice stood out.

Hey everyone, so with Whiterose approved, it's time for my next proposal. This guy's comic book counterpart may be Pure Evil and his movie counterpart is no saint himself (pun not intended). But he has one or two mitigating factors, so I say let's give him a try here. Today we're talking about the X-Men movies version of William Stryker.

Director Bryan Singer pioneered the contemporary wave of superhero movies with "X-Men" in 2000, then made a welcome return to the series just two years ago with the time-jumping "Days of Future Past."

Although the best "X-Men" movies are defined by their keen intelligence, casual wit and deep reserves of emotion (with an affinity for social commentary bordering on Very Special Episode territory), "Apocalypse" serves those virtues in minimal doses, settling for an extravagant display of visual effects that would have scarcely been possible 16 years ago. 006ab0faaa

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