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The Hills Have Eyes earned $25 million at the box office and spawned a franchise. All subsequent films in the series were made with Craven's involvement. The Hills Have Eyes was released on VHS in 1988 and has subsequently been released on DVD and Blu-ray, while Don Peake's score for the film has been released on CD and vinyl. Reviews for the film were mostly positive, with critics praising its tense narrative and humor. Some critics have interpreted the film as containing commentary on morality and American politics, and the film has since become a cult classic.

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Brenda finds Bobby, still shaken up about Beauty, and the two return to the trailer. Bobby does not mention Beauty's death to avoid frightening the rest of the family. Pluto sneaks to the trailer and signals Papa Jupiter to set Bob on fire as a distraction. Brenda stays in the trailer with Katy while Ethel, Lynne, Doug, and Bobby rush out to save Bob. The Carters eventually extinguish the fire, but Bob dies shortly afterwards.

Mars and Pluto return to their home, a cave. Beast pushes Mercury off a hilltop to his death. Mama chains Ruby outside the cave, torments her and forces her to eat Beauty as punishment for sympathizing with the Carters. The next morning, shortly after Ethel dies, Doug sets out to find Katy while Papa Jupiter and Pluto set out to kill the remaining family members.

Beast tears Pluto's throat out. Brenda and Bobby use Ethel's corpse as a trap to kill Papa Jupiter. Doug gets to the cave, where he sees Ruby knocking out Mama and carrying Katy away. Doug catches up with Ruby, but Mars follows and attacks Doug. Mars gains the upper hand, but Ruby interferes, enabling Doug to overpower him. Doug then savagely stabs Mars and continues long after he is dead, whilst Ruby weeps.

Wes Craven desired to make a non-horror film, following his directorial debut, The Last House on the Left (1972), because he saw the horror genre as constraining. However, he could not find producers interested in financing a project that did not feature bloody violence.[4][5] Craven's friend, producer Peter Locke, was interested in financing a horror exploitation film, and Craven decided to write the project due to his monetary issues.[4] Craven considered collaborating with Sean S. Cunningham on a horror children's film based on "Hansel and Gretel", but Locke wanted the film to be more in the vein of The Last House on the Left. According to Steve Palopoli of Metro Silicon Valley, the finished film still features elements of "Hansel and Gretel," specifically its portrayal of people getting lost in the wilderness and setting a trap for their tormentors. Palopoli also noted the witch from "Hansel and Gretel" and the villains from Hills both try to cannibalize children.[6] In writing the project for Locke, Craven decided he "wanted something more sophisticated than Last House on the Left." He added that he "didn't want to feel uncomfortable again about making a statement about human depravity."[5]

Other inspirations for The Hills Have Eyes were Craven's neighbors and family, on whom the Carters where modeled,[4] the director's nightmares,[10] and John Ford's The Grapes of Wrath (1940).[11] The original script was titled Blood Relations: The Sun Wars and was set in New Jersey during 1984, several years in the future.[12][1] As Locke's girlfriend, Liz Torres, often performed in Las Vegas during this period, Locke saw a lot of desert landscapes as the film was being written, and suggested that Craven set the film in the desert. Due to budgetary constraints, the film was written to have few roles and be set in few locations. Originally, the film was to end with the surviving members of the family reuniting at the trailer site, signifying that they could move on with their lives. Craven ultimately opted for an ending where Doug stabs Mars as a disgusted Ruby watches, as he liked the role reversal that this ending created.[13] Craven also wanted the two families in the story to be the "mirror images of each other," believing that this would allow him to "explore different sides of the human personality."[14]

The film was initially given an X rating by the MPAA due to its graphic violence. Due to this, significant material was removed from Fred's death scene, the sequence where Mars and Pluto attack the trailer, and the last confrontation with Papa Jupiter.[13] Out of one hundred possible titles for the film, The Hills Have Eyes was chosen. It tested well with audiences, though Craven did not like it.[4] Prints of the film were made by Metro-Goldwyn-Mayer.[1]

The film premiered on July 22, 1977,[18] in Tucson, Arizona, where it earned $2 million by October 1977, the same month the film gained a wider release.[1] The Hills Have Eyes ultimately earned $25 million,[3] and was a greater box office success than The Last House on the Left.[19] Craven noted that the film managed to break box office records at some of the individual theaters that it opened in. The film's gross was impeded by the financial success of the Burt Reynolds film Smokey and the Bandit (1977). Locke characterized the film as neither a huge hit nor a box-office bomb, and was pleased with the amount of money it generated.[20]

The staff of Variety called The Hills Have Eyes "a satisfying piece of pulp," adding that "Gratifying aspects [of the film] are Craven's businesslike plotting and pacy cutting, and a script which takes more trouble over the stock characters than it needs. There are plenty of laughs, in the dialog and in the story's disarming twists."[21] In his review of Craven's later film Swamp Thing (1982), Roger Ebert of the Chicago Sun-Times criticized the film for being too "decadent" for his taste.[22] Tim Pulleine of The Monthly Film Bulletin stated that the film's story "had promise" but was "never fused into an effective narrative pattern, let alone an allegorical one."[23] Tim Whitehead of The Spectator deemed the film's "predictable" plot an excuse for "scenes of ghastly carnage in the horror vein of The Texas Chainsaw Massacre," opining that Craven "maintains the tension throughout and occasionally manages to relieve the horror with elements of the ridiculous." Whitehead stated that he "simply found [himself] looking away from the endless stabbings, gougings and burnings."[24]

On the review aggregator website Rotten Tomatoes, The Hills Have Eyes holds a 67% approval rating based on 27 critic reviews, with an average rating of 6.3/10. The consensus reads: "When it's not bludgeoning the viewer with its more off-putting, cruder elements, The Hills Have Eyes wields some clever storytelling and a sly sense of dark humor."[25]On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 64 out of 100, based on 4 critics, indicating "Generally favorable reviews".[18]The film was included in the book 1001 Movies You Must See Before You Die, where Steven Jay Schneider said it "warrants consideration as one of the richest and most perfectly realized films of Craven's career".[26] Fangoria listed the film as one of the thirteen greatest horror films of the 1970s[19] while Film Journal International has cited The Hills Have Eyes as a classic grindhouse feature.[27] The film was nominated for AFI's 100 Years...100 Thrills.[28] TV Guide gave it a three out of four stars rating, saying that it is "exhilarating" to watch the Carters become more savage.[29]

The Hills Have Eyes was released on VHS in July 1981.[37] It was released for the first time on DVD by Lionsgate Home Entertainment on September 23, 2003 as a two-disc special edition. On September 29 that same year, it was released by Anchor Bay Entertainment. Anchor Bay would release the film again in 2006. The film made its Blu-ray debut on September 6, 2011 by Image Entertainment, who also released the film on DVD that same day. In 2013, Anchor Bay released the film on Blu-ray as a "Double feature" with Re-Animator (1985) and on DVD as part of a four disc set which also includes Re-Animator, Sleepwalkers (1992), and Darkness Falls (2003). The film had its Canadian release on both DVD and Blu-ray by E1 Entertainment on January 10, 2013. The film was later released on Blu-ray by Arrow Video on October 11, 2016 and again on January 30, 2018.[38]

According to Steven Jay Schneider in Senses of Cinema, the sequence where Big Bob is crucified symbolizes "utter repudiation of" Judeo-Christian ethics. Schneider also views everyone in the film as guilty in some way.[40] Slant Magazine's Ed Gonzales characterized the film as "morally inconsequential," commenting that with the film's ending "Craven seemingly believes he's saying something about our instinctual need to kill for pleasure, but this philosophy doesn't hold water considering the context of [Doug's] situation....It's a cut-and-dry [sic] case of life-or-death self-defense."[41] In Wes Craven: The Art of Horror, John Kenneth Muir writes that the film is not saying that the Carter family are worse than their enemies, as the cannibal clan commits violent acts more horrific than anything the Carters do, but that the Carters must stoop to the level of barbarians to defeat barbarians. Muir also believes while the actions of Jupiter's family are inexcusable, they are understandable, as they are trying to survive.[42]

Craven has said that the film expresses rage against American culture and the bourgeois[43] while Schneider writes that the Carters are a bourgeois family while the film's cannibals can be understood as representing "any number of oppressed, embattled and downtrodden minority/social/ethnic groups," including the Indigenous peoples of the Americas, African Americans, hillbillies and the Viet Cong.[40] John Kenneth Muir views the Carters as representing the United States, and that while The Hills Have Eyes has and can be interpreted as an allegory about the Vietnam War, this is complicated by the fact that the Carters defeat their enemies, unlike the American forces in Vietnam. Muir instead sees the film as being about the class divide in America, with the Carters symbolizing the wealthy and Papa Jupiter's family representing the poor. He supports this theory by noting that the Carters and the cannibals are both from America.[42] 2351a5e196