I have had the same problem. I am now on the third trip I have made and have been unable to watch rented movies. I have downloaded and watched other movies but this has started recently. I am on the plane now with full WiFi and it still is not working. Something has changed recently that is causing this.
I use to download to my Ipad pro movies from Itunes and watch them on the flight , example Darkest Hour and know Tonya, that is why I purchase them.Know I can not access them.If you are no longer allowed this in fkight service I wantva credit for those 2 movies.
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I'm having the same problem. Was able to watch downloaded movies in airplane mode while in flight as of Oct-Nov of last year. Now it no longer works. Does anyone know if this has been resolved? I'm traveling tomorrow on a 4 hour flight and would really love to be able to watch a movie.
I had the same problem just last week. I downloaded (completely) two movies to my iPad. The first one that I watched ran just fine. Then, at the end of the week, back on a plane, I went to watch the second movie and it simply would not play. This has happened before but not for awhile. It's totally frustrating and a nuisance to convince the iTunes store to refund the rental cost.
That was exactly my experience...all downloaded and wouldn't plan in airplane mode. Once home, it played but that was not why I rented the movie. It's happened before over the years...sometimes I can view on the plane; sometimes I can't.
There isn't a fix for this problem. It's one of those strange tech glitches even Apple cannot figure out. As a friend of mine who worked as an Apple tech for years explained to me, when one gets the typical runaround that just means they don't know.
movie(M,n) plays the movie n number of times. You can specify n as a numeric array, where the first element of the array specifies the number of times to play the movie, and the remaining elements make up a list of frames to play consecutively in the movie.
Set the 'Visible' property of the figure to 'on'. Play the movie in M once at 12 frames per second and with an offset of 30 pixels in the x and y directions. Specify handle h to play the movie in the current figure.
Array of movie frames, specified as an array of structures, where each structure contains the image data captured in the current figure or axes as they appear on the screen. Each row in M corresponds to one movie frame.
You can use the getframe function to capture and store the image data as a structure with the fields cdata and colormap. For more information on the cdata image property and the colormap object, see Image Properties and colormap.
For example, if M consists of four movie frames and n is an array with elements n = [10 4 4 2 1], then movie plays the movie in M ten times, and the movie consists of the fourth frame, followed by the fourth frame again, followed by the second frame, and finally the first frame.
Frames per second, specified as a numeric scalar. If you do not specify fps, movie will play 12 frames per second. If your machine cannot achieve the speed that you specify as fps, it will play the movie as fast as possible.
Graphics object handle, specified as an axes handle or a figure handle. The default handle of h is gca, which returns the current axes or chart for the current figure. For more information on the gca function, see gca.
Location vector, specified as a four-element numeric array, [x y 0 0], where the lower left corner of the movie frame is anchored at the coordinates specified by the first two elements in the array. The coordinates specified in loc are in relation to the lower left corner of the figure or axes specified by handle h, and are in units of pixels. The movie function ignores the last two elements of loc.
The movie function uses a default figure size of 560-by-420 and does not resize figures to fit movies with larger or smaller frames. To accommodate other frame sizes, you can resize the figure to fit the movie.
Buffering the movie places all frames in memory. As a result, on Microsoft Windows and perhaps other platforms, a long movie (on the order of several hundred frames) can exhaust memory, depending on system resources. In such cases an error message is issued:??? Error using ==> movie Could not create movie frame
As with the original play, the film takes place inside a small Woolworth's five-and-dime store in a small Texas town, where an all-female fan club for actor James Dean reunites in 1975.[6] According to a 2014 interview with playwright Ed Graczyk the setting of the play is actually an H. L. Kressmont & Co. Five and Dime.[7] Through a series of flashbacks, the six members also reveal secrets dating back to 1955.
Early on September 30, 1975, in McCarthy, Texas, at a Woolworth's five-and-dime store, its owner Juanita listens to gospel music on the radio. She gets ready for the day, opens the store, and addresses someone as "Jimmy Dean".
The All-Female Fan Club Disciples of James Dean is having a reunion meeting at the store, to honor the twentieth anniversary of the actor's death. Disciple Sissy comes in tardy; she had been helping out at the truck stop. Juanita says that more members could arrive soon: Disciple Mona ought to have already been there, but her bus is running far behind schedule. Sissy worries about the weather, as it is "118 degrees in the shade".
The story flashes back to a stormy night in 1955. Sissy shelters inside the store and asks after three employees who are friends of hers: Mona, Sydney, and Joseph "Joe" Qualley. Joe is there, busy stocking new issues of Photoplay magazine. Mona arrives, having been delayed by the weather. Sissy, Mona, and Joe go up to the front counter and sing the contemporary doo-wop song "Sincerely". Juanita is chagrined, as she only approves of gospel music.
In the modern storyline, Mona claims that when she went to Marfa, Dean chose her to bear his son, and on that night he fathered her child Jimmy Dean. She says that her boy Jimmy Dean is mentally deficient, and she isolates him from the community. Sissy says that Mona has been "warped and demented" to hide her son. Mona loses her temper and insults Sissy, who goes outside to "cool off".
A Porsche sports car roars into town and its driver peers in through the storefront window. Mona and Juanita greet the window shopper, who identifies herself as Joanne. She had seen writing on an old highway sign that noted Dean's son was to be found at the store. The Disciples learn that Joanne was formerly Joe Qualley, the only male who had been a part of their social circle.
The story flashes back to a young Joanne - as Joe - recounting the events some days after a McCarthy High School dance, which Joe had attended wearing a dress. Leicester T, a boy their age who had had an ambiguous triste with Joanne on that night before finding out she was in fact 'Joe' crossdressing, assault and drag Joe out to a graveyard, before proceeding to assault her while locals from the town jeer behind a fence. All this is recounted to Mona and Sissy by a young 'Joe,' with them tending to the bruises and wounds on his face. Unable to recount what Leicester T proceeded to do whilst spreading him over a gravestone and pulling down his overalls, Joe is only able to scream how he kept calling him Joanne.
The 1975 reunion winds down among further questions and answers. Mona remarks again how, as soon as she tried to leave McCarthy, she almost died from asthma attacks, so she has found the town's warm and dry atmosphere to be vital. She then goes on to reminisce about her part as an extra on the set of Giant, which the others have never been able to find in the film. Meanwhile, certain details from her two accounts combine to clearly indicate that Joanne is in fact the father of Mona's son, as Sissy reveals that the young Jimmy Dean has never seen a doctor, and is probably unencumbered by any disability. In the fallout from the revelation, The Disciples drink together, laughing, and make a pact to hold another reunion in another twenty years; Mona alone demurs. Left alone, she, Sissy, and Joanne stand together before the mirrors as they had done before, and again sing "Sincerely" in concert. The song fades into blowing wind over shots of a decrepit, decayed, abandoned five-and-dime store building as the film ends.
After directing 1980's critically panned Popeye and selling his Lion's Gate studio (not to be confused with Lionsgate), Altman turned his attention to the stage.[10] One of his first tasks in this field was acquiring and directing Ed Graczyk's Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean,[11][10] a drama originally performed in Columbus, Ohio in 1976.[12] Altman's work on the play, despite its bad reviews and short run, convinced him that a film version was imminent.[13] "On stage it was humorous and bawdy," he commented. "On film it's more emotional."[14] Jimmy Dean was his first feature adaptation of a play; he followed this effort with 1983's Streamers and 1987's Beyond Therapy, among others.[15]
Altman then made a deal with the play's production executive, Peter Newman, and retained the original cast members.[3] The filmmaker received over US$800,000 from Viacom Enterprises, through game show company Mark Goodson Productions,[1] almost as much money as the play had cost him.[16] It was his intention to shoot Jimmy Dean for the cinema; "the initial press report that it was made for cable is not true," he said.[1]
Robert Altman took Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean to the Montreal and Toronto film festivals in Canada, as well as those in Belgium, Venice and Deauville.[20] The film received its U.S. premiere on September 30, 1982 (the 27th anniversary of the late actor's death) at the Chicago International Film Festival, where it received a ten-minute standing ovation. After this screening, Altman discussed various aspects of the production during a question-and-answer session.[1] 152ee80cbc
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