No one's perfect, I guess, especially when they're trying to go from one-note to every note in the space of a single record. Sadly, though, that means that the dancier stuff, though I want to like it so much, is Wild's main casualty. Though everyone in the UK seems to love "Don't Upset the Rhythm", I can't get past the uninspiring use of citations. The title predicts its spiritual foundation, Rihanna's much hotter and not-yet-stale "Don't Stop the Music" (which itself isn't really reinventing the wheel). The title phrase shares space with the chant "go baby, go baby, go!", a geeky throwback to another pop-punk girl aiming to colonize the dancefloor. The song doesn't make me dance, or want to dance, as much as it makes me think of people dancing in television commercials. But hey, Noisettes are young, and especially if their third album represents as much of a leap over the second as Wild does from Wolf, they'll nail it soon enough. The onus is on Shoniwa, though: Once she overcomes the fundamental irony of possessing a strong visual and vocal presence without a coherent identity, there's no way we'll be able to stop her.

I'm not what I was last summerNot who I was in the springTell me, tell me, tell me when will we learnWe love it and we leave it and we watch it burnDamn these wild young heartsDamn this wild young heart


Wild Young Hearts Free Download


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Cause, I'm not what I was last SeptemberAnd I don't wear the same robes in MayWe know we shouldn't do it, but we do it anywayWe know we might regret it but it seemed okDamn this wild young heartDamn this wild young heartDamn this wild young heart

If now is forever then what's to proveCause it won't be the same next summerAnd I guess I'll see you in the springSomebody tell me, tell me, tell me, when will I learnI love it and I leave it and I watch it burnDamn this wild young heartI told you damn this wild young heartDamn these wild youngTell me, tell me, tell me when will I learnDamn this wild young heart

So, the ending, what of it do you interpret? I mean, she goes on about being foolish and young with someone, and how she's learned her mistakes, but does it mean she's returning to him or pushing him away again?

Young Hearts is an immersive installation that reflects the innocence, wonder, and joy of being young. As a collective expression of wild imaginations, this exhibition is a playful display of creativity and identity.

I'm not what I was last summer

Not who I was in the spring

Tell me, tell me, tell me when will we learn

We love it, and we leave it, and we watch it burn

Damn these wild young hearts

Damn these wild young hearts

'Cause I'm, not what I was last September

And I don't wear the same robes in May

We know we shouldn't do it, but we do it anyway

We know we might regret it but it seemed OK

Damn this wild young heart

Damn this wild young heart

Damn this wild young heart

If now is forever then what's to prove

'Cause it, won't be the same next summer

And I guess I'll see you in the spring

Somebody tell me, tell me, tell me, when will I learn

I love it and I leave it and I watch it burn

Damn this wild young heart

I told you damn this wild young heart

Damn this wild young

Tell me, tell me, tell me when will I learn

Damn this wild young heart

By Campfire and Candlelight is performed by a storytelling ensemble comprised of students with differing majors, backgrounds, class years, and interests. The production, intended for young audiences or for the young at heart, blends elements of different storytelling techniques including song, dance, narration, puppetry, music, projections, lighting, and sound effects, all representing different story genres: fable, myth, true stories, comic mystery, and fairy tale.

I do not now regret a sojourn in "that great and howling wilderness" of Patagonia, or my perils on the sea and in the rivers; my painful travels on foot over thousands of miles, or my hungerings and thirstings in cold and heat, nor any suffering that the Lord has laid upon me in His service. They all seem light and momentary now, and there is full compensation in the joy the Master has granted me.

The dust of a wild young English physician lies in our cemetery. He was the son of a clergyman, and his mother, sisters, and brothers were all Christians, while he wandered, like the poor prodigal, into realms unknown to his mourning friends. He was shy of the missionaries, but in his wildness the hand of the Lord arrested him. He fell from a horse and received a mortal injury. In his misery he sent for me; he knew his wound was fatal, and he felt that he must be forever lost. When I pointed him to the Lamb of God and spoke to him of the blood which cleanseth from all sin, he exclaimed, "Can it be possible that is for me that I can be saved?" He came at last to trust, his despair fled, and in three days he died in peace on the very day he had set for his departure from earth. We buried him with tears, and thanksgiving to Him who "giveth us the victory." There was printed on the slab that marks the repose of his mortal part this stanza from one of his own poets: 0852c4b9a8

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