When entertainment mogul Jose Menendez and his wife Kitty were murdered by their sons Lyle and Erik in 1989, the sensational trial gripped a scandalized America. This movie, starring Courtney Love and Nico Tortorella, delves into the abuse suffered by the infamous brothers and the motives behind their crimes.

This twist-filled drama features Eric McCormack as a German con artist who throughout his life impersonated many people, including an advisor to the Pentagon, a talk show host, and a member of the Rockefeller family.

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Told primarily through vivid flashbacks and interviews, this drama recounts the lurid details surrounding the murders of Andrew and Robert Kissel, two real-life brothers neck-deep in dirty deeds. Starring John Stamos and Anson Mount as the titular brothers.

Rob Lowe returns to Lifetime as Drew Peterson, the infamous, womanizing Chicago police officer accused of murdering his third wife after his fourth goes missing in a disappearance that remains unsolved. The movie also features Kaley Cuoco as Stacy Peterson, the missing fourth wife.

After Aliens, Cameron and Gale Anne Hurd decided to make The Abyss, a story about oil-rig workers who discover strange intelligent life in the ocean. Based on an idea which Cameron had conceived of during high school, the film was initially budgeted at $41 million, although it ran considerably over this amount. It starred Ed Harris, Mary Elizabeth Mastrantonio and Michael Biehn. The production process began in the Cayman Islands and in South Carolina, inside the building of an unfinished nuclear power plant with two huge water tanks.[30] The cast and crew recall Cameron's dictatorial behavior, and the filming of water scenes which were mentally and physically exhausting.[31] Upon the film's release, The Abyss was praised for its special effects, and earned $90 million at the worldwide box office.[32] The Abyss received four Academy Award nominations, and won Best Visual Effects.[33]

In subsequent years, Cameron planned to do a third Terminator film, but plans never materialized. The rights to the Terminator franchise were eventually purchased by Kassar from a bankruptcy sale of Carolco's assets.[39] Cameron moved on to other projects and, in 1993, co-founded Digital Domain, a visual effects production company. In 1994, Cameron and Schwarzenegger reunited for their third collaboration, True Lies, a remake of the 1991 French comedy La Totale! The story depicts an American secret agent who leads a double life as a married man, whose wife believes he is a computer salesman. The film co-stars Jamie Lee Curtis, Eliza Dushku and Tom Arnold. Cameron's Lightstorm Entertainment signed a deal with 20th Century Fox for the production of True Lies. Budgeted at a minimum of $100 million, the film earned $146 million in the United States and Canada.[40][41] The film was nominated for an Academy Award for Best Visual Effects and Curtis won a Golden Globe Award for Best Actress.[42][43] In 1995, Cameron co-produced Strange Days, a science fiction thriller. Directed by Kathryn Bigelow and co-written by Jay Cocks, Strange Days was critically and financially unsuccessful.[44] In 1996, Cameron reunited with the cast of Terminator 2 to film T2 3-D: Battle Across Time, an attraction at Universal Studios Florida, and in other parks around the world.[45]

In 2002, Cameron served as producer on the 2002 film Solaris, a science fiction drama directed by Steven Soderbergh. The film gained mixed reviews and failed at the box office.[62][63] Keen to make documentaries, Cameron directed Expedition: Bismarck, about the German Battleship Bismarck. In 2003, he directed Ghosts of the Abyss, a documentary about RMS Titanic which was released by Walt Disney Pictures and Walden Media, and designed for 3D theaters. Cameron told The Guardian his intention for filming everything in 3D.[64] In 2005, Cameron co-directed Aliens of the Deep, a documentary about the various forms of life in the ocean. He also starred in Titanic Adventure with Tony Robinson, another documentary about the Titanic shipwreck. In 2006, Cameron co-created and narrated The Exodus Decoded, a documentary exploring the Biblical account of the Exodus. In 2007, Cameron and fellow director Simcha Jacobovici, produced The Lost Tomb of Jesus. It was broadcast on Discovery Channel on March 4, 2007; the documentary was controversial for arguing that the Talpiot Tomb was the burial place of Jesus of Nazareth.[65][66]

Alita: Battle Angel was finally released in 2019, after being in parallel development with Avatar. Written by Cameron and friend Jon Landau, the film was directed by Robert Rodriguez and produced by Cameron.[90] The film is based on a 1990s Japanese manga series Battle Angel Alita, depicting a cyborg who cannot remember anything of her past life and tries to uncover the truth. Produced with similar techniques and technology as in Avatar, the film starred Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley and Keean Johnson. The film premiered on January 31, 2019, to generally positive reviews and $404 million (equivalent to $458,300,000 in 2022) at the worldwide box office.[91] In her review, Monica Castillo of RogerEbert.com called it "an awe-inspiring jump for [Rodriguez]" and "a visual bonanza", despite the bulky script.[92] Cameron then returned to the Terminator franchise as producer and writer for Tim Miller's Terminator: Dark Fate (2019).[93]

As of 2012, Cameron and his family have adopted a vegan diet.[110][111] Cameron states that "by changing what you eat, you will change the entire contract between the human species and the natural world".[112] He and his wife are advocates of plant-based food and have called for constructive actions to produce more plant-based food and less meat to mitigate the impact of climate change.[113] In 2006, Cameron's wife co-founded MUSE School, which became the first K-12 vegan school in the United States.[114] He has also hosted events for Global Green USA, and pushed for sustainable solutions to energy use.[115]

Cameron has been married five times.[145] He was married to Sharon Williams from 1978 to 1984. A year after he and Williams divorced, Cameron married film producer Gale Anne Hurd, a close collaborator for his 1980s films. They divorced in 1989. Soon after separating from Hurd, Cameron met the director Kathryn Bigelow, whom he wed in 1989; they divorced in 1991. Cameron then began a relationship with Linda Hamilton, the lead actress in The Terminator series. Their daughter was born in 1993. Cameron married Hamilton in 1997. Amid speculation of an affair between Cameron and actress Suzy Amis, Cameron and Hamilton separated after two years of marriage, with Hamilton receiving a settlement of $50 million.[146][147][148] He married Amis, his fifth wife, in 2000. They have one son and two daughters together.[115]

Cameron's films are often based on themes which explore the conflicts between intelligent machines and humanity or nature,[165][166] dangers of corporate greed,[167] strong female characters, and a romance subplot.[168] Cameron has further stated in an interview with The Talks, "All my movies are love stories."[169] Both Titanic and Avatar are noted for featuring star-crossed lovers.[170] Characters suffering from emotionally intense and dramatic environments in the sea wilderness are explored in The Abyss and Titanic. The Terminator series amplifies technology as an enemy which could lead to devastation of mankind. Similarly, Avatar views tribal people as an honest group, whereas a "technologically advanced imperial culture is fundamentally evil".[171][172]

Cameron is regarded as an innovative filmmaker in the industry, with a classical filmmaking style, as well as not easy to work for.[173][174][175][176] Radio Times critic John Ferguson described Cameron as "the king of hi-tech thrillers".[177] Dalin Rowell of /Film stated: "Known for his larger-than-life creations and unique filmmaking style, director James Cameron is in a league all of his own. With his genre-spanning work, lofty ambitions, and unrestrained energy, Cameron has carved out a name for himself in Hollywood as an artist willing to do anything to see his vision come true."[178] Rebecca Keegan, author of The Futurist: The Life and Films of James Cameron, describes Cameron as "comically hands-on", and would try to do every job on the set.[174] Andrew Gumbel of The Independent says Cameron "is a nightmare to work with. Studios fear his habit of straying way over schedule and over budget. He is notorious on set for his uncompromising and dictatorial manner, as well as his flaming temper".[179] Author Alexandra Keller writes that Cameron is an egomaniac, obsessed with vision, but praises his "technological ingenuity" at creating a "visceral viewing experience".[50]

Despite this reputation, Sigourney Weaver has praised Cameron's perfectionism and attention to detail, saying: "He really does want us to risk our lives and limbs for the shot, but he doesn't mind risking his own".[183] In 2015, Weaver and Jamie Lee Curtis both applauded Cameron in an interview. Curtis remarked: "He can do every other job [than acting]. I'm talking about every single department, from art direction to props to wardrobe to cameras, he knows more than everyone doing the job". Curtis also said Cameron "loves actors", while Weaver referred to Cameron as "so generous to actors" and a "genius".[190] Michael Biehn, a frequent collaborator, also praised Cameron, saying he "is a really passionate person. He cares more about his movies than other directors care about their movies", adding, "I've never seen him yell at anybody". Biehn acknowledged that Cameron is "not real sensitive when it comes to actors and their trailers, and waiting for actors to come to the set".[191] Worthington commented: "He demands excellence. If you don't give it to him, you're going to get chewed out. And that's a good thing".[183] When asked in 2012 about his reputation, Cameron dryly responded: "I don't have to shout any more, because the word is out there already".[192] be457b7860

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