Where To Download Kerala Story Movie __TOP_

The Kerala Story is a 2023 Indian Hindi-language drama film directed by Sudipto Sen and produced by Vipul Amrutlal Shah.[1] It stars Adah Sharma, Yogita Bihani, Sonia Balani, and Siddhi Idnani. The plot follows a group of women from Kerala who are coerced into converting to Islam and joining the Islamic State .[5][6] Marketed as a true story, the film is premised on the Hindutva conspiracy theory of "love jihad",[7] and falsely claims that thousands of Hindu women from Kerala have been converted to Islam and recruited in the Islamic State.[8][9]

Deepanjana Pal, reviewing for Film Companion, commented that the film was a "Giant Whatsapp forward" that could be hardly called a film, critiquing it for being political propaganda aimed at demonizing Keralite Muslims and tapping into contemporary Hindu nationalist anxieties; Sen was "glaringly inept" in tackling the causes of radicalization with sensitivity and merely preyed upon the grief of real survivors and victims.[44] Sowmya Rajendran, reviewing for The News Minute, rated the film 1 star out of 5 star; she panned the film as "no-nuance propaganda" where women were treated as objects who were to be fought for between religions and ideologies by men.[27][45][46][47][48][49]

Where To Download Kerala Story Movie

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One of the guy in the interview panel asked me about my opinion about Kerala story film controversy upon knowing I am from Kerala. I replied that filmmakers could've made it more carefully sighting the exact number of people converted or atleast it should've be promoted as a completely fictional work but instead they were using it as a political matter against a specific religion.

The radicalisation and trafficking of gullible girls to germinate terror is a story waiting to be told. But the way director Sudipto Sen tells The Kerala Story, after years of research, is more burlesque than a sincere depiction of the problem. More like a companion piece to The Kashmir Files, the film maintains a divisive tone and the gaze is emotionally exploitative. Like the bigots in the film, it seems the makers are keen on converting the audience into hate mongers and expressing themselves in society.

Said to be based on real stories of how innocent non-Muslim girls are recruited for the Islamic State, it follows three nursing students in Kerala who are brainwashed by an extremist group into thinking that their gods are no good and that only Islam can be the guiding light. Lured by love and lopsided logic, the girls are trapped in a heinous game where they become fodder in a purported clash of civilisations.

Shalini or Fatima Ba (Adah Sharma) is one such girl who is converted and sent to Syria with her husband to fight for the cause of the Islamic State. Caught and imprisoned in Afghanistan, she tells her story in the flashback where she and her two classmates, Geetanjali (Siddhi Idnani) and Nimah (Yogita Bihani), were enticed to join the mission by another classmate Asifa (Sonia Balani). While Shalni succumbs, the other two have to bear the brunt of resisting the sinister plot.

While the premise demands attention and emotional investment, the treatment gets increasingly guided more by local politics than cinematic sagacity. There are some poignant moments but for the most part, it is either the gullible girls eager to buy the propaganda or sly creatures with Muslim names; there is no voice of sanity, and nuance is nowhere to be found. With so much pain on paper, the treatment demanded a soft, subtle touch, but Sen seems keen on hammering the message throughout.

Adah Sharma delivers an earnest performance and captures the pain of the vulnerable Shalini who is robbed of her innocence but retains her spine. The way she brings the Malayali accent into her Hindi makes the character all the more believable. The rest indulge in an amateurish exercise where every emotion has to be worn on the sleeve. Overall, it is a story that has little thought concealed in lots of provocation!

Since the trailer dropped, it has been the subject of fierce online debate and criticism, with many claiming that its story is completely fabricated. Others have claimed that it sheds light on the much-ignored story of forced conversions in Kerala.

The film claims to be based on the story of four women who converted to Islam and travelled with their husbands to Afghanistan to join ISIS between 2016 and 2018. They are currently incarcerated in an Afghan prison.

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But many have objected to this message, saying it is divisive. Last week, a heated debate on social media soon escalated, leading to dozens of people gathering outside the police station in the central Indian town of Akola, where one person died and eight others were severely injured. Authorities suspended the internet in the region and arrested more than a hundred people.

It is worth noting that political parties such as the INC and the CPI(M), which are major secular political entities in Kerala, oppose Love Jihad. However, the myth continues to spread in Kerala through other Christian and lower/upper caste Hindu community organizations such as the Syro-Malabar Church, SNDP, and NSS, as well as influential media houses. Another scenario unfolds where political parties refrain from taking a principled stance against the Hindutva-leaning community organizations mentioned earlier.

Asked if there will be a sequel to The Kerala Story, Shah said, "The topic that we wanted to put forward is finally here and people are appreciating it. This story exposes the trafficking racket. We will think (of the sequel) if we come across a story that shares the same plight."

As the end credits rolled with visuals of the apparent real-life victims of the story, the woman who sat next to me tells me that they should start screening such movies in schools and colleges. Now that Prime Minister Narendra Modi himself has endorsed The Kerala Story, I can actually see that happening.

Uttar Pradesh and West Bengal are latest joinees to the list of states where either the government or stakeholders have taken sides on The Kerala Story debate. But before this, the controversy and the debate played out on social media and in courtrooms.advertisementTHE KERALA STORY AND COURTROOM DRAMA

A day after the release of The kerala Story, Madhya Pradesh Chief Minister Shivraj Singh Chouhan tweeted that the film would be tax-free in the state. The move came after some BJP leaders and Hindu outfits demanded the Shivraj Shingh Chouhan to make the film tax-free. "The Kerala Story is a film that has exposed the horrific truth of terrorism. It has been decided to make the film tax-free in Madhya Pradesh," the Madhya Pradesh CM tweeted on May 6.

In the 19th century, Hindu scholars and new religious organisations (like Arya Samaj and Hindu Mahasabha) began producing a new Hindu-centric version of Indian history. This history grew in response to British colonialism but at the same time, shared similarities with British colonial ideas.

But as secondary transmissions grew in the state from the second week of March, Kerala started testing more. From 13 March to 26 April, on most days the state tested anywhere between 300 and 800 samples (see Fig. 2ii). Statements from state ministers, government officials, and doctors indicate that during this time Kerala followed the ICMR testing guidelines quite closely, and tested suspected primary and secondary patients and their contacts, as well as other individuals who exhibited Covid symptoms.

For the 2.5 million migrant labourers from other Indian states working in Kerala, the state government set up 18,000 camps where the workers could stay and receive food and essential supplies (when the national lockdown precluded them from returning to their home states). The camps were well-sanitized, and placed under medical surveillance to ensure early detection and isolation of any Covid patients.Footnote 18

'The Kerala Story' directed by Sudipto Sen and produced by Vipul Amrutlal Shah is touted as the story of thousands of Kerala girls, mostly Hindus, who were brainwashed, converted, recruited into IS and taken to places like Afghanistan and Syria where the terror organisation claims to be waging a holy war.

The High Court asked petitioners how the movie, which it observed is fiction and not history, would create sectarianism and conflict in society, claiming that secular Kerala will accept the film for what it is.

"I have come to realise that in modern times, cinema has the power to do what media and politics can`t do. It can present uncomfortable reality, correct history, fight culture war and also become the soft power of a nation for larger interest. In India, making such cinema is not easy."

Anupam told the news agency ANI, They are the same faces who are opposing such films and they can be seen everywhere. Be it CAA protest or Shaheen Bagh protest or JNU protest. They were the same faces who criticised The Kashmir Files. I don't know their motive and neither believe in paying attention towards them. In fact, they have become redundant." 006ab0faaa