"Where or When" is a show tune from the 1937 Rodgers and Hart musical Babes in Arms. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of Babes in Arms two years later.
I want to track when playing song is finished. I tried different solutions from the web but they could not solve my problem. I implemented audioPlayerDidFinishPlaying method but it is not working. How can I understand if playing song is finished?
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Because I can't use a queue, I have to be able to detect when a song ends so that I can put the next song in the queue and play it. The only way I can figure out to detect when a song ends is by watching the playBackState, and I've actually got that pretty much working, but it's really ugly, because you get playBackState of paused when a song ends, and when a bluetooth speaker disconnects, etc.
The only answer I've been able to find on the internet is to watch the MPMusicPlayerControllerNowPlayingItemDidChange, and when that fires, and the nowPlayingItem is NIL, a song ends.. but that's not the case. When a song ends, the nowPlayingItem remains the same. There's got to be an answer to this problem, right?
The marked answer does tell you how to unobviously fudge the awkwardly different API classes into a player queue, but ignores all of the entirely valid issues that the OP brings up on detecting end-of-track - an elementary and obvious thing to need and available in every other player API I've ever used. It's just extraordinary that the API could be so obtuse - the playback status is nonsensical (paused), indistinguishable from other events (speaker disconnect), the now-playing items don't make sense (sometimes nil, sometimes not) and the current position is meaningless. Indeed, when it's not zero, often the current position when the event arrives will be returned as either slightly before the song's stated duration, or even slightly after the end of the track! How on earth it's possible to be this completely wrong is a mystery - we've had other remarkably robust APIs for streaming music since dialup in the 1990s.
The next question the OP will have is why their queue of music keeps just randomly skipping tracks - and indeed in the worst case, with looping turned on, can even get stuck in a tight loop skipping every single track endlessly - because of the years-old "failed to prepare to play" bug. And that's before we even get to all the new bugs added with lossless, wherein, of course, nothing else actually got fixed - I mean, heaven forbid we improve product quality rather than just jamming in even more buggy features, right?
It kinda "feels" like people dancing around admitting that it's impossible, at least cleanly. For whatever reason, when the Apple Music API finishes playing a track and there's nothing else in a playlist, it performs the very strange behaviour of entering a paused state and seeking to the start offset of either the first playlist track, or the last playlist track (LATER EDIT: I also do see sometimes behaviour where current position is reported as fractionally after the end of the track, too). I've never been too clear on this because none of its behaviour in this regard appears to be described in the API documentation, so we have to guess and use observation, leaving developers with no idea if they're relying upon behaviour that's meant to be part of the API's contract between implementation and consumer, or just a random observed quirk.
It's really quite surprising to me that in 2021 we might be using a media playback API where reliably detecting end of playback is very difficult, and setting playback volume is impossible. I really hope that these matters can be addressed with haste.
I checked with my colleagues who work on our playback engine, and they confirmed to me that the current behavior where the player goes back to .paused state when it reaches the end of the playback queue is actually the intended behavior.
"When the player is set to MPMusicRepeatModeNone: There should be sent a notification when a song reaches EOF file. For my particular use I only enqueue one song and need to know when the songs has ended. MPMusicPlayerControllerPlaybackStateDidChangeNotification and looking for MPMusicPlaybackStateStopped or MPMusicPlaybackStatePaused can be used but it's very hard to to be 100% sure if it was because reaching EOF."
Renowned for its unusual mammals, Australia is a land of birds that are just as unusual, just as striking, a result of the continent's tens of millions of years of isolation. Compared with birds elsewhere, ours are more likely to be intelligent, aggressive and loud, to live in complex societies, and are long-lived. They're also ecologically more powerful, exerting more influences on forests than other birds. But unlike the mammals, the birds did not keep to Australia; they spread around the globe. Australia provided the world with its songbirds and parrots, the most intelligent of all bird groups.
It was thought in Darwin's time that species generated in the Southern Hemisphere could not succeed in the Northern, an idea that was proven wrong in respect of birds in the 1980's but not properly accepted by the world's scientists until 2004 - because, says Tim Low, most ornithologists live in the Northern Hemisphere. As a result, few Australians are aware of the ramifications, something which prompted the writing of this book. Tim Low has a rare gift for illuminating complex ideas in highly readable prose, and making of the whole a dynamic story.
Here he brilliantly explains how our birds came to be so extraordinary, including the large role played by the foods they consume (birds, too, are what they eat), and by our climate, soil, fire, and Australia's legacy as a part of Gondwana. The story of its birds, it turns out, is inseparable from the story of Australia itself, and one that continues to unfold, so much having changed in the last decade about what we know of our ancient past. Where Song Began also shines a light on New Guinea as a biological region of Australia, as much a part of the continent as Tasmania.
This is a work that goes far beyond the birds themselves to explore the relationships between Australia's birds and its people, and the ways in which scientific prejudice have hindered our understanding.
About the Author
Tim Low is highly regarded as a biologist and writer. He is the prize-winning author of Feral Future and The New Nature, both published by Penguin, and Wild Food Plants of Australia. He is currently co-editor of Wildlife Australia magazine, to which he has been a long-term contributor. Tim also works as an environmental consultant, and his reports, books, articles and talks have contributed to ecological thought and environmental policy in Australia and more widely.
While some song pluggers focus on pitching songs as described above, others style themselves as one-stop-shops for unsigned songwriters, offering managerial or A&R services to their clients. These services may include helping the songwriter record polished demos, connecting the songwriter with recording engineers and producers, or making suggestions regarding which tracks or lines the songwriter should cut or revise.
Song pluggers need many years of experience in the music business and strong industry connections to be successful. Many start as employees at record labels, music publishing companies, or radio stations, or as musicians or songwriters themselves. By working in and around their specific chapter of the music industry for many years, these individuals gradually learn the business and become well-known within the industry before beginning to work as song pluggers. Song pluggers who manage to achieve a spotless reputation for bringing good songs to the table are rewarded with a constant flow of work. Successful independent song pluggers sometimes create their own artist management companies.
Exposure and response prevention (ERP) is a form of CBT. When the song pops up (exposure) patients learn to inhibit their usual compulsive thoughts and behaviour (response prevention). Despite increased short-duration stress, eventually the songs may cease.1
When you see the Songview checkmark next to a song, you know that the songwriters, publishers and ownership shares shown on the ASCAP and BMI websites are accurate, reliable and consistent between the two PROs.
For the wedding, Song Joong Ki opted for a dapper look in a dark blue suit, paired with a white t-shirt. Ahn Hye Kyung looked beautiful as ever in a white lacey gown. Her groom opted for a quintessential black suit. All of them came together for a pic where Song Joong Ki is seen flashing heart finger signs at the camera on the stage.
Following their success composing songs for the 1959 film Black Orpheus, the writers began work on a musical comedy. Conceived by de Moraes, it was called Blimp and concerned a Martian who arrives in Rio during the height of Carnaval. And what might impress a little green man the most about our planet? A beautiful girl in a bikini, of course.
Perhaps a victim of its own success, this is still one of the most beautiful songs (of any genre) ever written.
A great exemplar of Saudade Brasileido, which give all Brazilian music extra pathos.
Thank you for sharing the history of the collaboration of Antonio Carlos Jobim Vincius de Moraes. The Girl From Ipanema is still one of the most gorgeous, sensuous, lovely songs ever written and Brazilian jazz will forever be one of my favorite music genres, especially in the 60s when I was a teen and young adult.
A sailor, rowing a small boat over the spot where the ship went down, spotted a woman floating on a piece of the wreckage. It was Anna, still alive. He pulled her into the boat and they were picked up by another large vessel which, nine days later, landed them in Cardiff, Wales. From there she wired her husband a message which began, "Saved alone, what shall I do?" Mr. Spafford later framed the telegram and placed it in his office. 2351a5e196
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