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It has been a long time since I wrote something here, and with that said there are explanations for this, but it should not be an excuse to write, so after a conversation with a good friend to me, my friend pointed this out and proclaimed that I would share my thoughts when she thought it might be of interest.
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How fantastic it would be if life would not have any hardships. But then again, how sweet would it be? Imagine just getting everything you want without any kind of hardship; how much would you appreciate it? Honestly? I have seen that there is a certain joy and pride you get when you overcome hardships and get that success. Sometimes you have to do something you hate in order to get what you love. I live by that sentence. I have done a lot of things I hate in order to get what I love, and when I have gotten that thing I love (success), the appreciation is so much dearer. Because I see the hardship I went through, brought me the sweetest success. So, please embrace the hardships at times and go with it. It is worth it, trust me.
But that had all changed. There was no fianc now. It was just me and my kids and I needed to work as much as I could to get us a home and a car and back on our feet without having to rely on anyone else. Two members of management, Travis and Eric, were on it. They immediately moved me to full time and shortly after I earned a raise. Door open wider!
May 19 was move-in day. My co-workers asked if there was anything I needed for the apartment. They offered furniture and dishes. My teammate, Jessica, gave my kids a TV/DVD player for their room (Thank you so much Jessica. They love you to this day.). And a big thank you to the Fritzers who carried that queen size mattress up to my second-floor apartment.
The beloved British brand has its roots in counterculture, but in the quest for growth, it got a little too big for its boots. With the business faltering, we look at how it can cement itself back in culture.
Last week, shares in Dr Martens plunged 30% to an all-time low after it issued the latest in a string of profit warnings. Its private investor owners are reviewing a potential sale after losing confidence in the business.
Leon says that by allowing third-party sellers to own this core retail sales channel, Dr Martens is losing out on brand messaging. Timberland, by comparison, has a strongly branded Amazon shop with interesting videos and imagery, as well as links to its sustainability communications.
Being a bold punk brand is what made Dr Martens world famous, but as the company has grown, it has lost some of that activist spirit, explains Osman. At a time when Gen Z wants a brand that stands up for what they believe in, Dr Martens seems to have retreated from that role.
A different criticism of Dr Martens is that in the pursuit of new (ie, younger) customers, it has lost some brand loyalists. Over the years, it has added sandals (which represent 9% of global sales), clogs, heels and loafers to its product range. As part of its plans to fix its US trading woes, Dr Martens said boots would be its primary focus.
Daisy Ridley, back on her feet again after Star Wars, is a (very) low-key revelation as Fran, a cripplingly shy office drone in a soggy Oregon port town, who silently twiddles with spreadsheets by day and keeps herself to herself out of hours.
Michael, a retired postal service supervisor in Woonsocket and a resident of Johnston, RI, tried cortisone injections, but the relief only lasted a few months. Doctors told him he needed knee replacement surgery, but the thought of it was unsettling, at the very least.
She told Michael about the work Dr. Lifrak was doing with the Mako robotic-arm assisted surgery tool, which allows surgeons to pre-plan the surgery and reduce the amount of cutting they must do in knee replacement. That reduces the size of the incisions and damage to surrounding tissue, reducing post-surgical pain and hastening recovery time for patients.
It began at 10am, and he was home by 5pm that afternoon. He said he had pain the first couple of weeks, probably because he overdid it during the first days of rehab; but within six weeks, he was back in the gym and riding an exercise bicycle to gain strength and flexibility, as well as cardio fitness.
He had the right knee replaced last November. The surgery began at 7am and he was home by 2pm. The pain was minimal, and within two and a half weeks, he was able to do squats and the exercise bicycle again. Michael extends his thanks to his gym, Next Level Training Center in Johnston, RI, who were also instrumental in his recovery.
He said he has minimal scarring, thanks to the smaller incisions that the Mako robotic-arm assisted surgery tool enabled Dr. Lifrak to make and to the Vitamin E that Michael spread on his skin around the incision points. Michael said he is so pleased with the procedure that he has recommended it to several friends.
Today, Rhino announced four new titles in its ever-growing line of Quadio Blu-rays: Randy Newman's Good Old Boys (1973), WAR's The World Is a Ghetto (1972), Gil Evans' Svengali, and Average White Band's AWB. The Second Disc had the opportunity to preview this quartet of Blu-ray reissues of classic albums in quadraphonic (four-channel) sound, and we're happy to report that this is another feast for surround fans with all four titles making good - or better - use of surround. (Those equipped only for stereo sound can still enjoy the two-channel mixes in high-resolution 192/24 sound.)
The follow-up to Newman's beautifully widescreen Sail Away, Good Old Boys began life as Johnny Cutler's Birthday, with each song sung from the point of view of the eponymous southerner. The germ of the idea formed when Newman watched an appearance by Georgia governor Lester Maddox on Dick Cavett's talk show. He saw the cosmopolitan, erudite New York host and his guest, football hero Jim Brown, asserting their moral superiority over the racist, segregationist governor and by extension, the south. He then imagined how the televised conversation might have played to a southerner. For Good Old Boys' eventual opening track, Newman adopted that southerner's bitingly sarcastic voice, shining a light on hypocrisy and employing an incendiary racial epithet more than once in still-shocking fashion - all set to a jaunty melody conjuring Americana in all its shades. Language was just one envelope that the singer-songwriter would push in his quest to expose racism, both on and beneath the surface, and explore the southern identity from every angle. "Rednecks" was the starting point of the startlingly rich concept album that became Good Old Boys. The Johnny Cutler concept was dropped from the eventual LP as the multi-layered songs were sung by various characters, but Cutler's spirit remained.
"Rednecks" introduces the style of the quad mix here: immersive without being flashy, subtle without being boring. Newman's voice and piano are up front, as they should be, while bass and horns offer support from the rear channels. The mix is completely in service to Newman's sharp songwriting; Lenny Waronker and Russ Titelman's clean production; and the musicianship of Newman and his band (including Jim Keltner, Milt Holland, Ry Cooder, Bobbye Hall, Dennis Budimir, and numerous other star session players).
Race, of course, is at the beating heart of Good Old Boys. It's a deeply human album and profoundly American album, too. While Newman's albums generally were greeted with critical hosannas, some took him to task for the dark, satirical humor as heard on the album, however warranted the targets. But not all of the songs were unforgiving. "Louisiana 1927" is a ravishing ballad reflection of the Great Flood, while "Birmingham" evinces empathy with the working class of the city despite an ironically bouncy tone and sound that leaves it just ambiguous enough. Nick DeCaro's strings surround Newman in quad, adding to the songs' grand sweep. They've never sounded better, or more piercing.
The touching "Marie" is sung by one of Newman's famously unreliable narrators. It's a master class in writing for character (in this case, he's inebriated and struggling to express his affection for the woman he loves), matched with a peerless melody and a lush string arrangement by Nick DeCaro that works in perfect sync to reveal truths about the singer and his relationship to the song's subject. DeCaro's strings occupy the rear channels, a soft bed accompanying the delicate vocals and piano. The same raw tenderness permeates "Guilty," each piano note and woozy stab of brass amplifying the singer's emotions. The character studies are movingly varied; "A Wedding in Cherokee County" is once again filled with frank language and observations as it satirically probes the vagaries of love and relationships. There are at least a couple of bona fide lyrical gut punches in "Back on My Feet Again;" the quad mix brings it to vivid life, with the rousing background vocals of Eagles' Don Henley, Glenn Frey, and Bernie Leadon standing out in the four-channel mix.
"Kingfish" takes on the voice of Depression-era Louisiana governor (and left-wing populist) Huey Long, and the political-speech-as-song will likely sound all too familiar today. Newman takes the connection one step further by covering a song actually co-written by Long, "Every Man a King" in choral style. He was probing social and political territory that wouldn't have been touched by his more reflective contemporaries, humanizing persons real and fictional who seemingly didn't warrant a second glance. By frequently utilizing mordant, unsettling humor and comforting, often gorgeous music and orchestration, Newman also invited audiences to confront their own prejudices. 152ee80cbc
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