Zschoerper laughs with her students in the middle of class. (Photo by Amy Niu)
Laughter abounds in the midst of San Jose Dance Theatre's summer adult intensive ballet class, taught by the company's artistic director, Mariana Zschoerper. As Zschoerper listens and adapts to students' concerns, it's clear the studio celebrates students' health and happiness as much as their technical precision.
Student and dancer of seven years Jeremy Pennet notes, "I find her teaching style very nice because she can explain the muscles that may be causing issues and show how specifically to do moves that you may be having trouble with."
Zschoerper corrects a student's arms in second position. (Photo by Amy Niu)
Zschoerper corrects the position of a student's grand battement devant. (Photo by Amy Niu)
Company board member and longtime student Marji Karlgaard adds, “What I really enjoy about San Jose Dance Theatre is they take their adult students very seriously, and they train the adults as clearly and as proficiently as they do the students in the youth program.”
Zschoerper demonstrating an arabesque penchée. (Photo by Amy Niu)
A box of powdered rosin, which ballet dancers put onto the boxes of their pointe shoes to prevent from slipping on studio or stage floors. (Photo by Amy Niu)
Zschoerper prepares for class at a barre facing the mirror at the front of the studio. (Photo by Amy Niu)
Zschoerper herself is originally from Brazil, where she trained in ballet at the Bolshoi Theatre School for eight years, with around six hours of dance classes a day.
“I have a very competitive personality,” Zschoerper says. “Before I was even sure I wanted to follow a professional pathway, I think I just didn’t want to give up. From a very early age, I was very competitive, and I had a lot of fun dancing. So, I’m not very perfectionist, but I am passionate for what I do.”
Zschoerper poses for a portrait in front of a ballet barre. (Photo by Amy Niu)
Much like Zschoerper, student and guest professional dancer Natalie Taylor has also discovered a love of ballet. But unlike how Zschoerper is not a perfectionist, Taylor says the challenge of achieving perfection is itself part of the charm of ballet.
Taylor says, "You know, there's a lot of discipline involved in ballet and it's a very strict art form—either it's right or it's wrong, there's no in-between—so I kind of fell in love with the difficulty and the challenge of trying to perfect my every movement, which I didn't realize before, but now, that's what I strive for."
1
00:00:00,000 --> 00:00:02,000
[pointe shoe scraping into rosin]
2
00:00:03,000 --> 00:00:05,000
[pointe shoes tapping against ground, teacher shouting instructions]
3
00:00:06,000 --> 00:00:30,000
MARIANA ZSCHOERPER: Definitely the Sugar Plum solo is very particular, and there are many versions, and the music is very well-known, and it's actually very quiet, so it's a very technical solo. As well as the female part is a lot longer than the male part, which makes it challenging stamina-wise. And, as well as, the reputation of the solo, so I would say Sugar Plum is definitely a challenge.
Perfectionism and passion are in abundant supply in one of Zschoerper’s ballet classes. But competitiveness between students is not. Instead, Zschoerper aims to provide a holistic view of ballet.
“Trust your instinct,” Zschoerper tells students. “Usually it is the right one. And then you second-guess it.”