so points to the instrument. Scene switches to a top down view as a boy and girl play the Vivo Metallophone together. Camera angle switches to a side view of the boy and girl as they continue to play the metallophone, scene fades to black.]
[video: a young boy taps the top of a standing angled drum. Ripped paper edges decorate the sides of the video with the music note background on either side. White text appears in the middle of the screen reading: Kundu Drum.]
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[video: camera pans across the back of a young girl as she bangs on the top of a large playground drum. Ripped paper edges decorate the sides of the video with the music note background on either side. White text appears in the middle of the screen reading: Kettle Drum.]
[video: the scene and the background float and fade away. A man stands in front of the Grandioso Chimes as he speaks to the camera. A banner made of rustic paper with music notes and piano keys appears at the bottom of the screen. White text on the banner reads: Tom Keller.]
[video: an overhead panning view across a playground play area with nature inspired rock climbers, log steppers, and bridges. The camera pans overhead to a boy playing the Vivo Metallophone at the outdoor musical instrument play area of the playground. Scene switches to a ground side view of a group of children playing the metallophones and drums at the outdoor musical instrument play area. Camera switches and focuses on a boy as he aggressively plays the Grandioso Chimes with the hand mallets. Camera switches to a top down view of a young girl seated in a wheelchair. A woman hands the girl a hand mallet to play the Grandioso Chimes. Scene switches back to Tom as he speaks to the camera while standing next to a Metallophone.]
[video: camera views from underneath a Metallophone as a child grabs one of the hand mallets from its holder. The camera pans up to the backside of the metallophone as the girl begins to play it. Scene switches to a side close-up view of a young girl as she plays the Animato Metallophone. Scene switches back to Tom as he shows the ease of how to release the mallets from their holder.]
[video: close-up of mallets hitting the tubular notes of the Grandioso Chimes. Camera switches to a side view of a man and woman as they stand at the Grandioso Chimes. The woman grabs one of the tubular notes. Scene switches back to a close-up of mallets hitting the Grandioso Chimes.]
[video: camera views across the outdoor musical instrument play area were families gather around the several instruments. Scene switches to a side view of a man seated in a wheelchair at the Grandioso Chimes. A boy with a case on his arm plays the chimes with one of the mallets. Camera switches to a view of the man and the boy from behind the chimes. They play the chimes with the mallets. Camera zooms in for a close-up profile view of the man. Scene switches back to Tom as he speaks to the camera.]
[video: a young girl smiles to someone off camera as she plays one of the metallophones. The screen fills with music paper and music notes and symbols transitioning into the next scene of a full line of Rhapsody Outdoor Musical instruments in a park with the Minneapolis skyline in the background.]
[video: A Vivo Metallophone set up overlooking a riverside. Scene switches to a Grandioso Chimes set overlooking a river side. Camera switches back to Tom standing by a Vivo Metallophone speaking to the camera.]
[video: The screen fills with music paper and music notes and symbols transitioning into the next scene of Tom standing in the Outdoor Musical Instrument play area with his arms stretched out to his sides.
[video: camera pans across a group of girls playing the Kettle and Kundu drum while families play on the Grandioso Chimes and Vivo Metallophone in the background. Scene switches to a side view of a boy and girl as they play the Vivo Metallophone together. Scene switches to a top down view of two girls as they play the Grandioso Chimes in slow motion. Camera angles switches to a side view of the girls as they continue to play the chimes. Scene switches to a side view of two boys playing the Animato Metallophone while a man seated in a wheelchair watches them. Scene switches back to Tom standing at the Outdoor Musical Instrument play area speaking to the camera. The screen fills with music paper and music notes as white text appears in the center of the screen reading: Music is Joy!]
Vivo Software was a pioneer internet streaming media company which was acquired by RealNetworks in March 1998. Vivo Software designed the Vivo Video/Audio platform, including its encoding tools and end-user VivoActive Player.
The Vivo format, obsolete today, was one of the first to be designed and used for internet streaming. The Vivo platform was a well-known player when streaming media was in its infancy and was deployed mainly on erotic sites during the mid-1990s. Since then RealPlayer, QuickTime and Windows Media have evolved as the dominant platforms.[needs update] The development of Vivo ceased in 1997 to be replaced by RealPlayer from RealNetworks.
VivoActive is an audio/video format created by Vivo Software, acquired by RealNetworks in 1997. The Vivo format is based upon H.263 video and G.723 ADPCM audio (not the G.723.1 speech codec). It uses inter-frame coding, but does not insert any key frames, except at the beginning of the clip, which effectively disables the possibility of seeking to specific locations in the stream. One of the last released versions of VivoActive Player added a workaround for this handicap by quickly decoding all frames from the first one to the requested position.
October 16, 2014 at 08:06 PM I have the Vivo set strings since 2 weeks now...and I am higly impressed by their sound quality,not really bright(at least on my violin,a modern one Amati copy..).They are high tension ,even more than the Titanium solo strings..
October 19, 2014 at 08:06 PM I have a demo coming soon for ViolinStringReview.com. I should have the review up VERY soon. From my experience so far they are loud, especially the Vivo. Very good soloist strings.
October 28, 2014 at 12:04 PM These kaplan Vivo I find them much better than the old and also the new Zyex.On my Amati copy violin I dont find the sound brilliant but rather warm,they have a large sound.Its not just loud as the Zyex..
November 8, 2014 at 01:06 AM My experiance with the Vivo set is not as favorable as others recorded here. My violin has a rather dark sound so I thought the Vivos would balance that well. They are bright enough that I would say they are even rather brittle. The E is unremarkable and tends to whistle. Even the A whistles from time to time (a first in my experience.) The sound carries well but not so much as I had hoped. In a month I will be soloing with our community chamber string orchestra; I need to work pretty hard to be heard. I've had them on for a month. I'll give them a month more to see if I change my mind. I would give them a grade of B-, I.e., better than average but not a standout for me.
What I didn't like to vivo now I find it much better to Amo(D and A string,mainly D is excellent now)The g sounds harder to play for this 2 first days..I shall try it better with the Rondo Of Spanish Symphony!For the moment I find difficult the sautille on g string(as I play Saint-saens violin sonate).
November 28, 2014 at 07:26 AM I purchase the Kaplan Amo set around one month ago, and they are still going strong, except for the E, which was rather shrill. I have swapped that for the Oliv E which is lovely. I want to try the set with the PI E too, as the Amo don't match the Olive E perfectly, but then it's hard to find E's that are 'just right' for matching other types of strings. As for Amo, they do what the packet says, they sound wonderfully warm on my Aussiewood made violin which tends to be quite bright with dominants on. I love their sound, especially the D, it's just dreamy!
November 28, 2014 at 08:29 AM I love the Kaplan cello strings!!! The G and C not as much, though they are pretty amazing too, on my cello. However, I also wanted to comment that maybe we should try to balance our instruments out with strings that don't fit character. Try putting dark strings on dark instruments, and bright ones on bright instruments. It worked on my instruments! Really freed them up, they sound amazing now. Probably why I love the Kaplans on my cello.
March 21, 2015 at 07:34 AM I was very excited to try the new Kaplan strings after discussing them with a D'Addario rep at the NAMM show. I requested a set to try during their introductory trial period and received the Amos I had requested in the mail. Thanks D'Addario!
The strings sound is as described in the promo materials. The slightly darker timbre and rich harmonics works well on my Ming Jiang Zhu violin, which leans to the bright side. What I get from these, which I have not experienced as much from other strings is so much character. They turned my violin, a two-year old instrument which is obviously still evolving, into a very rich sounding instrument with depth and vibe.
With the original Dominants, The instrument sounded great to begin with. Clear projection and lots of ring and brilliance on the high end especially. The Kaplan Amos tame any piercing high notes on the A and E strings while adding overtones and harmonic richness. But the really amazing thing is the low end, the G string. I feel like I could play at a Gypsy wedding. There is so much vibe, character and growl when I dig in, yet when I want them to be warm and smooth, my wish is their command. Phenomenal! They project as well as the Evah Pirazzis I tried, yet have more character and last at least twice as long. They are going way past the longevity of the Evahs and show no signs of slowing down. The only other strings I've tried are the Infeld Reds and Obligatos. Obligatos, though very nice, were two dark and too quiet for me. I removed them even before they wore out. The Infeld Reds I really liked. The Kaplan Amos are in the same vain but have more depth and projection. Amos are the best strings I've tried so far on my violin. I sound like an ad, but really, try them. You won't be disappointed. 152ee80cbc
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