I would love such as the Arma 1 grass cutter was not adjustable in size or shape. A scripting command for the editor bound to a freely customizeable trigger that can have all sorts of shapes would perfectly fit for every campsituation I can think of. With the old cutter it sometimes looked odd as for the circular structure you sometimes had unsatisfying results and the work to place a number of them properly was a pita sometimes.

I don't know the in-depth mechanics behind the clutter distribution system, but further thinking on a 'trigger' cutter method would potentially allow the ability to cut 'paths' through fields and long grass, (Crop circles anyone?) ;) or maybe allow the mission maker to remove some of the grass around a favourable sniper position to encourage the player to use it, Makeshift landing strips etc.


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the grass cutter object should be like the fire place object that you can have inflame true or inflame false in its init line to say if grass will be on or off, awesomest thing ever would be to have a system similar to setpos where you can assign 0,5 or other value to set grass height :)

Editors were originally called \u2018cutters\u2019 as the job was to literally cut film with scissors, and then glue the pieces together. Before digital editing was available, filmmakers often hired women because their smaller fingers were seen as ideal for the job.

MP4Tools is two apps: a video joiner app, MP4Joiner, and a free MP4 cutter, MP4Splitter. MP4Splitter makes it easy to split a video file into multiple ones, and MP4Joiner makes it easy to join clips into a single file without quality loss or re-encoding.

Kapwing is a simple video cutter. It shows a preview of your video at the left of the screen, and you can then use the sliders or timestamps to select the start and end times for your cut. It then previews the results before you save your video clip. Kapwing is freemium: free users are limited to files of 250 MB, and exports are limited to 7 minutes long.

As a video joiner, splitter and cutter, Smart Cutter has an intuitive interface and makes it easy to turn original videos into works of art. And also you can watch the video in the preview window. Smart Cutter is well worthy of having a try.

Unlike the MPEG2 video streams, the H.264 AVCHD video takes some special elements into its stream structure for playback control. If some video cutter simply chops the H.264 AVCHD video stream apart, then feeds the cut movie into some post-processing pipelines, such as transport stream re-multiplexing, Blue Ray disk authorizing; then, there may(even must) arise the problems of green glitch, mozaic, or audio/video in-sync.

The Zund is best used for cutting materials that cannot be cut on the laser cutter, such as plastics and synthetic fabrics or foam rubber that release fumes, highly flammable materials like foam-core and cardboard, or cuts in materials that are larger than the size of the laser cutter bed. It may be suitable for routing smaller sheet stock that would be difficult to mount to the CNC routers, as well as materials that might require extra setup on the CNC routers, such as soft metals (aluminum, copper, brass, etc) and thick plastics, such as acrylic or expanded PVC board, but its 3-dimensional capabilities are limited.

The Zund is NOT to be used for materials that are easily cut on the laser cutter or the CNC's, or simply as a time saving measure, such as foam-core rectangles that could be cut by hand. The Zund cannot handle materials over 1" in most circumstances, and in general cannot do more than 1/2" with most blades.

Because force is exerted on the material by the blade moving during cutting (unlike the laser cutter), smaller features may not come out as cleanly or detailed as they would on the laser cutter. In general, the Zund is better suited to larger features.

The console directly controls the cutter without going through the software. The console is used primarily for performing tool changes, turning the machine on/off, and switching between online and offline mode.

The Zund has safety features to prevent injury during operation. The main feature is a series of 'light barriers' that are projected from one end of the gantry to the other, on the front and back side of the cutter. If these beams are broken by someone reaching into the operating area, or if a piece of stock lifts up unexpectedly, the cutter will immediately stop operation. The LCD screen will display that a light barrier has been triggered, and will list what barrier was broken. To continue the operation after everything is cleared from the table, press 'OK' then 'ONLINE' to continue the cut from where it stopped.

The Epson CH001 Replacement Half Cutter is available and sold conveniently as an individual replacement component for the Z Series Printers. Easy to install, no tools required, and snaps into place quickly. The CH001 replacement cutter will keep your LW-Z5000PX or LW-Z5010PX printer cutting with precision every time.

Hello, as the tittle suggests. I'm looking for a video cutter as I use this functionality a lot. I don't need a full video editor and I don't have the experience or the will to learn video editing. I'm just looking for a convenient way to cut out sections of a video. I usually use ffmpeg but this task becomes repetitive and boring when you want to cut more than 2 sections of a single video.

The use of a touchscreen makes the new ZCC very easy to operate. The settings follow a logical progression through the setup process. Various tabs guide the operator step by step through production preparation and control of the cutter. Ease of use minimizes the time required for preparing jobs and significantly shortens the training time for new operators.

Cut Editor is used to import source files and prepare them for subsequent cutting. Cut Editor is operated directly at the cutter from the workstation. Cut Editor can also be used away from the cutter, for file preparation in prepress. If needed, the Nesting Option is available in Cut Editor. Cut Editor is a software component that can be used in combination with both editions.

Negative cutting[1] (also known as negative matching and negative conforming) is the process of cutting motion picture negative to match precisely the final edit as specified by the film editor. Original camera negative (OCN) is cut with scissors and joined using a film splicer and film cement. Negative cutting is part of the post-production process and occurs after editing and prior to striking internegatives and release prints. The process of negative cutting has changed little since the beginning of cinema in the early 20th century. In the early 1980s computer software was first used to aid the cutting process. Kodak introduced barcode on motion picture negative in the mid-1990s. This enabled negative cutters to more easily track shots and identify film sections based on keykode.

The existence of digital intermediates (DI) has created a new demand for negative cutters to extract selected takes which are cut from the rushes and re-spliced into new rolls (in edit order) to reduce the volume of footage for scanning.

After the Editor finishes the Edit it is exported to an offline EDL list and the EDL list is sent to the negative cutter. The negative cutter will translate the Timecode in the EDL list to edge numbers (keykode) using specially designed negative cutting software to find which shot is needed from the rushes negative.

Traditionally a negative cutter would then fine cut the negative to match the Editor's final edit frame accurately. Negative would be spliced together to create rolls less than 2,000 feet (610 m) which would then be sent to the film laboratory to print release prints.

Today most feature films are extracted full takes (as selected takes) and scanned digitally as a digital intermediate. Television series and commercials shot on film follow the same extraction process but are sent for telecine. Each required shot is extracted from the lab roll as a full take and respliced together to create a new selected roll of negative. This reduces the negative required by up to 1/10 of the footage shot, saving considerable time during scanning or telecine. The negative cutter will create a new Online EDL list replacing the rushes roll timecode with the new selected roll timecode.

There have been a number of dedicated software systems that have been developed for and by negative cutters to manage the process of cutting motion picture negative. A number of individual proprietary software systems have been developed starting in the early 1980s. Stan Sztaba developed a system for World Cinevision Services Inc (New York) in 1983 using Apple II DOS and then ProDOS, this system is still used today. Elliott Gamson of Immaculate Matching (New York) developed a system using MS-DOS. Computamatch was one of the first MS-DOS-based systems developed and is still in use today in several countries.

Negative cutters use various hardware tools such as film synchronizers, re-winders, film splicers, scissors, film cement and film keykode readers. DigiSync, a purpose built keykode reader is used by most negative cutters in conjunction with software for logging the keykode from film. DigiSync was developed by Research In Motion and in 1998 it won a Technical Achievement Academy Award for the design and development of the DigiSync Film Keykode Reader. Research In Motion later moved on to bigger things and invented the BlackBerry Wireless Email Phone and is now a publicly listed company. Other brands of barcode scanners are also in use.

By default, this is set to Bevel , which will leave the tip of the pencil line cut at the same angle as your cutter stroke. If you prefer, you can make pencil lines that you split with the Cutter tool have Flat or Round tips instead.

Yes, there is a quick form to do this. Select the cutter tool (in the select tool drop down menu), and touch the unnecessary portion to be deleted. This selects all the brush shape previous to the first stroke intersection. When selected, delete it. Regards. Yoryo. 2351a5e196

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