I killed the appendices first, so I don't know if killing the core first would have added additional appendices. What I don't know yet is whether you can double your Collosalls appendices by casting [[Reincarnate]] onto it. I hate that keyword with a passion btw.
To submit images of your work to Chris Jobson at thisiscolossal.com, e-mail [email protected] with a brief description of the attached images (600px wide or larger, no zip files, file size is not an issue) and/or links to the artwork or project.
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Colossal Biosciences is a Dallas-based company with offices in Austin and Boston that has been developing gene technology and hardware solutions that will enable it to bring back extinct species. Since launching in 2021, the company has made headlines for its goal to bring back the woolly mammoth and Tasmanian tiger from extinction.
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In collaboration with the MIT Glass Lab, the Mediated Matter group at the MIT Media Lab has produced a way to 3D print glass, creating intricate patterns from molten glass inside a kiln-like printer and giving a completely modern twist to the 4,500 year-old material. The video produced to exhibit the ways in which the technology works displays the process without words, instead focusing on the mesmerizing way the hot glass stacks upon itself in the machine and ultimately cools into the final vase-like forms.
Glass 3D printing (or G3DP) is based on a dual-heated chamber concept, with the top chamber heating the glass and lower chamber slowly cooling it to prevent internal stresses. The top chamber operates at approximately 1900F, and funnels the molten material through an alumina-zircon-silica nozzle into its programmable shapes.
Harriet Island Colossal with Confetti Dot Collar Confetti Colossals w/gold discs Confetti, Double Collar and Light-up Tail Flying Through the Air! Mount Zion Colossals with Nice Ribbons The Marquee Colossals Colossal with Gold Foil Tail Colossal with Silver Foil Tail Minikahda Light-up Tail Colossal Bouquet Fringe Tails Colossals Flanking Red Carpet Basecamp Collosals
Through pen and ink renderings, Virginia Mori continues her elegant and surreal interpretations of the prosaic. The Italian illustrator and animator (previously) gravitates toward the everyday and turns moments of relative simplicity into strange otherworldly scenes. Plucking a book off of a shelf reveals a figure lurking behind the volumes, for example, while an enormous detached head plummets to the earth where a team awaits with a cushion for a safe landing. Often featuring minimal palettes of pastel colors, the introspective works meld relatable feelings of anxiety, hesitation, and fear with dreamlike inventions.
US brand Salsa have revealed some details of their 2015 line-up ahead of a full launch later this year. The most notable changes are to the Colossal Ti, which now gets bolt-thru axles at both ends, increased tyre clearance and mudguard mounts, while the steel Colossal marries a bolt-thru fork with quick release rear axle.
The frame now takes 30mm tyres without mudguards and 28mm tyres with mudguards. The addition of mudguard mounts will please many people that thought their omission on the previous bike was a bit of an oversight. IT's the sort of bike that a bit like the Genesis Equilibrium would be ideal for daily commuter, touring or Audax.
For most of my local off-road riding I like my Salsa El-Mariachi ti with old-style straight steerer, rigid Cromoto steel fork, and standard quick release at both ends. If this is fine with tubeless 2.4 Hans Dampf tyres on 30mm rims on average mtb trails, then surely adding bolt-thru on a road/gravel bike is over-kill?
I'm not completely anti-technology though, I concede that disk brakes are a major step up if you intend to ride your road bike off-road. My Giant defy feels just fine with 28c tyres and 105 rim brakes on gravel roads and farm tracks when they are dry, but as so as they get wet - I'm wishing for disk brakes!
Colossal is an art blog that features 15 to 25 posts per week on photography, design, animation, painting, installation art, architecture, drawing, and street art.[2] It started as a personal blog in the fall of 2010. Web designer by trade, Jobson began his blog as one of one hundred things he wanted to accomplish in 2010.[3] On March 9, 2011, Jobson posted artist Sagaki Keita's surreal, intricately detailed ink drawings to his blog. By 5:00 p.m. that day, so many visitors flooded the site that his server crashed.[4] The blog grew in popularity to the point New York-based advertising agency Nectar Ads asked Colossal to be a part of an "art ad network" with site-specific content.[4] This allowed Jobson to quit his job in 2013 and focus on the site full-time. Jobson explains the mission of Colossal, "I want Colossal to be a place where anyone, from any background, can discover art and aspects of visual culture that are interesting, fun, and approachable. To that end I shy away from criticism and interpretation and instead provide as many resources as possible for visitors to learn more on their own. I want to share art as it is, without justification."[5]
Three of the four pool winners did so with 3-0 records, and Colossal was seeded third in the four-team playoffs. They earned their championship slot by defeating Tribe Baseball, 3-2, in the semifinals.
Colossal, meanwhile, was hitless until leadoff man Connor Byrne singled with two out in the bottom of the third. He stole second, and then scored when Nicholas Melograna looped a single into left field.
Brown pitched a 1-2-3 top of the fourth, and in the bottom of the inning, Connor McNally led off for Colossal with a triple to the gap in right center. Lopez was up next, and his ground out to second scored McNally for a 2-0 lead.
In the bottom of the inning, Brown walked with one out and Eric Fudala singled to right field to put runners on the corners for Byrne. Fudala stole second, and Byrne was safe on an error that scored one for a 3-0 lead. Melograna grounded out to second, with Fudala scoring the fourth run. Andryc Molina followed with a single which skipped past the outfielder for a two-base error that scored Molina for a 5-0 advantage.
Brick American made a comeback bid in the seventh, which began with walks to Hoogvliet and Braden Kabus. Rocha then hit an RBI single to left field, which left runners on first and second for Will Snyder, whose single to center loaded the bases.
Reintroducing mammoths to Alaska or dodos to Mauritius sounds unrealistic, even silly, and has drawn skepticism from paleo-geneticists and other experts who worry that the effects of de-extinction would be unpredictable. Yet Colossal has continued to draw support from investors, including celebrities, and on Tuesday announced another $150 million for a total of $225 million since 2021. A person familiar with the company said with the latest round the startup is valued at about $1.5 billion.googletag.cmd.push(function() { googletag.display('div-gpt-ad-1499653692894-0'); });
I loved the film, but I loved it for all the decisions made by the filmmaker in terms of the camera angles. How the camera was watching the whole thing. I loved the way it was shot. All the problems came from the script itself. Who cares about this guy around all those gigantic creatures fighting? They probably should have killed the guy within the first ten minutes of the film, but I have to say that it was shot in such a beautiful way. It was really something that was really enjoyable.
Occasionally, this paradoxically helps clients because these computerized systems that compute approximate values for cases incorrectly assume that a particular injury had a more significant impact on the patient than it did. Sometimes we will get an incredibly unsympathetic client who was not affected greatly by what happened to them despite the precise documentation of pain and hardship in the medical records. This client does better with such an unfeeling system.
If you are an injury victim or another lawyer fighting an adjuster spitting out a ridiculous offer from the computer, we will fight for you. Call us at 800-553-8082 or get more information about your claim for free online without any cost or obligation.
I understand that submitting this form does not create an attorney-client relationship. I also understand that Miller & Zois works with multiple law firms on these claims and that I may be contacted by an affiliated law firm working with Miller & Zois on these lawsuits.
Andy Askins is a diminutive figure who exudes an air of vulnerability as he steps up to the microphone armed with a guitar and a cheeky grin. It's an overwhelmingly misleading demeanour which serves to heighten the impact of the killer lines that he delivers.
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