Usher Would You Mind If I Still Love You Mp3 Download

The song has a moodier feel thanks to gritty synths and a steady but structured beat. "Crash" deals with a relationship gone off the rails, but one that's made it hard for Usher to let go. "Would you mind if I still love you?/ Would you mind if things don't last?/ Would you mind if I hold on to/ You so that I won't crash?" he sings on the chorus.

Usher starts the song with a chorus up front. In it, he sings, "Would you mind if I still loved you?" He and his ex have just gone through a painful breakup, and he wants her to know that he's still in love with her. He still has feelings for her and wants her to know it.

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The next two lines seem to support this idea: "Would you mind if I hold onto / You so that I won't crash?" He needs to love her so that he doesn't fall apart. They were emotionally involved, and he doesn't feel like letting go yet.

He explains that he "[d]rove all night, just to beat you home." Apparently, they broke up the day before and live far from each other. He made it to her house to talk to her again, and she wasn't there. Even still, he wants to know if she would "mind if I waited right here . . ." He plans to wait for her so he can see her one last time.

Here, Usher continues to explain how in love he is wither her. He sings that he "really, really [wants to] love you." He's still "only yours / Even if it don't last forever, I wanna let you know." He explains that they "really had something special" and that "it's hard tryna let it go." He finishes the pre-chorus by singing, "I'm just being honest, I'm still in the moment." He's reeling from the emotional pain and is trying to explain what he is feeling to her

In the second verse of "Crash," Usher gives more details about his midnight drive. He's been "[u]p all night" and "can't let go." He explains that he "[w]on't stop trying." He really wants her to know how much he still loves her. With these lines, the songs seems to have arced from being about him trying to get over it to him trying to convince her to come back to him.

Goofy, my darling, hasn\u2019t it been a lovely day? I woke up this morning and the sun was lying like a birth-day parcel on my table so I opened it up and so many happy things went fluttering into the air: love to Doo-do and the remembered feel of our skins cool against each other in other mornings like a school-mistress. And you \u2019phoned and said I had written something that pleased you and so I don\u2019t believe I\u2019ve ever been so heavy with happiness. The moon slips into the mountains like a lost penny and the fields are black and punguent and I want you near so that I could touch you in the autumn stillness even a little bit like the last echo of summer. The horizon lies over the road to Lausanne and the succulent fields like a guillotine and the moon bleeds over the water and you are not so far away that I can\u2019t smell your hair in the drying breeze. Darling\u2014I love these velvet nights. I\u2019ve never been able to decide whether the night was a bitter enemy or a grand patron\u2014or whether I love you most in the eternal classic half-lights where it blends with day or in the full religious fan-fare of mid-night or perhaps in the lux of noon\u2014Anyway, I love you most and you \u2019phoned me just because you \u2019phoned me to-night\u2014I walked on those telephone wires for two hours after holding your love like a parasol to balance me. My dear\u2014I\u2019m so glad you finished your story\u2014Please let me read it Friday. And I will be very sad if we have to have two rooms. Please.

Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinizing observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn.

For several days ensuing, her name was unmentioned by either Usher or myself: and during this period I was busied in earnest endeavors to alleviate the melancholy of my friend. We painted and read together; or I listened, as if in a dream, to the wild improvisations of his speaking guitar. And thus, as a closer and still closer intimacy admitted me more unreservedly into the recesses of his spirit, the more bitterly did I perceive the futility of all attempt at cheering a mind from which darkness, as if an inherent positive quality, poured forth upon all objects of the moral and physical universe, in one unceasing radiation of gloom.

Usher is amazing. It doesn't smell masculine on me at all. It does remind me some of Dorian- probably the same fougere base, and I can smell tea in both. Dorian is way sweeter and more vanilla, and Usher smells quite different, but there is a similar base to them, and those that love Dorian might want to try Usher. It's delicate, yet not floral at all. I totally don't smell mint, though I almost smell a citrus tone to this. It's very elegant smelling. For me, 4.5 out of 5.

Some people had speculated that Usher might smell similar to Dorian and I ended up buying it on that notion alone, because I love Dorian. I had kind of imagined that this would be a more masculine Dorian and in a way I was right.

I was going to keep Usher because it does remind me of Dorian and it has a wonderful musky vibe, but in the long run I knew that I wouldn't wear something this masculine. It is a gentlemans cologne, a refined fougere.

On me: more than anything, Usher reminds me of White Rabbit--linen and all, even though linen isn't listed as a note. Lovely tea as well. Faintest citrusy mandarin. I can tell there is a breath of aquatic, but it's a lot fresher than I'd expect the Ushers' murky tarn to be. This is really lovely, elegant, and clean, and gender-neutral--yeah, I do think Madeline would wear it. In fact...perhaps she returned from the grave to wrestle Roderick's bottle away from him and take it to the tomb with her. This is now my official new interpretation of the story.

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On March 19, 2013, Usher announced that his eighth studio album, titled UR, was in the works.[115] Talking to The Fader, he described the album as "everything you can imagine", saying that it's "gonna be freaking out of here".[115] Singer-songwriter Eric Bellinger told Rap-Up that he, along with Jermaine Dupri, Bryan-Michael Cox, and Brian Alexander Morgan, was working on Usher's next album.[116] Bellinger compared the album's music to Usher's Confessions (2004), saying that it is "more R&B, more urban" than Usher's Looking 4 Myself.[116] The latter declared that his next album would show that he is "still Usher".[116] "Good Kisser", a dance-heavy throwback R&B track, was released as the first single allowing Usher to achieve his 13th no.1 on the Airplay chart, tying Drake for most leaders in the list's history.[117] Produced by Pop & Oak, it was performed at The Voice.[118] Since then, two other singles have been released from the album: "She Came to Give It to You" featuring Nicki Minaj and "I Don't Mind" featuring Juicy J. The latter allowed Usher to lead the Rhythmic charts with the most number ones (13).

Usher's music is generally R&B, but also incorporates pop among other genres.[5][185][186] Elias Leight of Rolling Stone wrote that "catching pop's waves has always been one of Usher's greatest strengths, whether that means collaborating with Lil Jon when crunk was going mainstream or charging into EDM".[187] Complex stated that Usher provided some of "the best of pop music in R&B".[188] His narratives have an autobiographical nature of emphasis on lifestyle, relationships and love,[189] resembling "an R&B Casanova".[190][191] Usher was new jack swing oriented,[192] while My Way contained influences of soul.[193] 8701 "introduces touches of '80s rock guitar and the minimal rhythm of '80s hip hop" displaying versatility, according to NME's Lucy O'Brien.[194] Confessions is viewed as a "top-of-the-line pop-soul showcase",[195] with established critic Robert Hilburn of Los Angeles Times seeing lead single "Yeah!" as something Michael Jackson would have created "if he still had the old Thriller magic".[196] Here I Stand was noted as more ballad-heavy by critics,[197] where the title track's usage of jazz notably drew comparisons to Stevie Wonder.[198] Raymond V Raymond was described as a "skillful fusion of R&B/hip-hop/pop" by Billboard.[199] Looking 4 Myself further explored progressive R&B, hip hop ballads, and synth pop, with its overall sound coined "hybrid pop" for its dynamic incorporation of EDM, dubstep, neo soul, and funk.[190][200][201] Hard II Love sees Rolling Stone's Maura Johnston view it to "stretch the boundaries of R&B while winding toward the brooding atmospherics that have enveloped much of pop over the past 12 months".[202] e24fc04721