I’m in love with Taiwan—its architectural rhythms in Taipei and the resilient spirit of its people. My work is a conversation between stillness and structure, form and function, absence and endurance. I’m drawn to what lingers quietly at the edge of perception: brutalism softened by shadow, nature threading through cracks, poetry murmuring from concrete.
Urban Brutalism: A Pragmatic Approach is an ongoing exploration of structure as sculpture. It’s not a nostalgia for concrete, but an appreciation of its honesty—how it reflects light, holds space, and absorbs time. These images are my response to a city that doesn’t try to impress but insists on being felt.
Quiet Scenes continues this dialogue—documenting the unnoticed life woven into Taipei’s urban texture. Birds in flight between blocky silhouettes, insects tangled in overgrowth, stray animals pacing the soft borders of human infrastructure. It’s a meditation on presence and passage, where the natural world reclaims what we leave behind.
Night Marauder shifts the gaze to the after-hours rhythm of Taipei. As the lights come on and the city exhales, its quiet pulse becomes visible. I seek the beauty in restraint: neon shadows, empty intersections, glowing windows, textures only revealed when the city isn’t performing.
Through each frame, I try to listen—to catch what the city says when it thinks no one is watching. My lens isn’t chasing spectacle. It’s holding space for subtlety.
