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Gary Oldman, Armie Hammer and Evangeline Lilly star in Nicholas Jarecki's multi-narrative look at the opioid crisis.
Setting out to be the Traffic of the opioid era, Nicholas Jarecki's Crisis presents a trilogy of storylines whose tendrils involve everyone from big-pharma execs to undercover cops to addicts at various stages of despair.
Sprawling and serious but not nearly as involving as it should be, the pic — Jarecki's sophomore feature, after 2012's similarly topical Arbitrage — may well attract interest for unwanted reasons, as one of the films co-lead Armie Hammer completed before his current social media-stoked scandals hit. The actor's stiff, uninteresting performance here is a reminder of how spotty his filmography has been to date.
Hammer plays undercover DEA man Jake Kelly, who's spent a year establishing his credibility as a pill merchant to a crew of "Armenian power gangsters" who traffic in Oxy. The plan is to connect these guys with a Montreal fentanyl kingpin and bring down two big drug rings at once. When not pretending to be a tough guy or laying out plans at the office, Jake's trying to keep his opioid-addicted kid sister in rehab.
Another addict, Claire Reimann (Evangeline Lilly) is much farther along in recovery. She seems at peace during her shares in twelve-step meetings, but then her world is rocked: Her son goes missing and is soon found dead. Police say it's an overdose, but Claire's certain her son was no drug user. With forty ODs a week, Detroit detectives can't dig into what looks like a simple case. So instead of relapsing into drug-fueled grief, Claire opens her own DIY investigation. Soon she's tracking down petty dealers, following leads up the chain of command and setting out on a Dirty Harry drive to Montreal.
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Release : 2021-02-26
Runtime: 118 minutes
Genre: Drama, Crime, Thriller
Stars: Gary Oldman, Armie Hammer, Evangeline Lilly, Greg Kinnear, Michelle Rodriguez
Director: Cassian Elwes, Nicholas Jarecki, Nicholas Jarecki, Nicholas Jarecki, Nicolas Bolduc
Sinopsis : Three stories about the world of opioids collide: a drug trafficker arranges a multi-cartel Fentanyl smuggling operation between Canada and the U.S., an architect recovering from an OxyContin addiction tracks down the truth behind her son's involvement with narcotics, and a university professor battles unexpected revelations about his research employer, a drug company with deep government influence bringing a new "non-addictive" painkiller to market.
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Premise
The third plot concerns supply. The CEO of a pharma company has shepherded development of a "holy grail": the first non-addictive painkiller. The FDA believes in the drug, and so do the brothers whose family built the company. But a professor whose lab was hired to test it on mice (Gary Oldman's interestingly accented Tyrone Brower) knows better. If it's not used exactly as prescribed, the drug may well be far more addictive and deadly than any previously known.
Without being able to rely on generic policier and vigilante tropes, this third section struggles the most with Jarecki's sometimes clunky screenwriting. Dr. Brower faces predictable hurdles when he tries to make drug execs heed the warning in his findings: First they gently try to bribe him, then they get his university's leaders worried about the millions they pour into research, then they mount a campaign to discredit him. Oldman is convincing as a shaky man who has compromised in the past but may be about to stand firm, but the film's presentation of his plight feels generic and prefabricated.
The film's other two parts, which wind up entangled, move more easily — provided viewers accept the quick success architect Claire has in hunting professional drug dealers, and don't object to the many points at which a sane person would simply call the police and say, "I've done your legwork for you, here are the people to arrest." Lilly performs capably in an underdeveloped role, but the character's own history with drugs is extraneous, serving only to give us one brief will she/won't she scene with a bottle of pills.
Ultimately, none of the storylines offers a surprise or tells us anything we don't already know, this many years into America's opioid ordeal. And arriving at a moment when "Crisis" could refer to so many other calamities, its failure to illuminate anything makes it feel like a distraction.
Production companies: LOD Productions, Bideford Productions
Distributor: Quiver Distribution
Cast: Gary Oldman, Armie Hammer, Evangeline Lilly, Greg Kinnear, Michelle Rodriguez, Veronica Ferres
Director-Screenwriter: Nicholas Jarecki
Producers: Cassian Elwes, Nicholas Jarecki
Director of photography: Nicolas Bolduc
Production designer: Jean-Andre Carriere
Costume designer: Simonetta Mariano
Editor: Duff Smith
Composer: Raphael Reed
Casting director: Jessica Kelly
Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations. The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
∎∎∎ STREAMING MEDIA ∎∎∎
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
∎∎∎ COPYRIGHT CONTENT ∎∎∎
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.
Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
∎∎∎ GOODS OF SERVICES ∎∎∎
Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date. In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.
The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment. Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.