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The New York Times said about the track: "It has some of Ed Sheeran's signature soft-soul gestures, but BTS renders [it] with complexity,"[14] while Jae-ha Kim from the Chicago Tribune called it "hopeful and optimistic".[4]

Others tried to do what he did, but nobody could do what he did (like he could do it, baby). The best Barry White songs may have made him the boss of bedroom soul (and the ruler of songs with brackets in their titles), but if you are stuck with the idea that he was an example of 70s excess, you should kick back and really listen. This guy had the funk, the soul, and the disco down to a T.

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Another addition in the ever prolific canon of Da L.E.S and AKA collaborations. "Starlight" is a star-studded affair, as it also features contributions from Pambo and Parlemo, respectively. It is a mostly sung song, with Da Les' verse serving as the only rapped contribution. A soulful, trap cut that finds AKA at his usual best when handling hook duties especially on a Da L.E.S track. "What's your starlight? The definition to succeed or just your destination?" is the rather profound question that Da L.E.S asks before he starts his verse, which contains the usual braggadocio raps that he is known and loved for.

Another The Hustle season one alumni, JimmyWiz labours hard for his love of hip-hop. One only needs to listen to "Finally" to hear what motivates and compels the wordsmith. He raps with palpable earnesty and truly believes hip-hop to be his destiny. On this cut, he pours out his heart about his belonging in hip-hop, over a soulful Kulax flip of The Stylistics' "Maybe It's Love This Time". Gugu Zwane shines as she sings on the hook, making for an exceptional rap-sung collaboration. "Finally" was released as part of a project called ATJ Lost Files, which bookends Jimmy's 2019 ATJ album, and consists of songs that were left off the album.

Free State's very own, Captain_FS, who is also the unlikely understudy to one of the greatest SA hip-hop emcees, PRO, released his critically acclaimed debut album The Ape Tape this year. Listening to it, one quickly understands why the seasoned emcee caught PRO's attention. Despite it being only his debut album, he is far from a rookie, as he has plied his trade mostly with his crew The Assembly in prior years. "Charles Darwin" is the perfect illustration of the pedigree of an emcee he is. Alive with incisive lyricism, vivid imagery and a soul to match, he approaches the mic with an understated prowess allowing for his nasal delivery to sit neatly on soulful production, incidentally helmed by his wife Phogane Molise, as well as talented producer Thapelo Mashiane.

"HOME" feels like being at a club near closing time, while the party is still surprisingly at it's most enjoyable (10pm curfew, is that you?), then a friend of yours leans in to whisper to you, going on an alcohol induced rant about their deepest fears and worries. Yet all the while, they're dancing and seemingly having the time of their life. An oxymoron of a song, its hypnotic feel makes one want to get up and sway leisurely, while on the other hand, Riky shares some of the most introspective and existential lyrics he's ever penned on a song. He questions his life's purpose, asking whether he still belongs, and ultimately reconciling himself with the devastating reality that all he is doing is not only for himself, but also everyone that's dear to him and thus depends on him. The Terence Trent D'Arby sample of "As Yet Untitled" is the icing on the cake, which gives the song an even more soulful feel.

A-Reece thrives off loopy piano chords which serve as the perfect canvas for him to just go off, full throttle and talk his shit. Of late, releases from Baby Boy have been far and few in between, so it comes as no surprises that when this single dropped, dead in the middle of lockdown, his legion of fans almost crashed the internet. He is his usual reflective self as he delivers soliloquies that range from being appreciative of life, feeling a little neglectful to his mom, and the overall power he is quite aware that he still wields in the game. Ayanda Jiya offers a fitting soulful touch to the song before it breaks into a brief second part, a slower soulful sample loop. The term "residual self image", for purposes of this song, is lifted off The Matrix film, and means the subjective appearance of a human while they are connected to the Matrix. In layman terms, it means the way a person sees and thinks of themselves in the physical form. 2351a5e196