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In one extended sequence of the 2017 documentary “Angry, White, and American,” Black British journalist Gary Younge faces off with alt-right leader Richard Spencer, who, at one point, says, “Look at the life of any African American living in the United States. It’s far better than any African living in Africa.”
Translation: Slavery was good. His words are a thinly veiled justification for Black bondage and a warning to Black Americans to be grateful for how good they’ve had it here. Spencer is saying that by enslaving Black Africans and bringing them to the New World back in the 1600s, white Americans and Europeans were saving them from “a world of dread and fear,” to quote the overarching presentation of the entire African continent offered by Band Aid in the 1984 charity single “Do They Know It’s Christmas?”
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Release : 2020-07-31
Runtime: 85 minutes
Genre: Music
Stars: Beyoncé, Adut Akech, Naomi Campbell, Blue Ivy Carter, Connie Chiume
Director: Beyoncé, Beyoncé, Beyoncé, Beyoncé, Rika Nakanishi
Sinopsis : This visual album from Beyoncé reimagines the lessons of "The Lion King" (2019) for today’s young kings and queens in search of their own crowns.
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Premise
Beyoncé Knowles’ latest project, “Black Is King,” could double as a delayed response to such nonsense. The new musical film, which debuted July 31 on Disney Plus, is the belated visual companion to her soundtrack album, “The Lion King: The Gift.” Following the album inspired by the 2019 re-imaging of “The Lion King” by one year and 12 days, it breaks the traditional release pattern that worked so well for Beyoncé four years ago, with the simultaneous premiere of her musical film “Beyoncé: Lemonade” on HBO and her album “Lemonade.” But this timing couldn’t be more perfect. It arrives two months after the murder of George Floyd, a Black man, by a white cop in Minneapolis, as the ensuing global Black Lives Matter protests have possibly changed Black and white lives forever (and, on a less inflammatory note, with Eddie Murphy’s “Coming to America” sequel on the way). What the world needs now is love, sweet, love, and this colorful reminder of the power and glory of Black, here in America but even more so in Africa.
Despite its racially charged title, “King” is not just for Black people. It’s also for a society of non-Blacks who have been conditioned to think of people of African descent as being less-than, without their own history and with limited futures. Written and directed by Beyoncé with various collaborators, “Black Is King” reminds us that Black lives didn’t begin in chains. Those came relatively late, but they couldn’t erase a rich and complex past in the motherland. “History is your future,” Beyoncé announces toward the beginning. “One day you will meet yourself back where you started, but stronger.”
There’s no tangible history lesson in “Black Is King,” but it emphasizes the possibly forgotten fact that Blacks in Africa were thriving before whites washed up on their shores. Among the most egregious comments Spencer makes in “Angry, White, and American” is his assertion that whites have been more pivotal to the story of mankind than Blacks. Without the latter, the world would be just as it is, he insists. In other words, Blacks have contributed nothing. As ridiculous as that might sound, considering the white-centric history Americans are taught in school, it’s not surprising he would say that. Maybe some young Blacks even agree. “Black Is King,” if nothing else, will perhaps inspire them to learn about the history of their race and the ways in which it has shaped the world.
The sole fact I can report is that this is inspired by the album The Lion King: The Gift, which in turn was inspired by last year’s remake of “The Lion King.” However, “Black Is King” worked best for me when I was able to forget it had anything to do with Simba and company. Still, the way Beyoncé melds this film’s imagery in the closing number with “Spirit,” her contribution to “The Lion King”’s soundtrack, gave me a newfound appreciation for the song. It begins with Beyoncé, clad in yellow and standing in a beam of light emanating from a church window, singing the opening verse. When the camera pulls back to reveal a choir decked out in a complementary color, the image has the reverential pull of a Sunday service. The vocal harmonies coupled with the striking fashion design by Zerina Akers bring forth a visual and aural exaltation.
As its title suggests, “Black Is King” is a celebration of Black culture and Black people, where we came from, where we are, and where we are going. It’s a tribute to our ancestors, ourselves and our contemporaries on both sides of the Atlantic. As a result, several songs showcase a slew of African musical collaborators like Tekno, Yemi Alade and Mr Eazi along with American artists like Pharrell, Childish Gambino and the Carter half of the Knowles-Carter empire, Jay-Z. The music ranges from rap to gospel to a haunting lullaby delivered by Beyoncé as her character provides narrative context for the earlier, gorgeous homage to Moses that opens the film.
Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations. The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
∎∎∎ STREAMING MEDIA ∎∎∎
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
∎∎∎ COPYRIGHT CONTENT ∎∎∎
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.
Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
∎∎∎ GOODS OF SERVICES ∎∎∎
Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date. In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.
The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment. Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.