Eight Mile Style, Eminem's music publisher, and an affiliated company, Martin Affiliated, say their contract with Aftermath Records, which controls the recordings, did not entitle it to strike a deal with Apple to sell 93 songs over iTunes.

The case involves millions of dollars and the creative rights behind the hip-hop star. But the issue for the judge here in the rapper's hometown is narrow: What do contracts between Eight Mile and Aftermath say about the ability to peddle songs beyond traditional compact discs?

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Eight Mile attorney Richard Busch said the publisher has a history of making legal distinctions between digital downloads and other ways to distribute Eminem's music. He referred to an agreement with Universal Music Group to offer Lose Yourself as a download before iTunes was created.

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Both the album and single were given substantial promotion on the Internet. AOL Music reported that a 20-minute selection of video content involving Carlton that the website had hosted, including the "A Thousand Miles" video and Carlton's performance of the song for Sessions@AOL, drew over one million requested downloads and streams prior to the release of Be Not Nobody.[16][17] The Sessions recording of "A Thousand Miles" was later included on the album Sessions @ AOL, released in October 2003.

"A Thousand Miles" continued to receive regular rotation on Adult Contemporary and Adult Top 40 radio stations two years after its original release, and Billboard magazine has named it "one of the most enduring songs of the millennium".[22] Carlton has said that rappers such as Fabolous and Ja Rule "really like this song."[23]

First appearing as a sample in the original soundtrack of the 2001 film Legally Blonde, the song is Carlton's most successful single, and her only top twenty hit in the U.S.; her next highest peaking single, "Ordinary Day", went no higher than number thirty on the Billboard Hot 100. Carlton told VH1 in 2004, "I just sit down and write my songs ... It just kind of happened and it will never happen again like that."[31] A writer for the Boston Phoenix said that with the song, Carlton "won favor with smart but awkward teenage girls who didn't see themselves in more evidently constructed teen-pop personalities like Britney Spears and Christina Aguilera",[32] and Slant magazine said it "helped pave the way for an industry beginning to take a turn away from bubblegum pop".[33]

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