Tube It Music WORK Download Mp3 WORK Download

The Tube is a United Kingdom music television programme, which ran for five series, from 5 November 1982 to 24 April 1987. It was filmed in Newcastle upon Tyne and produced for Channel 4 by Tyne Tees Television, which had previously produced the similar music show Alright Now and the music-oriented youth show Check it Out for ITV; production of the latter ended in favour of The Tube.

In addition to being the launchpad for new and upcoming performers, The Tube became known for its high-profile music performance 'scoops' from established world class musicians such as U2 live at Red Rocks, Madonna, Robert Plant, Tina Turner, Bo Diddley and ZZ Top. The show was also fortunate to persuade Ringo Starr to give one of the first post-Beatles interviews in an extended article on his work with Marc Bolan and T. Rex, filmed at his then (and previously John Lennon's) house, Tittenhurst Park. It was during the 50th show in November 1984 that Bob Geldof allegedly ran into Midge Ure and suggested the idea of a fund-raising single for the Christmas market to help the Ethiopian famine, the project that would become Band Aid and later Live Aid.

Tube It Music Download Mp3 Download

Download Zip 🔥 https://shoxet.com/2y3isP 🔥

The cornerstone of the shows was the live performances from three or four bands each week. In an era where most music TV shows featured non-stop miming, the fully live sets by the guest artists were innovative (but the sound mix was often very poor, with a curious quality that made it sound like everything had been 'phased'). The programme would start with a 45-minute magazine section consisting of interviews, fashion items and comedy appearances by a wide range of alternative artistes such as Frank Sidebottom, Alexei Sayle, Vic Reeves (before his association with Bob Mortimer), Foffo Spearjig and French & Saunders. During this section Yates would become known for conducting rather flirtatious interviews: in 1985, for example, she prompted Sting to remove his trousers.[citation needed]

The show usually featured four or five band appearances per week, with one main extended session to close. The format of the show was extended following Series 1 with a number of special events - most notably A Midsummer Night's Tube (1984), a 5-hour version broadcast live from the Tyne Tees studios, the pub across the road from the studios and The Hoppings annual fair in Newcastle. This ground breaking broadcast was, at the time, the longest continuous live music show in television history and received much critical and technical acclaim.

Studio 5 was also used to produce a spin-off show called TX45. This show ran for two series hosted by Chris Cowey and produced by Jeff Brown and featured local bands such as The Kane Gang, Caught in the Act, Secret Sam and President.[2][3] The programme's theme music, the instrumental "TX45", was by Sophie and Peter Johnston, based on the song of theirs, "Some Sunny Day". A video clip of them performing it is available.[4]

The Tube Music Network, Inc., or The Tube, was an American digital multicast television network. The network was a fully owned subsidiary of The Tube Media Corp., an independent company that was founded by David Levy in 2003. The Tube focused classic and modern music videos in a format similar to the original format of cable networks MTV and VH1, prior to those networks' shift towards long-form entertainment programming.[1] The network also aired occasional commercials and public service announcements, as well as three hours of educational and informational programming (as mandated by the Federal Communications Commission) on Saturday mornings.

The network's president and founder was Les Garland, a veteran of MTV and VH1. The ad split was 6 minutes per for the network and 1 minute to the station. The network was not sold any of the national ad time.[2] The Tube planned to attract a wider audience than MTV and other music channels by playing music regardless of genre or decade. 700 videos would be available to play with 14 videos per hours. Additional programming was made available for the station's main channel. The network's website would be a store as visitors could buy what they see on the network.[3]

The FCC ruled that in addition to the main analog channels, each digital subchannel would also be required to run the government-mandated three hours of educational and informational programming per week, as well as any Emergency Alert System tests and bulletins. The Tube would air the animal-focused music program Wildlife Jams to meet the E/I requirements. The rules would later be changed, requiring the main channel to air more E/I programming in relation to how many subchannels that the station operated and how much "free programming" they offered.

In response to an Event Notification Report, dated January 31, 2012, the U.S. Nuclear Regulatory Commission (NRC) modified its regulatory oversight of San Onofre Nuclear Generating Station (SONGS) Units 2 & 3, to address unexpected degradation of tubes in the newly installed steam generators after approximately 1.7 and 1 effective full power years of operation, respectively. The purpose of this special oversight was to assess the licensee's evaluation of the cause(s) of unexpected tube degradation, and verify that the licensee's corrective actions were appropriate to ensure the integrity of the steam generators and to protect the health and safety of the public and the environment.

On March 27, 2012, the NRC issued a Confirmatory Action Letter (CAL) to SCE, to confirm the actions the licensee committed to take prior to returning Units 2 and 3 to power operation. In its October 3, 2012, response to the CAL (addressing Unit 2 only), SCE indicated it would operate Unit 2 at no more than 70 percent power for no more than 150 days before conducting the next set of inspections of that unit's steam generator tubes.

SCE submitted a license amendment request for SONGS Unit 2 on April 5, 2013, as supplemented on April 9, 2013. SCE requested changes to support restart of SONGS Unit 2. The proposed license amendment would restrict Unit 2 operation to no more than 70 percent of the maximum authorized power level and would revise the Technical Specification requirements for steam generator tube integrity to reflect this change. SCE requested that these changes remain in effect for the duration of Unit 2, Cycle 17; a period of roughly 18 to 24 months of plant operation. This change would not relieve SCE of any of its obligations to demonstrate and maintain the integrity and operability of the SONGS steam generator tubes for the power level at which the reactor would operate.

Objective: To study the prevalence of different types of neural tube defects (NTDs) in Luliang Prefecture, Shanxi province, where the prevalence of NTDs is unusually high and the correlation between NTDs prevalence and patterns.

My students are special because they consistently show the world that ANYONE can become a musician. It's my job to teach them to love music, and it is their job to share that love of music with others!

Gary Yost, a retired Ashtabula County Common Pleas Judge and long time musician, plays the accordion on Thursday during a concert with Jay Spencer, of Canton, playing the Kimball organ at the Lakeside Performing Arts Center.

Gary Yost, a retired Ashtabula County Common Pleas Judge and long-time musician, plays the accordion on Thursday during a concert at the Lakeside Performing Arts Center. Kathleen Milford, left, the vice president of Operations for the Lakeside Society for the Performing Arts, provided a welcome for the event.

The afternoon performance was designed to help senior citizens enjoy the music without having to drive at night. Area nursing homes also provided transportation for residents interested and able to see the show.

Pipe organs are very different from electric ones in playing technique, sound and associated musical genres, so I definitely don't fint it good to just throw them together. Probably most electric-organ questions will be about Hammonds, and the other ones don't really warrant a tag of themselves.

My goal is to create a 3D animation that illustrates the movements and patterns produced in the air when Bach's Chromatic Fugue is played on a pipe organ. By combining the visual element of swirling patterns inspired by pipe organ acoustics simulation with imagery that the music evokes in the mind, I aim to present a surrealistic soundscape that visually depicts the boundless creative energy and freedom of music and mind combined. I hope to create an animation that is aesthetically interesting and to inspire imagination in viewer. ff782bc1db