Melanie Bertoli of Billboard said that "Neighbors Know My Name" "employs a knocking bassline and drip-drop effect to provide the ideal erotic backdrop for Songz's dirty talk."[16] "Black Roses" is "set to quasi-electronica production, buoyed by a soulful vocal arrangement."[17] Tyler Lewis of PopMatters said "Be Where You Are" was reminiscent of Jordan Knight's "Give It to You", and called it Songz's purest pop song to date.[17] "Yo Side of the Bed", containing soul influences, has been called R&B-pop rock similar to some of Beyonc's work on I Am... Sasha Fierce and Brandy on Human.[10][17] "LOL :-)" is lyrically about sexting, while featuring a "ringtone-ready" chorus, and heavy percussion.[18]

Ready received mostly positive reviews from professional critics, which received an aggregate score of 67 out of 100. The score, indicating "generally favorable reviews" was based on six reviews from website Metacritic.[32] It received many comparisons to the work of R&B artist R. Kelly, while several critics noted it as inconsistent. David Jeffries of Allmusic said that "Even at a whopping 17 like-minded tracks, all-night lovers wouldn't be caught dead complaining about how overly long it all is", commenting that Ready "is as entertaining and frivolous as a one-night stand should be."[11] Ken Capobianco of The Boston Globe said that Songz had developed as a vocalist stating his voice was more "elastic" and he used his falsetto "judiciously."[1] Capobianco commended tracks like "Be Where You Are," and "Love Lost", commenting that "tracks like that show that he is indeed ready for the next step."[1] Andrew Rennie of Now said, "slight deviations from R&B's classic formula allow Trey Songz wiggle room to play with his multi-octave voice. This offering sets him apart from other acts and may secure his spot in the canon of bedroom crooners."[13] Glenn Gamboa of Newsday said that after making his name for singing hooks on rap songs, that he "shows his smooth R&B vocals can hold the spotlight all on their own."[15] Rolling Stone gave the album 3 out of 5 stars and wrote that Songz "takes cues from R. Kelly, slyly mocking the self-parodying excesses of boudoir R&B while supplying the utilitarian goods: the sumptuous vocal harmonies and sultry beats upon which long nights beneath ceiling mirrors depend".[32] A writer for USA Today said the album reflects his broad appeal, and that Songz's proves "he's comfortable as a rogue or romantic. Even though the review pointed out that "he occasionally falls back on booty-call clichs," it did point out that "his song craft shines on the edgy "Black Roses" and regretful "Love Lost."[33] Jon Caramanica of The New York Times said, " 'Ready' is one of the year's most promising R&B albums, and a curious one at that", commenting, "the results are bawdy but never lecherous; sometimes all his enthusiastic bedroom talk has an air of childlike goofiness to it, as if he were thrilled to get away with boasting so freely."[31] Sean Fennesssy of The Village Voice called the album "one of the year's best..."[12]


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