It's not surprising, then, that dopamine is suspected of facilitating the effects of not just Ritalin but more troubling drugs as well. As alcohol concentrations build in the body, the brain responds by releasing more dopamine. Cocaine also seems to stimulate a dopamine rush. And with that comes a high-flying sense of pleasure, power, concentration, a jazzed-up sense of energy. It's well known that rats and other lab animals will perform tasks devotedly and sometimes desperately in return for a cocaine hit once they become addicted. That behavior continues unless scientists block their dopamine transport system. Then the drug suddenly falls into the ho-hum category. Without dopamine, cocaine would apparently be nothing more than white, powdery stuff with a funny taste.

But can one really draw the distinction in such absolute terms?When we admire an attractive man or woman, isn't it preciselytheir beauty that activates the senses and gives rise tocertain bodily passions? And if so, doesn't this prove that the twoare intimately linked? Shaftesbury dismisses this line of thoughtalmost out of hand. After all, we wouldn't say that it isthe beauty of the fruit that attracts and brings joy to theprowling animal in search of food; or that it is the beauty of thefood served at the dinner table that makes us humans hungry. Whatwhets and satisfies appetite of both humans and animals is not thestriking form, but what lies beneath that striking form, that which ismere matter. (Accordingly, the more a mouthwatering dish or body isviewed, the further they are from satisfying by mere view.) Just as itis not the material that makes a sculpture beautiful, but rather theartistic intentions and designs that shape the material, so it is notthe body in itself, something that is mere matter, that isbeautiful:




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