After the passable release of Venom: The Last Dance, any hope I had that its follow-up, Kraven The Hunter, would be just as good was at an all-time low. Unfortunately, my predictions were correct as the Sony Spider-Man Villian-Focused Cinematic Universe ends not with a meh but with a small whimper as Kraven, The Hunter fails to learn from its predecessors of Madame Web and Morbius and becomes a stale action movie with very little to care about.
The film’s narrative focuses on a young Sergei Kravinoff, heir to a criminal empire ruled by his father, Nikolai, next to his brother Dimitri. During a hunting trip, Kraven is critically injured by a lion but is saved by a woman named Calypso with a serum that gives him questionable powers, including enhanced strength, senses, and agility. Refusing to become like his father, Kraven leaves his life behind and starts a new life as Kraven The Hunter, as he hunts criminals and poachers worldwide. One day, a new criminal named The Rhino enters the picture and threatens his family through his brother. Kraven must battle against The Rhino and his criminal empire to save the day.
The story of Kraven the Hunter is bland and generic, with very little to get directly involved in. The villains are not well written; sadly, neither is our protagonist. The main issue with these Spider-Man villain films that Sony has made is that there is nothing villainous about them for the most part. Venom gets a pass mainly because he went from being a villain in the comics to an Antihero, which Venom’s films tend to focus more on than his villain aspects. Kraven and Morbius are not Anti-Heroes, yet their movies promote them as Anti-Hero films. Kraven can’t even do that right, as he does not fight any heroes or law enforcement throughout the film. He doesn't do any action that would label him as an Anti-Hero, thus just making him a hero, which is nothing like the Kraven character.
On the action front, however, Kraven does succeed in giving some pretty brutal action pieces. The fights are well-choreographed and well-shot in various scenes. When the film isn’t going on about it’s story and focusing on the “hunting” aspect of Kraven, the film does really well. Only a few fights were more CGI than practical, but I’ve often come to expect that from these films. If you enjoy a decent fight scene, you'll get plenty of that in this film
Kraven is played by Aaron Taylor-Johnson, who does his best with the script he is given. His accents in the film are jarring as he goes from an American accent to the Russian voice that the Kraven character is more known for. He uses the American accent more than the Russian one in the film, which made me see him more as a generic superhero than Kraven. Russel Crowe joins him as his father, Nikolai, who stays with a Russian accent throughout the film. I would’ve preferred Russel Crowe more as Kraven than Aaron, and I believe that if the film had been made a few years earlier, he would have been the perfect actor for Kraven in a Spider-Man movie.
Ariana DeBose and Fred Hechinger act as support in the film as Calypso and Kraven’s brother, Dimitri. Ariana’s performance was perfectly serviceable to the story, but it felt like Fred was hardly trying. The same can be said for the film’s villain, The Rhino, played by Alessandro Nivola, whose performance ranged from passable to hilariously bad. One scene had him randomly screeching for some reason in what I believe to be a serious scene, though it came off as hilariously weird.
Kraven is the last film in Sony’s attempt to create a cinematic universe based on Spider-Man without actually having Spider-Man in it. It feels like a desperate attempt to market off of fans who wanted to see a live-action depiction of an iconic Spider-Man villain but failed at understanding what makes him a good villain. To a casual viewer, Kraven is a bland, forgettable, but okay action film, but for me, this film is the last nail in the coffin of this now-confirmed, dead cinematic universe.