In July 1969, during sessions for the Beatles' album Abbey Road, Lennon used the phrase "come together" from the Leary campaign song to compose a new song for the album.[6] Based on the 1956 single "You Can't Catch Me" by American guitarist Chuck Berry,[7] the composition began as an up-tempo blues number,[8] only slightly altering Berry's original lyric of "Here come a flattop / He was movin' up with me" to "Here come ol' flattop / He come groovin' up slowly".[9][10] Lennon further incorporated the phrase "shoot me" from his unfinished and unreleased January 1969 song, "Watching Rainbows".[7] The lyrics were inspired by his relationship with Ono, and were delivered quickly, as in the Berry song. Author Peter Doggett wrote that "each phrase [passes] too quickly to be understood at first hearing, the sound as important as the meaning".[10]
The first take of the song, recorded on 21 July 1969, with slightly different lyrics, was released in 1996 on the outtake compilation Anthology 3,[17] and take five of the song was released on the Abbey Road 50th Anniversary release.
Together We Fly Lyrics Download
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In late 1969, "Come Together" was the subject of a copyright infringement claim brought against Lennon by Big Seven Music, the publisher of Chuck Berry's "You Can't Catch Me".[44] Morris Levy, the owner of Big Seven Music, contended that it sounded similar musically to Berry's original and shared some lyrics (Lennon sang: "Here come ol' flattop, he come groovin' up slowly", and Berry's had sung: "Here come a flattop, he was movin' up with me"). Before recording, Lennon and McCartney deliberately slowed the song down and added a heavy bass riff in order to make the song more original.[45] The case was settled out of court in 1973, with Levy's lawyers agreeing that Lennon would compensate by recording three Big Seven songs for his next album.[46] A brief version of "Ya Ya" with Lennon and his son Julian was released on the album Walls and Bridges in 1974. "You Can't Catch Me" and another version of "Ya Ya" were released on Lennon's 1975 album Rock 'n' Roll, but the third, "Angel Baby", remained unreleased until after Lennon's death. Levy again sued Lennon for breach of contract, and was eventually awarded $6,795. Lennon countersued after Levy released an album of Lennon material using tapes that were in his possession and was eventually awarded $84,912.96. The album was called Roots: John Lennon Sings the Great Rock & Roll Hits.[47]
"We Are Never Ever Getting Back Together" is a song by the American singer-songwriter Taylor Swift and the lead single from her fourth studio album, Red (2012). Big Machine Records released the song for download and to U.S. pop radio on August 13, 2012. Written and produced by Swift, Max Martin, and Shellback, "We Are Never Ever Getting Back Together" is an upbeat incorporation of many pop styles. Its production contains pulsing synthesizers, processed guitar riffs, bass drums, and a spoken-word bridge. Its lyrics express Swift's frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to U.S. country radio on August 21, 2012.
Music critics praised the track for its catchy melody and radio-friendly sound, though some described its lyrics as subpar for Swift's songwriting abilities. The song appeared in year-end lists by Rolling Stone, Time, and The Village Voice. "We Are Never Ever Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the top five in Australia, Ireland, Israel, Japan, and the U.K. On the U.S. Billboard Hot 100, the single debuted at number 72 and rose to number one the following week, registering one of the biggest single-week jumps in chart history. The single spent a record-breaking nine consecutive weeks topping the Hot Country Songs chart and received multi-platinum certifications in Australia, Japan, New Zealand, and the U.S.
After writing Speak Now (2010) entirely solo, Swift opted to collaborate with different songwriters and producers for Red. Thus, she called Max Martin and Shellback, two songwriters and producers whose work she admired, to discuss a possible collaboration. The trio conceived the concept for "We Are Never Ever Getting Back Together" shortly after a friend of Swift's ex-boyfriend walked into the recording studio and spoke of rumors he heard that Swift and her former flame were reuniting. After the friend left, Martin and Shellback asked Swift to elaborate on the details of the relationship, which she described as "break up, get back together, break up, get back together, just, ugh, the worst". When Martin suggested that they write about the incident, Swift began playing the guitar and singing, "We are never ever......", and the song flowed rapidly afterwards. She described the process as one of the most humorous experiences she had while recording, and said the musical partners matched her expectations. An audio clip of her sarcastically speaking about breakups can be heard before the final chorus.[2]
The lyrics are about a protagonist's frustration over an ex-boyfriend who wants to rekindle their relationship. At one point, Swift sings, "And you would hide away and find your peace of mind/ With some indie record that's much cooler than mine," deriding the ex-boyfriend's pretentious music taste while referencing her own profession as a musical artist.[26] Swift said that the cited lyrics were the song's most important detail because they reveal her real-life ex-boyfriend's judgment of her music, "It was a relationship where I felt very critiqued and subpar. He'd listen to this music that nobody had heard of ... but as soon as anyone else liked this band, he'd drop them."[27] To this extent, she wrote "We Are Never Ever Getting Back Together" in hopes of commercial success to spite the ex-boyfriend, "Not only would it hopefully be played a lot, so that he'd have to hear it, but [also] it's the opposite of the kind of music that he was trying to make me feel inferior to."[27]
The video, which is done as one continuous shot,[123] begins with Swift in colorful pajamas recounting the events of her off and on again relationship with her ex-boyfriend (played by Noah Mills). The video then segues into Swift going into her living room where her band is dressed up in animal costumes and Swift belts out the chorus of the song. The video then goes to a TV where Swift says "Like, ever." and then to the dining room where we see she returns to recounting the events of her relationship and receives a phone call from her ex who is calling her from a nightclub. Swift hangs up on him and he walks off the screen into the nightclub. It then goes to the two in a truck having an argument and then to them having a stroll in the park. Swift then runs off and we see her on the phone telling the person on the other line how she and her ex are not getting back together and her frustration with their entire relationship. The video then segues back to Swift's living room where a party is going on and her ex shows up unannounced trying to woo her back and she slams the door in his face. The video ends with Swift on her window ledge where she was at the beginning of the video, singing the last line of the song.[124]
(whistle)(humming)Cold, the air and water flowin'Hard, the land we call our homePush, to keep the dark from comin'Feel the weight of what we oweThis, the song of sons and daughtersHide, the heart of who we areMaking peace to build a futureStrong, united, working til we fallCold, the air and water flowin'Hard, the land we call our homePush, to keep the dark from comin'Feel the weight of what we oweThis, the song of sons and daughtersHide, the heart of who we areMaking peace to build a futureStrong, united, working til we fallAnd we all liftAnd we're all adrift togetherTogetherThrough the cold mistTil we're lifeless togetherTogether(humming)
The song appears to be a traditional labor hymn, meant to inspire togetherness amongst the populace of Fortuna and to fortify their souls for work. It uses themes of unity and shared burdens and hardships to foster harmony amongst the Solaris and to keep them working.
Cold: the air and water flowing.
Hard: the land we call our home.
Push to keep the dark from coming,
Feel the weight of what we owe.
This: the song of sons and daughters,
Hide the heart of who we are.
Making peace to build our future,
Strong, united, working till we fall.
Cold: the air and water flowing.
Hard: the land we call our home.
Push to keep the dark from coming,
Feel the weight of what we owe.
This: the song of sons and daughters,
Hide the heart of who we are.
Making peace to build our future,
Strong, united, working till we fall.
And we all lift, and we're all adrift together, together.
Through the cold mist, till we're lifeless together, together.
I'm gonna be the love that's gonna last
And be the one that got your back
And nothing never that bad
That we would be together
And we both made our mistakes
And somethings never wished we made
But we'll be okay if we just stay together
We are never, ever, ever
Getting back together
We are never, ever, ever
Getting back together
You go talk to your friends
Talk to my friends, talk to me
But we are never, ever, ever, ever
Getting back together
(We) getting back together (ooh, ooh, ooh)
(We) getting back together (ooh, ooh, ooh)
You go talk to your friends
Talk to my friends, talk to me (talk to me)
But we are never, ever, ever, ever
Getting back together 006ab0faaa
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