The track is built around a distinctive piano line and repeating guitar riff. The lyrics are based on the band's lead vocalist Adam Levine's break-up with an ex-girlfriend. He revealed that the song was written in the "most emotionally trying time" in his life.[2] He has also described the lyrics of this song as being extremely erotic.[3] "This Love" was critically acclaimed by music critics, who noted the track's musical scope.
In an interview with Rolling Stone, when asked about the lyrics "Keep her coming every night" and "Sinking my fingertips into every inch of you", Levine said: "Yep, that's sexual, all right. I was so sick of typical lyrics like 'Ooh, baby' and 'I love you' and all this vague shit. I thought the more explicit I got without being totally explicit was a nice approach. The little girls would enjoy them, and it would go right over my grandparents' heads. But it would hit my ex-girlfriend like a ton of bricks. It was perfect."[3] He also comments on how MTV played an edited version of the song for the music video, with the word "coming" edited out of the line "keep her coming every night".[6] Levine noted, "MTV has now edited the language. They won't let me say, 'Keep her coming every night', and they took the sinking out of 'sinking my fingertips'. It's like communist China. It's totally bizarre."[3]
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"This Love" was the first song that Swift wrote for 1989,[9] and the only one that she wrote on her own.[10] According to 1989's liner notes, she did so on October 17, 2012, when she was in Los Angeles.[11] Swift initially envisioned "This Love" as a "fun, little short poem" for her personal journal; when she came up with a melody in her head, she opted to turn the poem into a song.[12] To this end, she enlisted the help of her long-time collaborator Nathan Chapman, who worked with Swift on all her previous albums, to produce the track with her.[13][11] "This Love" was the only song from 1989 produced by Chapman.[14] The track was recorded at his Pain in the Art Studio in Nashville, Tennessee, and mixed by Serban Ghenea at MixStar Studios in Virginia Beach, Virginia.[11]
The lyrics are about feelings of heartbreak: "Lantern, burning, flickered in my mind for only you / But you were still gone, gone, gone."[34] Swift uses the ocean as a metaphor for a love that disappears and then comes back like the tides.[26] Critics considered it one of 1989's saddest songs.[26][35] Time magazine's Sam Lansky argued that the chorus's catchiness made it more hopeful than anguished.[30] Swift remarked that she frequently listened to "This Love", citing it as one of her favorites on the album.[9]
I tried my best to feed her appetite
Keep her coming every night
So hard to keep her satisfied
Oh, kept playing love like it was just a game
Pretending to feel the same
Then turn around and leave again
But I know
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Dr. Alex Klein is a licensed clinical psychologist who specializes in psychotherapy and assessment. He received his doctorate in clinical psychology from the Wright Institute in Berkeley, CA. He works at Kaiser Permanente Oakland and has a private practice. His primary interests include neurodiversity, couples and family therapy, social justice, parenting challenging children, consulting on educational programs, integrative approaches to psychotherapy, and the supervision of graduate students. Dr. Klein loves spending time with family and friends, music, and exploring the outdoors with his wife and twin daughters in the Bay Area.
Receiving unconditional love can also make a difference in emotional well-being. According to research from 2010, children who receive higher levels of affection from their parents or caregivers tend to have greater resilience in adulthood. They also tend to experience fewer mental health symptoms.
Results from a 2013 study support the idea that loving children unconditionally improves their lifelong health and wellness. This suggests parental unconditional love could offer some protection against the harmful, often lingering effects of childhood trauma or abuse.
Depending on the circumstances, you might agree to work together on rebuilding trust (and your savings), but you might also see no future in the relationship. You can walk away still holding forgiveness and love in your heart.
As one philosophy professor pointed out, even the love between a parent and a child falls short of unconditional. A parent might love their child no matter what they do, but this love still has a condition: They love their child because their child is theirs.
In a similar vein, consider the love you have for your partner or anyone else. What triggered it originally? Perhaps you felt attracted to certain specific characteristics: sense of humor, a kind heart, intelligence.
If they no longer had those characteristics, would your love continue, unaltered? From a philosophical perspective, if conditions never change, you might never know whether your love truly is unconditional.
In reality, love grows and shifts over time. It can also fade, through no fault of anyone involved. Love changes, in part, because people change. You, or your partner, may not be the same person years down the line.
Right after the launch of the BMW i3 in 2013, the Internet was full of clips of laughing people. Smartphone videos captured the joy on the faces of passengers during their first kilometers with a new electric car as this group of groundbreakers took their first test drives. People then shared their fun test drives on their social media channels.
At the time, BMW marketing expert Wim Van Bogaert was one of those involved in coming up with the idea of filming and posting this driving pleasure. The Belgian has worked in various areas in Central Marketing at the BMW Group since 2001, where he has been responsible for trade fairs and events, innovation management, retail marketing, and digital and performance marketing, among others. In 2013, he was part of the team responsible for the global BMW dealer network premiere of the BMW i3. He had got to know the BMW i3 long before the first customer rides and fallen in love with the visionary character of the first all-electric production car from BMW. Van Bogaert represents the many intellectual mothers and fathers of the BMW i3, all those involved in this project. And also the countless fans of the e-car outside the company.
In view of the lack of recharging infrastructure and the short range, developers and designers initially recommended the BMW i3 as the preferred vehicle for metropolitan areas. This is where the compact electric vehicle still feels most at home. Its passionate supporters love the local emission-free driving in noisy and polluted inner cities. Other features such as the minimal turning circle, rocket-like sprints, compact size despite its lounge-like interior, and the permanent recovery of electrical energy make the BMW i3 the ideal city partner.
If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured
And is altered in fulfilment. There are other places
Which also are the world's end, some at the sea jaws,
Or over a dark lake, in a desert or a city--
But this is the nearest, in place and time,
Now and in England.
If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of the living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.
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